The 1846 discovery of Neptune is one of the most remarkable stories in the history of science and astronomy. John Couch Adams and U.J. Le Verrier both investigated anomalies in the motion of Uranus and independently predicted the existence and location of this new planet. However, interpretations of the events surrounding this discovery have long been mired in controversy. Who first predicted the new planet? Was the discovery just a lucky fluke? The ensuing storm engaged astronomers across Europe and the United States. Written by an international group of authors, this pathbreaking volume explores in unprecedented depth the contentious history of Neptune’s discovery, drawing on newly discovered documents and re-examining the historical record. In so doing, we gain new understanding of the actions of key individuals and sharper insights into the pressures acting on them. The discovery of Neptune was a captivating mathematical moment and was widely regarded at the time as the greatest triumph of Newton’s theory of universal gravitation. The book therefore begins with Newton’s development of his ideas of gravity. It examines too the mathematical calculations related to the discovery of Neptune, using new theories and tools provided by advances in celestial mechanics over the past twenty years. Through this process, the book analyzes why the mathematical approach that proved so potent in the discovery of Neptune, grand as it was, could not help produce similar discoveries despite several valiant attempts. In the final chapters, we see how the discovery of Neptune marked the end of one quest—to explain the wayward motions of Uranus—and the beginning of another quest to fill in the map and understand the nature of the outer Solar System, whose icy precincts Neptune, as the outermost of the giant planets, bounds.

The Heavens on Earth explores the place of the observatory in nineteenth-century science and culture. Astronomy was a core pursuit for observatories, but usually not the only one. It belonged to a larger group of “observatory sciences” that also included geodesy, meteorology, geomagnetism, and even parts of physics and statistics. These pursuits coexisted in the nineteenth-century observatory; this collection surveys them as a coherent whole. Broadening the focus beyond the solitary astronomer at his telescope, it illuminates the observatory’s importance to technological, military, political, and colonial undertakings, as well as in advancing and popularizing the mathematical, physical, and cosmological sciences. The contributors examine “observatory techniques” developed and used not only in connection with observatories but also by instrument makers in their workshops, navy officers on ships, civil engineers in the field, and many others. These techniques included the calibration and coordination of precision instruments for making observations and taking measurements; methods of data acquisition and tabulation; and the production of maps, drawings, and photographs, as well as numerical, textual, and visual representations of the heavens and the earth. They also encompassed the social management of personnel within observatories, the coordination of international scientific collaborations, and interactions with dignitaries and the public. The state observatory occupied a particularly privileged place in the life of the city. With their imposing architecture and ancient traditions, state observatories served representative purposes for their patrons, whether as symbols of a monarch’s enlightened power, a nation’s industrial and scientific excellence, or republican progressive values. Focusing on observatory techniques in settings from Berlin, London, Paris, and Rome to Australia, Russia, Thailand, and the United States, The Heavens on Earth is a major contribution to the history of science. Contributors: David Aubin, Charlotte Bigg, Guy Boistel, Theresa Levitt, Massimo Mazzotti, Ole Molvig, Simon Schaffer, Martina Schiavon , H. Otto Sibum, Richard Staley, John Tresch, Simon Werrett, Sven Widmalm

A review of literature and research in the history of science, medicine and technology in its intellectual and social context.

Since the dawn of time, man has been fascinated by the night sky and the heavenly bodies that inhabit it. In 1609, Galileo Galilei created an instrument that would change the way the world looked at the heavens forever - the telescope. Galileo: Images of the Universe is a magnificently illustrated volume that takes readers on a journey via the works of artists great and small, known and unknown, from the mystical and poetic visions of the heavens held in Egypt and Mesopotamia, through the Greek cosmogonies and the planetary architecture of Ptolemy, to the heliocentric theories of Copernicus that inspired the likes of Galileo, Kepler, and Newton to create the modern concept of the universe.

Includes entries for maps and atlases.