This inspired bio musical about The One and Only begins with Groucho as an old man doing his famous Carnegie Hall show. It then goes back to the beginnings of the Marx Brothers and their struggles to make it in vaudeville, their rise to stardom and their eventual break up. All classic Groucho songs are included. One actor plays Groucho, another plays Chico and Harpo, and one actress plays all the wives, girlfriends and Margaret Dumont. A hit in New York, across the U.S. and in London, this show will delight Marx Brothers fans and the as yet uninitiated.

This definitive biography of one of the world’s greatest comedians unflinchingly yet affectionately uncovers the man behind the cigar. Here is the amazing career of the man the world recognized as Groucho: the improbable disasters of the vaudeville years; the Marx Brothers, an act so funny W.C. Fields refused to follow it; the unprecedented Broadway success of The Cocoanuts and Animal Crackers; the cinematic triumphs of Duck Soup and A Night at the Opera; and the marvelous come-back career as king of the game show hosts with You Bet Your Life. Here, too, is the man himself: a lonely middle child who aspired to be a doctor; a man who sabotaged three marriages; a father alternately indulgent and cruel. Intelligent and thorough, hilarious and sad, Groucho is a spectacular biography of the century’s most influential comedian.

Groucho Marx made the transition from screen to paper in Ron Goulart's widely acclaimed first novel, Groucho Marx, Master Detective, where he debuted as a radio star-cum-private eye. Groucho and Frank aren't enjoying their latest costar, singing child prodigy Polly Pilgrim, a spoiled ingenue. When a prominent Beverly Hills plastic surgeon is found dead in his palatial home, and Polly's mother, the faded actress Frances London, is accused of his murder, Polly's request for Groucho and Frank to help prove her mother's innocence surprises them. She is convinced that Frances has been framed, and despite the mounting evidence against the washed-up perfromer, the pair takes on the case.

In this inventive mystery set in Hollywood's golden era, Ron Goulart revives America's favorite cigar-wielding comic--Groucho Marx. Needing a project to occupy him between movie stints, Groucho agrees to act in a radio serial. But when a beautiful starlet is found dead before production even begins, Groucho is determined to find out who killed her.

Donated to the Library of Congress in the mid-1960s, Groucho Marx's correspondence was first crafted into this celebration of wit and wisdom in 1967. Reissued today with his original letters and humor intact, The Groucho Letters exposes one of the twentieth century's most beloved comedian's private insights into show biz, politics, business, and, of course, his illustrious personal life. Included are Marx's conversations with such noted personalities as E. B. White, Fred Allen, Goodman Ace, Nunnally Johnson, James Thurber, Booth Tarkington, Alistair Cooke, Harry Truman, Irving Berlin, and S. J. Perelman. To Confidential Magazine Gentlemen: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription. Sincerely, Groucho Marx

Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics. The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.

When Groucho Marx was well into his eighties, Charlotte Chandler approached him about writing a profile of him for a magazine. Groucho invited Charlotte to meet and that meeting grew into a friendship that lasted until Groucho's death in August 1977. Groucho was surrounded by a group of friends - some old timers like George Burns and Jack Benny - some younger comedians, like Woody Allen, who revered Groucho. Charlotte was present for most of these meetings and these conversations form the basis of HELLO, I MUST BE GOING. Some are hilarious, some are poignant, all of them are fascinating. If you ever wondered what it was like to spend some time with Groucho Marx, one of the wittiest men ever, this is your book.

An intimate and candid portrait of the great comedian by the man who know him best. This book abounds with vignettes of the celebrities drawn into the Marx orbit with close-ups of Groucho's famous siblings and of his three wives.

"Included among these essays are his featherbedding campaign against standardization of cots, a defense of bedbugs, and a full chapter on 'The Advantages of Sleeping Alone.' Not only has Groucho made his BEDS; he lies in it. Call him bedroom radical, call him dreamer, call him collect, Groucho's BEDS is the last word on bedroom bedlam, and 'no Marx ever breaks his word-except maybe to an employer, the landlord or a lady" --

From the Peter Neil Issacs collection.