First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term ‘Grub Street’ has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists – Pope, Swift and Fielding – built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With studies of a number of key authors, as well as the modern and metaphorical development of the term ‘Grub Street’, this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term ‘Grub Street’ has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists – Pope, Swift and Fielding – built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With studies of a number of key authors, as well as the modern and metaphorical development of the term ‘Grub Street’, this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term 'Grub Street' has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists - Pope, Swift and Fielding - built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With studies of a number of key authors, as well as the modern and metaphorical development of the term 'Grub Street', this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

In this concise introduction to Pope’s life and work, first published in 1975, the poet’s highly successful career as a man of letters is seen against the background of the Augustan age as a whole. Pat Rogers begins by examining the relationship of the eighteenth-century writer to his audience, and discusses the role of style and versification in this. The book covers the whole of Pope’s work and includes not only the translations of Homer and such minor poems as The Temple of Fame, but also the prose, both drama and correspondence. Based on extensive research, this book will provide literature students with a greater appreciation and understanding of Pope’s verse and the ways in which he addressed his eighteenth-century context in his work.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

First published in 1949, this book presents the collected works of eighteenth-century poet, Christopher Smart. Smart's character and his poetry are difficult to disentangle - both egocentric, given to exhibitionism, childish, oscillating between the extremes of self-belittlement and self-glorification. Few other poets, however, match him in directness of expression. It is the aim of this edition to present as complete a text as possible in the way that Smart himself would have seen it and, in giving some account of the poet's life, to link his poetry with it. The book will be of interest to students of eighteenth-century literature and history.