Guardians of the Golden Age teams together some Titanic Teens! Young heroes from the dawn of comics like Mary Marvel, Captain Marvel Jr., Tomboy, Golden Lad, T.N.T. Tom, Masterman, The Black Knight, Bobby O'Brien, Circus Girl, and the Chums of St. Albyns. 100 Big Pages of terrific teenagers!

Guardians of the Golden Age teams together some Titanic Teens! Young heroes from the dawn of comics like Mary Marvel, Captain Marvel Jr., Tomboy, Golden Lad, T.N.T. Tom, Masterman, The Black Knight, Bobby O'Brien, Circus Girl, and the Chums of St. Albyns. 100 Big Pages of terrific teenagers!

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IN the early morning hours of April 15, 1912, the icy waters of the North Atlantic reverberated with the desperate screams of more than 1,500 men, women, and children—passengers of the once majestic liner Titanic. Then, as the ship sank to the ocean floor and the passengers slowly died from hypothermia, an even more awful silence settled over the sea. The sights and sounds of that night would haunt each of the vessel’s 705 survivors for the rest of their days. Although we think we know the story of Titanic—the famously luxurious and supposedly unsinkable ship that struck an iceberg on its maiden voyage from Britain to America—very little has been written about what happened to the survivors after the tragedy. How did they cope in the aftermath of this horrific event? How did they come to remember that night, a disaster that has been likened to the destruction of a small town? Drawing on a wealth of previously unpublished letters, memoirs, and diaries as well as interviews with survivors’ family members, award-winning journalist and author Andrew Wilson reveals how some used their experience to propel themselves on to fame, while others were so racked with guilt they spent the rest of their lives under the Titanic’s shadow. Some reputations were destroyed, and some survivors were so psychologically damaged that they took their own lives in the years that followed. Andrew Wilson brings to life the colorful voices of many of those who lived to tell the tale, from famous survivors like Madeleine Astor (who became a bride, a widow, an heiress, and a mother all within a year), Lady Duff Gordon, and White Star Line chairman J. Bruce Ismay, to lesser known second- and third-class passengers such as the Navratil brothers—who were traveling under assumed names because they were being abducted by their father. Today, one hundred years after that fateful voyage, Shadow of the Titanic adds an important new dimension to our understanding of this enduringly fascinating story.

One day in 1599, in the Spanish village of Saria, seven-year-old Maria Angela Astorch fell ill and died after gorging herself on unripened almonds. Maria's sister Isabel, a nun, came to view the body with her mother superior, an ecstatic mystic and visionary named Maria Angela Serafina. Overcome by the sight of the dead girl's innocent face, Serafina began to pray fervently for the return of the child's soul to her body. Entering a trance, she had a vision in which the Virgin Mary gave her a sign. At once little Maria Angela started to show signs of life. A moment later she scrambled to the ground and was soon restored to perfect health. During the Counter-Reformation, the Church was confronted by an extraordinary upsurge of feminine religious enthusiasm like that of Serafina. Inspired by new translations of the lives of the saints, devout women all over Catholic Europe sought to imitate these "athletes of Christ" through extremes of self-abnegation, physical mortification, and devotion. As in the Middle Ages, such women's piety often took the form of ecstatic visions, revelations, voices and stigmata. Stephen Haliczer offers a comprehensive portrait of women's mysticism in Golden Age Spain, where this enthusiasm was nearly a mass movement. The Church's response, he shows, was welcoming but wary, and the Inquisition took on the task of winnowing out frauds and imposters. Haliczer draws on fifteen cases brought by the Inquisition against women accused of "feigned sanctity," and on more than two dozen biographies and autobiographies. The key to acceptance, he finds, lay in the orthodoxy of the woman's visions and revelations. He concludes that mysticism offered women a way to transcend, though not to disrupt, the control of the male-dominated Church.

John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Rescuing Titanic tells with exquisite illustrations and richly detailed text the story of the Carpathia and its heroic journey rescuing passengers from the Titanic.

This original and “meticulously researched retelling of history’s most infamous voyage” (Denise Kiernan, New York Times bestselling author) uses the sinking of the Titanic as a prism through which to examine the end of the Edwardian era and the seismic shift modernity brought to the Western world. “While there are many Titanic books, this is one readers will consider a favorite” (Voyage). In April 1912, six notable people were among those privileged to experience the height of luxury—first class passage on “the ship of dreams,” the RMS Titanic: Lucy Leslie, Countess of Rothes; son of the British Empire Tommy Andrews; American captain of industry John Thayer and his son Jack; Jewish-American immigrant Ida Straus; and American model and movie star Dorothy Gibson. Within a week of setting sail, they were all caught up in the horrifying disaster of the Titanic’s sinking, one of the biggest news stories of the century. Today, we can see their stories and the Titanic’s voyage as the beginning of the end of the established hierarchy of the Edwardian era. Writing in his signature elegant prose and using previously unpublished sources, deck plans, journal entries, and surviving artifacts, Gareth Russell peers through the portholes of these first-class travelers to immerse us in a time of unprecedented change in British and American history. Through their intertwining lives, he examines social, technological, political, and economic forces such as the nuances of the British class system, the explosion of competition in the shipping trade, the birth of the movie industry, the Irish Home Rule Crisis, and the Jewish-American immigrant experience while also recounting their intimate stories of bravery, tragedy, and selflessness. Lavishly illustrated with color and black and white photographs, this is “a beautiful requiem” (The Wall Street Journal) in which “readers get the story of this particular floating Tower of Babel in riveting detail, and with all the wider context they could want” (Christian Science Monitor).

A cloth bag containing eight copies of the title.