In some parts of the world, self-confessed murderer Leonard Graham would have been executed, or even given life imprisonment for his monstrous crime. At his trial, he had confirmed to the court that he'd only met the man he'd shot a few hours before. Prior to that one meeting, he'd never seen him before in his life. The accused had offered no reason for his apparently unprovoked and savage attack, shooting his victim repeatedly at point-blank range. He was sentenced to five years in a psychiatric ward. But Graham DID have a reason for his actions--a weird secret that he'd deliberately kept to himself, choosing instead to plead...GUILTY AS CHARGED! Seven gripping tales of murder, crime, and the fantastic!

From Ferdinand von Schirach, one of Germany’s most prominent defense attorneys, comes a jolting debut collection of short stories that daringly brings to light the motivations stirring within the criminal mind. By turns witty and sorrowful, unflinchingly brutal and heartbreaking, the deeply affecting, quietly unnerving cases presented in Crime urge a closer examination of guilt and innocence. In “Fähner,” a small-town physician and avid gardener betrays little emotion when he takes an ax to his wife’s head, an act that shocks the locals but provides a long-awaited reprieve for the good doctor. Abbas, a Palestinian refugee who is cornered into a life of crime, finds true love and seemingly a saving grace with a beautiful student named Stefanie in “Summertime.” But when she is viciously murdered in a hotel room after having been paid to sleep with one of the country’s wealthiest men, is Abbas to blame or is it the man who seems to have it all? And in the startling story “Love,” a young man’s infatuation with his girlfriend takes a grisly turn as he comes to grips with his unconventional—and uncontrollable—impulses to truly know a woman. “Guilt,” writes von Schirach, “always presents a bit of a problem.” In this beautifully nuanced and telling collection, guilt is indeed never as clear-cut as the crime, and justice is more nebulous still.

Sixteen-year-old Cassie Jo Stoddard agreed to house sit for relatives on the weekend of September 22, 2006. It was something the teenager had done before…but this time something went terribly wrong. When the family returned home at the end of the weekend they found Cassie lying on their living room floor brutally stabbed to death. Detectives focused on two of Cassie’s classmates who had briefly visited her on the night that she was murdered: Torey Adamcik and Brian Draper. Initially both boys denied any knowledge of the crime, but after two separate interrogations, Brian Draper told detectives a chilling story of murder straight out of a horror movie. The two boys were immediately arrested, and a shocking videotape was discovered that seemed to depict the two teens not only planning the cold-blooded murder, but celebrating it. Community outrage was strong and immediate. The public demanded justice. But was the video actually what it appeared to be: a cold-blooded documentary that detailed the plotting of Cassie’s murder; or something else entirely? Could anyone uncover the truth in time and convince a jury that sometimes things aren't always what they appear to be? The Guilty Innocent is narrated by Shannon Adamcik, mother of Torey, one of the accused boys. It takes readers behind the scenes of a trial where prosecutors cared more about public opinion than truth, defense attorneys, who had never argued a murder case, were in over their heads, and a young boy’s life hung in the balance. The United States is the only country in the world that will charge a juvenile as an adult and sentence them to life without parole. As the mother of one such child, I know exactly what happens when a juvenile is placed in adult court where they cannot defend themselves. They are immediately cut off from all human contact, locked in isolation, and railroaded through a justice system they simply cannot comprehend. Consequently, many of these juveniles are sentenced too much longer and harsher terms than their adult counterparts. I've personally lived through this, and I was compelled to write about it. I began for the simple reason that I had lived through this horrendous ordeal and I ached for someone to confide in. But reliving the most painful part of my life was extraordinarily difficult. Ultimately the only reason that I was able to persevere was my deep belief that the story was important and needed to be told. That is still true. This is a true story and no one can tell it better than the people who lived it. A crime reporter can look at the details of a case, but they cannot tell you how it feels to live through it. I can and I did. I used the pre-trial and trial transcripts, copies of the police reports, the autopsy and DNA reports, and DVD recordings of all of the evidence in the case. I've done copious research. But more importantly, I take readers step-by-step through what it feels like when your 16-year-old son is accused of first-degree murder; all the odds are stacked against him; and his defense is in the hands of attorneys you can’t fully trust to come through for you.

"Coyle's Coffeehouse books are superb" (Library Journal), and now the national bestselling author of Murder by Mocha serves up a hot new Coffeehouse Mystery with A Brew to a Kill. Coffee. It can get a girl killed. A shocking hit-and-run in front of her Village Blend coffeehouse spurs Clare Cosi into action. A divorced, single mom in her forties, Clare is also a dedicated sleuth, and she's determined to track down this ruthless driver who ran down an innocent friend and customer. In the meantime, her ex-husband Matt, the shop's globetrotting coffee buyer, sources some amazing new beans from Brazil. But he soon discovers that he's importing more than coffee, and Clare may have been the real target of that deadly driver. Can ex-husband and wife work together to solve this mystery? Or will their newest brew lead to murder? Includes recipes.

Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist. The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings. Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.

Soon to be a Major Motion Picture In the ebullient spirit of Ocean’s 8, The Heist, and Thelma & Louise, a sensational and entertaining memoir of the world’s most notorious jewel thief—a woman who defied society’s prejudices and norms to carve her own path, stealing from elite jewelers to live her dreams. Growing up during the Depression in the segregated coal town of Slab Fork, West Virginia, Doris Payne was told her dreams were unattainable for poor black girls like her. Surrounded by people who sought to limit her potential, Doris vowed to turn the tables after the owner of a jewelry store threw her out when a white customer arrived. Neither racism nor poverty would hold her back; she would get what she wanted and help her mother escape an abusive relationship. Using her southern charm, quick wit, and fascination with magic as her tools, Payne began shoplifting small pieces of jewelry from local stores. Over the course of six decades, her talents grew with each heist. Becoming an expert world-class jewel thief, she daringly pulled off numerous diamond robberies and her boyfriend fenced the stolen gems to Hollywood celebrities. Doris’s criminal exploits went unsolved well into the 1970s—partly because the stores did not want to admit that they were duped by a black woman. Eventually realizing Doris was using him, her boyfriend turned her in. She was arrested after stealing a diamond ring in Monte Carlo that was valued at more than half a million dollars. But even prison couldn’t contain this larger-than-life personality who cleverly used nuns as well as various ruses to help her break out. With her arrest in 2013 in San Diego, Doris’s fame skyrocketed when media coverage of her astonishing escapades exploded. Today, at eighty-seven, Doris, as bold and vibrant as ever, lives in Atlanta, and is celebrated for her glamorous legacy. She sums up her adventurous career best: “It beat being a teacher or a maid.” A rip-roaringly fun and exciting story as captivating and audacious as Catch Me if You Can and Can You Ever Forgive Me?—Diamond Doris is the portrait of a captivating anti-hero who refused to be defined by the prejudices and mores of a hypocritical society.

The true story of Elizabeth Haysom and Jens Soering, convicted of the double murder of her parents, Derek and Nancy Haysom.

Examines the false conviction of Dale N. Johnston for the murders of eighteen-year-old Annette Cooper Johnston and nineteen-year-old Todd Schultz.

The bestselling author of The Hot House once again combines the facts, the real people, and the location itself into this true story, a wide-ranging portrait of the interplay of race, sex, and justice in the American South, made all the more real because it takes place in the same small Alabama town that was the fictional "Maycomb" in Harper Lee's To Kill a Mockingbird. Optioned for film by MGM. Photos.