Andrea Meloni was born in Year VI (1928) of the Fascist Era in Italy. In his memoir he tells stories about growing up in Mussolini’s Italy. In elementary school he delighted in being a little fascist, participating in military drills in his schoolyard and the streets of Rome. As a teenager he gradually became disillusioned with fascism as Mussolini led Italy into World War II on the side of Germany and eventually fell from power when the Allies began their invasion of Italy. He describes the first years of his life living in extreme poverty in the village of Acuto (Frosinone), his move to Rome at age five, the years under Mussolini followed by the terrors of the German occupation of Rome and the dangerous civil war between fascists and partisans, and finally the overwhelming post-war devastation.

An internationally acclaimed novelist and journalist movingly chronicles her childhood in Rome during World War II, providing a rare account by a Catholic of Jewish persecution and Papal responsibility In 1937, Rosetta Loy was a privileged five-year-old growing up in the heart of the well-to-do Catholic intelligentsia of Rome. But her childhood world of velvet and lace, airy apartments, indulgent nannies, and summers in the mountains was also the world of Mussolini's fascist regime and the increasing oppression of Italian Jews. Loy interweaves the two Italys of her early years, shifting with powerful effect from a lyrical evocation of the many comforts of her class to the accumulation of laws stipulating where Jews were forbidden to travel and what they were not allowed to buy, eat, wear, and read. She reveals the willful ignorance of her own family as one by one their neighbors disappeared, and indicts journalists and intellectuals for their blindness and passivity. And with hard-won clarity, she presents a dispassionate record of the role of the Vatican and the Catholic leadership in the devastation of Italy's Jews. Written in crystalline prose, First Words offers an uncommon perspective on the Holocaust. In the process, Loy reveals one writer's struggle to reconcile her memories of a happy childhood with her adult knowledge that, hidden from her young eyes, one of the world's most horrifying tragedies was unfolding.

Mussolini's Children uses the lens of state-mandated youth culture to analyze the evolution of official racism in Fascist Italy. Between 1922 and 1940, educational institutions designed to mold the minds and bodies of Italy's children between the ages of five and eleven undertook a mission to rejuvenate the Italian race and create a second Roman Empire. This project depended on the twin beliefs that the Italian population did indeed constitute a distinct race and that certain aspects of its moral and physical makeup could be influenced during childhood. Eden K. McLean assembles evidence from state policies, elementary textbooks, pedagogical journals, and other educational materials to illustrate the contours of a Fascist racial ideology as it evolved over eighteen years. Her work explains how the most infamous period of Fascist racism, which began in the summer of 1938 with the publication of the "Manifesto of Race," played a critical part in a more general and long-term Fascist racial program.

With Mussolini ’s Italy, R.J.B. Bosworth—the foremost scholar on the subject writing in English—vividly brings to life the period in which Italians participated in one of the twentieth century’s most notorious political experiments. Il Duce’s Fascists were the original totalitarians, espousing a cult of violence and obedience that inspired many other dictatorships, Hitler’s first among them. But as Bosworth reveals, many Italians resisted its ideology, finding ways, ingenious and varied, to keep Fascism from taking hold as deeply as it did in Germany. A sweeping chronicle of struggle in terrible times, this is the definitive account of Italy’s darkest hour.

The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.

Drawing on freshly discovered material--including correspondence previously unavailable outside academia--the talented writer and journalist Nicholas Farrell has created a revelatory biography of the Italian fascist leader and dictator. How did Mussolini manage to take power and hold on to it for two decades? What inspired Churchill to call him "the Roman genius" and Pope Pius XI to say he was "sent by Providence"? And how did Mussolini successfully curtail democracy without using mass murder to stay in command? Farrell answers these questions and more, focusing particularly on Mussolini's fatal error: his alliance with Hitler, whom he despised. Anyone interested in history, politics, and World War II will encounter an intriguing and startling picture of one of the 20th century's key figures.

