This volume gathers together about two thirds of the articles and essays published between 1983 and 2021 by Philip Hardie, whose work on ancient literature has been of seminal importance in the field. The centre of gravity lies in late Republican and Augustan poetry, in particular Lucretius, Virgil, and Ovid, with important contributions on wider Augustan culture; on Neronian and Flavian epic; on the Latin poetry of late antiquity; and on the reception of Latin poetry.

From classics and history to Jewish rabbinic narratives and the canonical and noncanonical gospels of earliest Christianity, the relevance of studying the novel of the later classical periods of Greek and Rome is widely endorsed. Ancient novels contain insights beyond literary theories and philosophical musings to new sources for understanding the popular culture of antiquity. Some scholars, in fact, refer to ancient novels as “alternative histories,” for they tell history implicitly rather than with the intentional biases of the historian. The Novel in the Ancient World surveys the new approaches and insights to the ancient novel and wrestles with issues such as the development, transformation, and christianization of the novel (Spirit-inspired versus inspired by the Muses). This publication has also been published in hardback, please click here for details.

This collection of wide-ranging essays offers a fascinating overview of current scholarly approaches to the ancient novel and related texts. These are discussed in their literary, cultural and social context, and as sources of inspiration for Byzantine and modern fiction.

Assembles a major scholar's work on Hellenistic and Imperial Greek poetry and the novels over four decades, illustrating its evolution.

The Acts of Peter, one of the Apocryphal Acts of the Apostles that detail the exploits of the key figures of early Christianity, provides a unique window into the formation of early Christian narrative. Like the Gospels, the Acts of Peter developed from disparate oral and written narrative from the first century. The apocryphal text, however, continued to develop into a number of re-castings, translations, abridgements, and expansions. The Acts of Peter present Christian narrative in an alternate universe, in which canonization did not halt the process of creative re-composition. Now, in this groundbreaking book, Thomas examines the sources and subsequent versions of the Acts, from the earliest traditions through the sixth-century Passions of the Apostles, arguing the importance of its "narrative fluidity": the existence of the work in several versions or multiforms. This feature, shared with the Jewish novels of Esther and Daniel, the Greek romance about Alexander the Great, and the Christian Gospels, allows these narratives to adapt to accommodate the changing historical circumstances of their audiences. In each new version, the audiences' defining conflicts were reflected in the text, echoing a historical consciousness more often identified with primary oral societies, in which the account of the past is a malleable script explaining the present. Although the genre most closely comparable to these works is the ancient novel, their serious historical intent separates them from the later, more self-consciously fictive novels, and maintains them within the realm of the earlier historical novels produced by ethnic subcultures within the Roman empire.