The Interceptor crew fights in the Monster Arena! Can Malvir become a Red Lantern by capturing Hal? Not if Aya and Hal cook up a plan to end Malvir's tyranny first!

Outnumbered but never outwitted or outfought, John Stewart leads the last of the Green Lanterns against insurmountable odds. Facing a bloodthirsty Khund cult dedicated to the “God in Red,” the onetime Green Lantern shows that even without a ring or the Corps to back him up, he’s still a force to be reckoned with! Plus, from the pages of Young Justice, Teen Lantern teams up with Mogo, and Hal Jordan reconnects with Oliver Queen after the power battery goes down! Outnumbered but never outwitted or outfought, John Stewart leads the last of the Green Lanterns against insurmountable odds. Facing a bloodthirsty Khund cult dedicated to the “God in Red,” the onetime Green Lantern shows that even without a ring or the Corps to back him up, he’s still a force to be reckoned with! Plus, from the pages of Young Justice, Teen Lantern teams up with Mogo, and Hal Jordan reconnects with Oliver Queen after the power battery goes down!

Hal Jordan, the greatest Green Lantern in the history of the Corps, has lost everything. Friends have died, Oa has been destroyed, and now he must say goodbye to Earth! As war threatens to dismantle the Green Lantern Corps, Hal does the unthinkable: He asks for help. Can he and a team of handpicked Lanterns remove a deadly weapon from the enemy's arsenal, or will they be dealt their first defeat? Collects Green Lantern #27-34 and Green Lantern Corps #31-33.

Hal Jordan and Kilowog patrol the limits of the galaxy in their 'borrowed' Green Lantern ship. Has Hal learned the lessons Kilowog's been teaching him? They soon find out as they run into an old foe: the Invisible Destroyer!

Hal Jordan faces his greatest challenge onboard the Interceptor, when he faces off against a captured Red Lantern...and his mentor, Kilowog! Has their trip to the outer reaches of Guardian space driven Kilowog mad? Has their rage-filled prisoner influenced him to rebel against the Guardians' will? Hal can't believe his eyes, and neither will you!

Hal Jordan and Kilowog find adventure on a new planet, where Aya, the ship's computer, takes her new robot body for a spin. Plus: Razer is almost kidnapped by a Spider Guild bounty hunter!

While adjusting to being back among the living, Green Arrow tries to heal his relationship with Black Canary.

Covering genres from adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast terrain of graphic novels, describing and organizing titles to help librarians balance their graphic novel collections and direct patrons to read-alikes. New subgenres, new authors, new artists, and new titles appear daily in the comic book and manga world, joining thousands of existing titles—some of which are very popular and well-known to the enthusiastic readers of books in this genre. How do you determine which graphic novels to purchase, and which to recommend to teen and adult readers? This updated guide is intended to help you start, update, or maintain a graphic novel collection and advise readers about the genre. Containing mostly new information as compared to the previous edition, the book covers iconic super-hero comics and other classic and contemporary crime fighter-based comics; action and adventure comics, including prehistoric, heroic, explorer, and Far East adventure as well as Western adventure; science fiction titles that encompass space opera/fantasy, aliens, post-apocalyptic themes, and comics with storylines revolving around computers, robots, and artificial intelligence. There are also chapters dedicated to fantasy titles; horror titles, such as comics about vampires, werewolves, monsters, ghosts, and the occult; crime and mystery titles regarding detectives, police officers, junior sleuths, and true crime; comics on contemporary life, covering romance, coming-of-age stories, sports, and social and political issues; humorous titles; and various nonfiction graphic novels.

In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.

Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.