Vi a young African American boy grew up too fast. Intrigued by the fast life and glamour his cousin Fly lived who was in the drug trade, his Uncles Rome, Burlow and Chill were successful in the Street Lottery (Number Racketeering) business backed by two different Italian Familys. The car, money, Jewelry, women, and clothes had him captivated. The aurora and respect they obtained made Vi want to live as they did. There was only one problem the Italians they werent in bed with wanted Chill and Rome dead and out of their territory because they were taking a great portion of their money and business. The brothers backing only went so far because of their race and a rogue family began to give the brothers trouble causing a war between the blacks and Italians. By now Vi was rolling with his uncles at the age of thirteen, he had a strong group of young shooters and Chill wanted Vi and his squad with him. Vi catchs a aggravated assault charge and Gun charge. while away Rome is killed by a black hit man sent by the rogue Italians. When Vi return from his juvenile incarceration he find out that his Uncle Rome had been killed and no one bothered to tell him. Not only did they not tell him but they laid Rome to rest while he was away. Vi feels betrayed and hurt that his own family would do such a thing. He unleashes hell in Philly against the Italians, their hitmen, anyone trying to hinder his objective and that may have had a hand in his uncle Romes demise. Victor L. Berry

NO GOING BACK Prince, Killa-E, Daddy-O, and Danny grew up together in the projects, moving crack and cocaine, and answering to Diego, the neighborhood drug lord. They were small-timers playing for low stakes - until Prince is introduced to a heroin connect. Overnight they go from soldiers to bosses, and their crew is held together by loyalty and love. But taking the reins of power comes at a high price. Now, with Diego at their back and a traitor in their midst, they find themselves between a kilo and a hard place, ready to spill blood to stay on top.

The Fall, led by Mark E. Smith, were one of the most intriguing, influential, and prolific post-punk groups in British popular culture. Always Different, Always the Same: Critical Essays on The Fall is a thorough and critical account of the group, engaging with the often complex and challenging creative work. In this groundbreaking text, volume editors Eoin Devereux and Martin J. Power bring together contributions from a wide variety of disciplinary homes, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies. Contributors Kieran Cashell, Brian Clancy, Matt Davies, Eoin Devereux, Samuel Flannagan, John Fleming, Gavin Friday, Mike Glennon, K. A. Laity, Ben Lawley, John McFarland, David Meagher, Michael Mary Murphy, Martin Myers, Martin J. Power, Suzanne Smith, Elaine Vaughan, Paul Wilson.

A chronicle of a lifetime's passion for gig-going, by one of British television's most respected writers. “Foreground Music is an absolute gem. Charming, very funny and often achingly melancholy, Graham Duff's memoir is suffused with a genuine passion for live music and its (occasionally eccentric) power. —Mark Gatiss The result of a lifetime's passion for gig-going by one of British television's most respected writers, Foreground Music is at once enthusiastically detailed and tremendously illuminating—of both the concert moment and its place in popular culture. It is an engaging memoir of a life lived to the fullest, and a vivid, insightful, and humorous exploration of what music writing might be. Foreground Music describes music performances that range from a Cliff Richard gospel concert, attended by Duff at the age of ten, to the fourteen-year-old Duff's first rock show, where the Jam played so loudly he blacks out, to a Joy Division gig that erupted into a full-scale riot. Duff goes on pub crawls with Mark E. Smith of the Fall, convinces Paul Weller to undertake his first acting role, and attempts to interview Genesis P. Orridge of Throbbing Gristle while tripping on LSD. Foreground Music captures the energy and power of life-changing gigs, while tracing the evolution of forty years of musical movements and subcultures. But more than that, it's an honest, touching, and very funny story of friendship, love, creativity, and mortality, and a testimony to music's ability to inspire and heal. Illustrated with photographs and ephemera from the author's private collection.

Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music.

Step into the booth. Check your judgments at the curtain. Close your eyes. Listen: you can hear the voices of the visitors who sat here before you: some of the most twisted, drug-addled, deviant, lonely, lost, brilliant characters ever to be caught on film. What do you have to offer the booth?

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music. Virtual Music explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.

Provides biographical information on important figures in today's musical arena, covering artists working in all genres of modern music, including rock, jazz, pop, rap, rhythm and blues, folk, New Age, country, gospel and reggae.

IT ISN'T EASY, BEINGVOR... Being a Vor lord on the war-torn planetBarrayar wasn't easy. Being an officer in Barrayar's military wasn't easy. Andbeing the leader of a force of spaceborne mercenaries w

On the one hand, nobody wants to be a dick. On the other hand, dicks are everywhere! They cut in line, talk behind our backs, recline into our seats, and even have the power to morph into trolls online. Their powers are impressive, but with a little foresight and thoughtfulness, we can take a stand against dickishness today. How Not to Be a Dick is packed with honest and straightforward advice, but it also includes playful illustrations showing two well-meaning (but not always well behaved) young people as they confront moments of potential dickishness in their everyday lives. Sometimes they falter, sometimes they triumph, but they always seek to find a better way. And with their help, you can too. Just see the agreement at the beginning of the book: I pledge to use the tools and techniques provided in this book to help make the world a less dickish place. "Doherty fires absurd twenty-first-century zingers that happen to be really, really, really funny."—starred, Booklist