When private detective Johnny Liddell arrives in the resort town of Waterville, he's expecting a simple case. But the mysterious death of his client, Nancy Hayes, quickly draws him into a dangerous web of secrets. As Johnny digs deeper, he uncovers a counterfeiting ring with ties to the town's corrupt underworld. Navigating treacherous alliances and dodging attempts on his life, Johnny realizes there's more to Nancy's death than meets the eye. With the help of the alluring singer Lorna Matthews and the town's only honest cop, Johnny must outwit ruthless mobsters and crooked officials to unravel the truth.

It has been called the most dangerous gang in American history. In Los Angeles alone it is responsible for over 100 homicides per year. Although it has fewer than 300 members, it controls a 40,000-strong street army that is eager to advance its agenda. It waves the flag of the Black Hand and its business is murder. Although known on the streets for over fifty years, the Mexican Mafia has flown under the radar of public awareness and has flourished beneath a deep cover of secrecy. Members are forbidden even to acknowledge its existence. For the first time in its history, the Mexican Mafia is now getting the attention it has been striving to avoid. In this briskly written and thoroughly researched book, Tony Rafael looks at the birth and the blood-soaked growth of this criminal enterprise through the eyes of the victims, the dropouts, the cops and DAs on the front lines of the war against the Mexican Mafia. The first book ever published on the subject, Southern Soldiers is a pioneering work that unveils the operations of this California prison gang and describes how it grew from a small clique of inmates into a transnational criminal organization. As the first prison gang ever to project its power beyond prison walls, the Mexican Mafia controls virtually every Hispanic neighborhood in Southern California and is rapidly expanding its influence into the entire Southwest, across the East Coast, and even into Canada. Riding a wave of unchecked immigration and seemingly beyond the reach of law enforcement, the Mexican Mafia is poised to become the Cosa Nostra of twenty-first-century America.

An immensely pleasurable biography of two interwoven, tragic figures: John Keats and F. Scott Fitzgerald In this radiant dual biography, Jonathan Bate explores the fascinating parallel lives of John Keats and F. Scott Fitzgerald, writers who worked separately—on different continents, a century apart, in distinct genres—but whose lives uncannily echoed. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet’s lines, but the two shared similar fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation, and decadence. Both were outsiders and Romantics, longing for the past as they sped blazingly into the future. Using Plutarch’s ancient model of “parallel lives,” Jonathan Bate recasts the inspired lives of two of the greatest and best-known Romantic writers. Commemorating both the bicentenary of Keats’ death and the centenary of the Roaring Twenties, this is a moving exploration of literary influence.

"Traces the philosophical and historical backstory to [the possibility of more sustainable and less disaffecting death care], captures the passionate on-the-ground work of the Green Burial Movement, and explores the obstacles and other challenges getting in the way of more robust mobilization"--Dust jacket flap.

A mad director, off his meds, is making a movie about how he murders the producers who ruined his career. The movie is in his mind. The murders are real. Tommy Veasy, a pot-smoking homicide detective--our hero--who writes poetry to help him solve cases and ward off despair, thinks he sees a pattern in these seemingly accidental deaths. His colleagues think he's being dramatic. But the bodies keep piling up. The staff of a syndicated TV show in its tenth year, formerly an international hit but now only being aired in Montenegro and Botswana, worries about how they will maintain their Hollywood lifestyles when they become unemployable. How will the producer finance his two-hooker-a-weekend habit? How will the staff writer pay private school tuition, an underwater mortgage, tennis club dues, the housekeeper, the gardener, cable TV bills, the couples' therapist, et al.? Not a big problem: the mad director has planted a bomb in the office phone and is frantically trying to set it off. And meanwhile, a home invader keeps invading the wrong homes, to everyone's perplexity. In other words: it's just another day in paradise.

