“The strangest book you are likely to read this year.” – JM Coetzee SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD Pain was Joe Grim’s self-expression, his livelihood and reason for being. A superstar boxer who rarely won a fight, Grim distinguished himself for his extraordinary ability to withstand physical punishment. In this wild and expansive novel, Michael Winkler moves between the present day and Grim’s 1908–09 tour of Australia, bending genres and histories into a kaleidoscopic investigation of pain, masculinity, and narrative. Pain is often said to defy the limits of language. And yet Grimmish suggests that pain – physical and mental – is also the most familiar and universal human condition; and, perhaps, the secret source of our impulse to tell stories. “A powerful blast of literary ingenuity and originality.” – Lloyd Jones, author of Mister Pip "Grimmish meets a need I didn't even know I had. I lurched between bursts of wild laughter, shudders of horror, and gasps of awe at Winkler’s verbal command: the freshness and muscle of his verbs, the unstoppable flow of his images, the bizarre wit of the language of pugilism—and all the while, a moving subterranean glint of strange masculine tenderness." – Helen Garner ‍“All the makings of a cult classic. It’s grotesque and gorgeous, smart and searching.” – Beejay Silcox, The Guardian

Readers, writers, and critics alike look forward to each new collection of Thomas Hauser's articles about today’s boxing scene. Reviewing these books, Booklist has proclaimed, “Many journalists have written fine boxing pieces, but none has written as extensively or as memorably as Thomas Hauser. . . . Hauser remains the current champion of boxing. . . . He is a treasure.” Hauser’s newest collection meets this high standard. The Universal Sport features Hauser’s coverage of 2021 and 2022 in boxing. As always, Hauser chronicles the big fights and gives readers a behind-the-scenes look at boxing’s biggest stars. He offers a cogent look the rise of women’s boxing and shines a penetrating light on the murky world of illegal performance enhancing drugs and financial corruption at the sport’s highest levels. He explores how boxing has become a tool in the high-stakes world of “sportswashing” by Saudi Arabia and a flash point for discussions about Russia’s brutal invasion of Ukraine. The book culminates in a memorable four-part essay on the craft of writing coupled with reflections on Hauser’s own induction into the International Boxing Hall of Fame.

HERITAGE TORONTO 2022 BOOK AWARD NOMINEE From basketball hoops to cricket bats, the role community sports play in our cities and how crucial they are to diversity and inclusion. “The virus exposed how we live and work. It also revealed how we play, and what we lose when we have to stop.” For every kid who makes it to the NBA, thousands more seek out the pleasure and camaraderie of pick-up basketball in their local community centre or neighbourhood park. It’s a story that plays out in sport after sport – team and individual, youth and adult, men's and women's. While the dazzle of pro athletes may command our attention, grassroots sports build the bridges that link city-dwellers together in ways that go well beyond the physical benefits. The pandemic and heightened awareness of racial exclusion reminded us of the importance of these pastimes and the public spaces where we play. In this closely reported exploration of the role of community sports in diverse cities, Toronto journalist Perry King makes an impassioned case for re-imagining neighbourhoods whose residents can be active, healthy, and connected. "I couldn’t stop reading Perry King’s Rebound. An evocative essay about the transformative and uniting power of local sports in a city with residents from every country in the world, the book is well researched, entertaining, and informative. It spoke to my own experiences as a young athlete fitting into a new city when I first came to Toronto – and to the importance our city government must place on local recreation and sports if our city is to help all residents reach their potential. A fantastic contribution to understanding Toronto – and to the power of local recreation in any major city." —David Miller, former mayor of Toronto

Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?

This brilliant collection mixes the storytelling originality of George Saunders and Lydia Davis with a sensibility all its own, taking the reader on an extraordinary tour of an old and a new Australia. A woman on a passenger ship in 1958 gets involved with a young, wild Barry Humphries. A man looks back to the 1970s and his time as a member of Australia’s least competent scout troop. In 1988, a teenage boy recalls his sexual initiation, out on the tanbark. In 2015, two sisters text in Kmart about how to manage their irascible, isolated mum. Then, in the near future, a racist demagogue addresses the press the day after his electoral triumph. As the cities heat up and lose their water, a lady from one of the ‘better suburbs’ makes every effort to get her family into an exclusive gated community. Outstandingly original, bitingly satirical and written in a remarkable range of voices, A Couple of Things Before the End is a powerful vision of where we are – and where we may be headed. ‘These voices, so superbly heard and rendered, threw me into fits of laughter and slyly broke my heart.’ —Helen Garner ‘Astonishing ... an inventive collection of missives from the end of history. Complicated and savage and difficult and funny and melancholy, it’s both harsh and a caress. How do we speak and write into a future? I think Sean O’Beirne is showing us one way of doing it.’ —Christos Tsiolkas ‘O’Beirne inflects his identifiably Australian characters with a darkly comic and empathetic voice ... altogether, this collection invokes [our] questionable past, ironic present and disturbing future.’ —Books+Publishing

Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun. “Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days “This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine “Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came

Shortlisted for the ReLit 2022 Poetry Award ink earl takes the popular subgenre of erasure poetry to its illogical conclusion. Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of “100 essays” and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families. The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earl’s variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language we’ve lived within in order to release both what’s been written over, and what we want to say now.

This edited collection explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era. The book investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment. Zones of interaction include chronological change – from the early New World encounters through the seventeenth century – and cultural and scientific changes, in the margins between national boundaries, and also cultural and intellectual boundaries.

The astonishing true story of trust, pain, becoming lost, and finding a way back to yourself despite it all 'An intimate preservation of a moment in time, full of personality' THE TIMES __________ Life is beautiful - even in the dark . . . Oliver Mol was happily drifting through his twenties when the migraine exploded in his head. Suddenly, he could barely function. He felt marooned. Nothing helped. Yet he was desperate to save himself. Then he found the trains. The job of train guard has intense moments of strict, regimented activity in between periods of calm serenity. It was just what Oliver needed. Not only could he do this, but also it might be a way out. Train Lord is the story of Oliver's extraordinary recovery. A journey back into the light . . . __________ 'Tender, vital and quietly hopeful: a tale of remaking' Guardian 'Rude, raw, visceral, painful and wildly funny' Saga 'Intense and humble, Train Lord won my heart' Australian Book Review