By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture, and become instead a central element in elite culture. This book illustrates the importance of semi-learned mythographic handbooks in the social, literary, and artistic world of Rome. One of the most intriguing features of these works is the fact that they all cite classical sources for the stories they tell, sources which are often forged.

By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture. Mythology had become instead a central element in elite culture. If one did not know the stories one would not understand most of the allusions in the poets and orators, classics and contemporaries alike; nor would one be able to identify the scenes represented on the mosaic floors and wall paintings in your cultivated friends' houses, or on the silverware on their tables at dinner. Mythology was no longer imbibed in the nursery; nor could it be simply picked up from the often oblique allusions in the classics. It had to be learned in school, as illustrated by the extraordinary amount of elementary mythological information in the many surviving ancient commentaries on the classics, notably Servius, who offers a mythical story for almost every person, place, and even plant Vergil mentions. Commentators used the classics as pegs on which to hang stories they thought their students should know. A surprisingly large number of mythographic treatises survive from the early empire, and many papyrus fragments from lost works prove that they were in common use. In addition, author Alan Cameron identifies a hitherto unrecognized type of aid to the reading of Greek and Latin classical and classicizing texts--what might be called mythographic companions to learned poets such as Aratus, Callimachus, Vergil, and Ovid, complete with source references. Much of this book is devoted to an analysis of the importance evidently attached to citing classical sources for mythical stories, the clearest proof that they were now a part of learned culture. So central were these source references that the more unscrupulous faked them, sometimes on the grand scale.

This book is a comprehensive catalogue of ancient Roman and Grecian Gods and Goddesses, with detailed descriptions of each deity, information concerning related festivals, retellings of legendary tales, and much more. Easy-to-digest and full of interesting information, this book is highly recommended for those looking for an introduction to Greek mythology. Contents include: “First Dynasty”, “Origin of the World”, “Uranus and Gaea”, “Second Dynasty”, “Cronus”, “Rhea”, “Division of the World”, “Theories as to the Origin of Man”, “Third Dynasty”, “Olympian Divinities”, “Zeus”, “Hera”, “Pellas-Athene”, “Themis”, “Hestia”, Demeter”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on Greek and Roman mythology.

This volume contains E. M. Berens’ "The Myths and Legends of Greece and Rome", being a popular account of Greek and Roman mythology. Covering the whole breadth of Roman and Greek mythology from the primordial Gods to the heroes of legend, this accessible book is highly recommended for those looking for for an introduction to the topic. It would make for a great addition to any bookshelf. The chapters of this volume include: “Greek Mythology”, “Myths and Legends of Ancient Greece and Rome”, “First Dynasty – Origin of the World”, “Uranus and Gaea”, “ Second Dynasty”, “Cronus”, “Rhea”, “Division of the World”, “Theories as to the Origin of Man”, “Olympian Divinities – Third Dynasty”, etcetera. We are republishing this book now in an affordable, modern, high quality edition - complete with a specially commissioned new introduction on greek mythology.

A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples

A comprehensive collection of all the major and minor gods of Rome and Greece, with descriptions of festivals and retellings of major mythological stories. E.M. Bernes thoroughly details each Greek and Roman god, goddess, hero, demi-god and creature and gives the reader a clear and succinct idea of the religious beliefs of the ancients. An exceptional book for those interested in Greek or Roman mythology.

"Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values"--

This Is A New Release Of The Original 1893 Edition.