This book is about permissive consent—the moral tool we use to give another person permission to do what would otherwise be forbidden. For instance, consent to enter my home gives you permission to do what would otherwise be trespass. This transformation is the very thing that philosophers identify as consent—which is why we call it a normative power. It is something individuals can do, by choice, to change the moral or legal world. But what human acts or attitudes render consent? When do coercive threats, offers, or lies undermine the transformative power of consent? What intentions or conventions are necessary to render consent meaningful? This book develops a novel theory that explains the moral features of consent in some of the most central domains of human life—but that also serves as a study in how to theorize normative power. It argues that consent is a moral mechanism with exactly the set of features that, when triggered, prevents another person's behavior from constituting a certain kind of wrongdoing. What kind of wrongdoing? It depends on what sort of permission is being granted. Sometimes consent permits others to enter, occupy, or act within some bounded domain wherein the consent-giver holds moral authority. In these cases, consent operates to prevent what the book calls: Invasive Wrongdoing. By identifying the moral features that underlie this special wrongdoing, we can learn what it takes to render consent.

In November 1998, millions of television viewers watched as Thomas Youk died. Suffering from the late stages of Lou Gehrig's disease, Youk had called upon infamous Michigan pathologist Dr. Jack Kevorkian to help end his life on his own terms. After delivering the videotape to 60 Minutes, Kevorkian was arrested and convicted of manslaughter, despite the fact that Youk's family firmly believed that the ending of his life qualified as a good death. Death is political, as the controversies surrounding Jack Kevorkian and, more recently, Terri Schiavo have shown. While death is a natural event, modern end-of-life experiences are shaped by new medical, demographic, and cultural trends. People who are dying are kept alive, sometimes against their will or the will of their family, with powerful medications, machines, and "heroic measures." Current research on end-of-life issues is substantial, involving many fields. Beyond the Good Death takes an anthropological approach, examining the changes in our concept of death over the last several decades. As author James W. Green determines, the attitudes of today's baby boomers differ greatly from those of their parents and grandparents, who spoke politely and in hushed voices of those who had "passed away." Dr. Elisabeth Kübler-Ross, in the 1960s, gave the public a new language for speaking openly about death with her "five steps of dying." If we talked more about death, she emphasized, it would become less fearful for everyone. The term "good death" reentered the public consciousness as narratives of AIDS, cancer, and other chronic diseases were featured on talk shows and in popular books such as the best-selling Tuesdays with Morrie. Green looks at a number of contemporary secular American death practices that are still informed by an ancient religious ethos. Most important, Beyond the Good Death provides an interpretation of the ways in which Americans react when death is at hand for themselves or for those they care about.

Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r

Envision a naive young man beguiled, robbed, and ridiculed by a beautiful sorceress. Imagine the young man became the greatest assassin that ever lived. See in your mind's eye an assassin consumed by hatred of all things Magick and committed to their destruction. Visualize the creation- through the power of a Wish- of an artifact of great power to assist his quest. Picture the assassin's second Wish- a Wish for more time and a labyrinth to keep his treasure forever secure from any that might seek the artifact. Realize the consequences of the imperfect Wish- albeit difficult, a path to the assassin's treasure, the Death of Magick. Envision the struggle across space and time between a just and powerful sorceress with rainbow tresses and a demon of timeless evil. The sorceress must seek the weapon created to bring about her destruction.The strongest and wisest of two very different worlds attempt to unravel the mysteries of ancient parchments and devise a plan to defeat the demon threatening both worlds. A new generation of Donothor and Parallan- empowered by Light, Dark, and Illusory Magick- accepts the challenge and assists their king and mentors. What roles have a beautiful mysterious red-haired elf, the bloodline of an enemy, and an artifact of evil? Will the sacrifices of generations be for naught? If they find the Death of Magick, will the weapon destroy them before they face the demon?

A gorgeous fantasy in the spirit of Pan’s Labyrinth “that will appeal to those who loved Neil Gaiman’s The Ocean at the End of the Lane and John Connolly’s The Book of Lost Things” (Library Journal, starred review). Set in a world similar to our own, during a war that parallels World War II, A Green and Ancient Light is the stunning story of a boy who is sent to stay with his grandmother for the summer in a serene fishing village. Their tranquility is shattered by the crash of a bullet-riddled enemy plane, the arrival of grandmother’s friend Mr. Girandole—a man who knows the true story of Cinderella’­s slipper—and the discovery of a riddle in the sacred grove of ruins behind grandmother’s house. In a sumptuous idyllic setting and overshadowed by the threat of war, four unlikely allies learn the values of courage and sacrifice.