From the bestselling author of A Train in Winter, the story of the Rosselli family, whose courage standing up to Mussolini's fascism helped define the path of Italy in the years between the World Wars. "I had a house: they destroyed it. I had a newspaper: they closed it. I had a university chair: I was forced to abandon it. I had—as I still do—dreams, dignity, ideals: to defend them I was sent to prison. I had teachers: they murdered them." —Carlo Rosselli on Italy's fascist regime Italy's Rosselli family were members of the cosmopolitan, cultural elite in Florence at the start of the twentieth century. Led by their fierce matriarch, Amelia Rosselli, they were also vocal anti-fascists. As Mussolini rose to power in Italy following WWI, the Rossellis took leading roles in the rebellion against him, a stance that few in their class would risk. And when Mussolini established a police state whose tactics grew more brutal, the Rossellis and their anti-fascist friends transformed from debaters and critics into activists. As punishment for their participation in revolutionary activities, the Rossellis' homestead was ransacked, one after another of their number was imprisoned, others in the family fled the country to escape a similar fate, and two were eventually assassinated on the orders of Mussolini's government. After the outbreak of WWII, Amelia fled with the remaining members of the Rosselli family to New York City. Their visas were arranged by Eleanor Roosevelt herself. Through the stories of these brave people and their friends, renowned historian Caroline Moorehead delivers an immersive picture of Italy in the first half of the twentieth century. She reveals the rise and fall of Mussolini and his black-shirted Squadristi; the ambivalence of many prominent Italian families to Mussolini and their seduction by his promises; and the bold, fractured anti-fascist movement, so many of whose members died at Mussolini's hands. Continuing "The Resistance Quartet" she began with A Train in Winter and continued with Village of Secrets, Moorehead once again shows us the faces of those who helped the world hold on to its humanity at a time when it seemed all might be lost.

Study of the relationship between the military and foreign policies of Fascist Italy, 1922 to 1940.

A brilliant young historian follows the odyssey of Mussolini's body in an original exploration of the history and legacy of Italian Fascism Bullet-ridden, spat on, butchered bloody: this was the fate of Il Duce, strung up beside his dead mistress in a Milan square, as reviled in death as he was adored in life. With Italy's defeat in World War II, the cult of Benito Mussolini's physical self was brought to its grotesque denouement by a frenzied, jeering crowd of thousands-one eerily similar to the cheering throngs that had once roared their approval beneath Il Duce's balcony. In this groundbreaking work, Sergio Luzzatto traces the fortunes of the Fascist dictator's body: from his charisma, virility, and magnetic domination of Fascist parades, to his humiliating execution, the ugly display of his remains, and beyond. Buried, exhumed, stolen, and hidden for ten years, Il Duce's corpse was finally laid to rest, a shrine for fanatical followers. Through this pursuit, Luzzatto shows how in a totalitarian state the body of the ruler comes to incarnate the nation. And from the indignities visited on Mussolini's corpse, Luzzatto crafts a subtle social and intellectual history of a country struggling to become a republic and free itself from the thrall of Fascism. Elegantly written and stunningly conceived, alive with never-before-published letters, diaries, and reports, The Body of Il Duce cuts a new and compelling path through twentieth-century history.

The question of how ordinary people related to totalitarian regimes is still far from being answered. The tension between repression and consensus makes analysis difficult; where one ends and the other begins is never easy to determine. In the case of fascist Italy, recent scholarship has tended to tilt the balance in favour of popular consensus for the regime, identifying in the novel ideological and cultural aspects of Mussolini's rule a 'political religion' which bound the population to the fascist leader. The Party and the People presents a different picture. While not underestimating the force of ideological factors, Paul Corner argues that 'real existing Fascism', as lived by a large part of the population, was in fact an increasingly negative experience and reflected few of those colourful and attractive features of fascist propaganda which have induced more favourable interpretations of the regime. Distinguishing clearly between the fascist project and its realisation, Corner examines the ways in which the fascist party asserted itself at the local level in the widely-differing areas of Italy, at its corruption and malfunctioning, and at the mounting wave of popular resentment against it during the course of the 1930s - resentment and hostility which, in effect, signalled the failure of the project. The Party and the People, based largely on unpublished archival material, concludes by suggesting that the abuse of power by fascists mirrors much wider problems in Italy related to the relationship between the public and the private and to the modes of utilisation of power, both in the past and in the present.