Published for the 160th anniversary of the cemetery, this book includes stories of some of the people buried there, "Civil War generals, murder victims, victims of mass tragedies, inventors, artists, the famous, and the infamous."--Page ix.

Green-Wood Cemetery was founded in 1838 and soon became one of America's foremost tourist attractions. It is the resting place for many notables, including Tiffany, Steinway, and Currier and Ives, but the cemetery also has a hidden baseball history. Green-Wood is home to almost two hundred baseball pioneers: members of the Knickerbocker, Atlantic, and Excelsior Clubs of the nineteenth century; Brooklyn's beloved Charles Ebbets; stadium owners; ball makers; and "the Father of Baseball," Henry Chadwick. The first baseball monument appeared at Green-Wood in 1862 to honor the game's first martyr and star, James Creighton Jr., initiating baseball's tradition of honoring its own with stone or bronze memorials. Green-Wood Cemetery has since served as a model for other tributes, including those found at the National Baseball Hall of Fame and Yankee Stadium's Monument Park. Baseball Legends of Brooklyn's Green-Wood Cemetery, through painstaking research, brings these baseball legends back to life with a compelling array of rare images that tell the story of the game's birth in Brooklyn, New York City, and Hoboken.

For generations, Green-Wood Cemetery has played an integral part in New York City's cultural history, serving as a gathering place and a cultural repository. Situated in the historic borough of Brooklyn, the thousands of graves and mausoleums within the cemetery's 478 acres are tangible links and reminders to key events and people who made New York City and America what it is today. The monuments read like a who's who of American greatness and include the names of Leonard Bernstein, F. A. O. Schwarz, Charles L. Tiffany, Samuel Morse, and DeWitt Clinton, among others. A national historic landmark since 2006, Green-Wood is considered one of the preeminent cemeteries in the country and is a living display of the evolving funeral traditions of the city and America as a whole. The cemetery was and remains one of the city's largest open green spaces and a century ago was a social venue for picnics, outings, and political events. Through vintage photographs, Green-Wood Cemetery chronicles the cemetery's rich history and documents how its tradition as a park and a popular tourist attraction continues, drawing 300,000 visitors annually.

A cultural biography of Brooklyn's Green-Wood Cemetery, and a cry of mourning for a post-9/11 world of perpetual war and environmental violence

Many of baseball's pioneers are interred at Brooklyn's Green-Wood Cemetery. This books, by a veteran baseball writer and historian, explores the social, business, and fraternal connections that led to their creation of the "National Pastime."

This action-packed big summer read focuses on the lives of several teenage passengers aboard the ill-fated "Titanic." Copyright © Libri GmbH. All rights reserved.

Following the death of her father, journalist and hospice volunteer Ann Neumann sets out to examine what it means to die well in the United States. When Ann Neumann’s father was diagnosed with non-Hodgkin’s lymphoma, she left her job and moved back to her hometown of Lancaster, Pennsylvania. She became his full-time caregiver—cooking, cleaning, and administering medications. When her father died, she was undone by the experience, by grief and the visceral quality of dying. Neumann struggled to put her life back in order and found herself haunted by a question: Was her father’s death a good death? The way we talk about dying and the way we actually die are two very different things, she discovered, and many of us are shielded from what death actually looks like. To gain a better understanding, Neumann became a hospice volunteer and set out to discover what a good death is today. She attended conferences, academic lectures, and grief sessions in church basements. She went to Montana to talk with the attorney who successfully argued for the legalization of aid in dying, and to Scranton, Pennsylvania, to listen to “pro-life” groups who believe the removal of feeding tubes from some patients is tantamount to murder. Above all, she listened to the stories of those who were close to death. What Neumann found is that death in contemporary America is much more complicated than we think. Medical technologies and increased life expectancies have changed the very definition of medical death. And although death is our common fate, it is also a divisive issue that we all experience differently. What constitutes a good death is unique to each of us, depending on our age, race, economic status, culture, and beliefs. What’s more, differing concepts of choice, autonomy, and consent make death a contested landscape, governed by social, medical, legal, and religious systems. In these pages, Neumann brings us intimate portraits of the nurses, patients, bishops, bioethicists, and activists who are shaping the way we die. The Good Death presents a fearless examination of how we approach death, and how those of us close to dying loved ones live in death’s wake.

A piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921. Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon. But life changes on May 31, 1921 when a vicious white mob storms the Black community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

Building the Brooklyn Bridge reminds us of the historic importance of this iconic bridge that was once considered the eighth wonder of the world. It opened up development across the East River and made travel between the two independent cities of Brooklyn and New York quicker and more reliable; especially once the bridge railway was fully operational in September 1883, four months after the bridge's opening. Historian Jeffrey Richman describes in engaging detail how the Brooklyn Bridge was built over fourteen years and clearly explains the function of each of its parts, from the anchorages to the massive cables. The story of the construction is also told through 255 remarkable images, many never before published, including 44 images in 3D, specially created for this book. These historic photographs, woodcuts, color lithographs, and engineering drawings take us back in time to when all of America, and much of the world, watched with excitement as a singular bridge of unprecedented size and technology was built over one of the busiest waterways in the world. The book illuminates long-forgotten details and presents the bridge as the engineering marvel that it is-one that still elicits awe and admiration. This is an incredible journey back in time to when all of America-and much of the world-excitedly watched as the Brooklyn Bridge was being built. Reading the book will be a real treat to anyone who has ever stepped onto this beloved icon and been moved by its majesty. A pair of 3D glasses is included with every copy of the book.

Founders and award-winning distillers of Kings County Distillery Colin Spoelman and David Haskell follow up their successful Guide to Urban Moonshining with an extensive history of the figures who distilled American spirits. Dead Distillers presents 50 fascinating—and sometimes morbid—biographies from this historic trade’s bygone days, including farmers, scientists, oligarchs, criminals, and the occasional US president. Readers may be surprised to find the names George Washington, Henry Frick, or Andrew Mellon alongside the usual suspects long associated with booze—Jasper “Jack” Daniel, Jim Beam, and Julian “Pappy” Van Winkle. From the Whiskey Rebellion to Prohibition to the recent revival of craft spirits, the history of whiskey, moonshine, and other spirits remains an important part of Americana. Featuring historical photos, infographics, walking-tour maps, and noteworthy vintage newspaper clippings, Dead Distillers is a rich visual and textual reference to a key piece of American history—and a spirited portrait of the unusual and storied origins of forgotten drunkenness.