The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today. Great War Britain: Shropshire offers an intimate portrayal of the county and its people living in the shadow of the 'war to end all wars'. A beautifully illustrated and highly accessible volume, it describes local reaction to the outbreak of war; charts the experience of individuals who enlisted; the changing face of industry; the work of the many hospitals in the area; the effect of the conflict on local children; the women who defied convention to play a vital role on the home front; and concludes with a chapter dedicated to how the city and its people coped with the transition to life in peacetime once more. The Great War story of Shropshire is told through the voices of those who were there and is vividly illustrated through evocative images from the archives of the Ironbridge Gorge Museum Trust.

The First World War claimed over 995,000 British lives, including the deaths of over a thousand 'Men of Lancaster', and its legacy continues to be remembered today. This book looks at the impact that the loss of so many men had on the community and offers an intimate portrayal of Lancaster and its people living in the shadow of the 'war to end all wars'. Drawing on detailed research conducted by the authors and their community partners, it describes the local reaction to the outbreak of war, the experience of individuals who enlisted, the changing face of industry, the women who defied convention to play a vital role on the home front, and how Lancaster coped with the transition to life in peacetime once more. The Great War story of Lancaster draws on all of these experiences to present a unique account of the local reality of a global conflict.

The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today. Great War Britain: Middlesbrough offers an intimate portrayal of the city and its people living in the shadow of the 'war to end all wars'. A beautifully illustrated and highly accessible volume, it describes local reaction to the outbreak of war; charts the experience of individuals who enlisted; the changing face of industry and related unrest; the work of the many hospitals in the area; the effect of the conflict on local children; and concludes with a chapter dedicated to how the city and its people coped with the transition to life in peacetime once more. The Great War story of Middlesbrough is told through the voices of those who were there and is vividly illustrated through evocative images.

This “well-researched” biography “brings home something of what it was to be an army chaplain amid the battles in France and Flanders” (Methodist Recorder). Between 1916 and 1918, chaplain David Railton supported the soldiers on the Western Front in their worst moments. He buried the fallen, comforted the wounded, wrote to the families of the missing and killed, and helped the survivors to remember and mark the loss of their comrades so that they were able to carry on. He was with his men at many battles, including High Wood, the Aisne, and Passchendaele. He received the Military Cross for rescuing an officer and two men under heavy fire on the Somme. It was Railton’s idea to bring home the body of an unidentified fallen comrade from the battlefields to be buried in Westminster Abbey, and on Armistice Day 1920, he was there in the Abbey as the Unknown Warrior was laid to rest with full honors. Although suffering from post-traumatic stress disorder, he returned to work as a parish priest in Margate, where he took particular interest in supporting ex-servicemen who had returned home to the aftermath of a terrible war and crippling unemployment. This is the first book to explore David Railton’s life and “the padre’s flag” he used as an altar cloth and shroud throughout the war—the flag that was consecrated a year after the burial of the Unknown Warrior and hangs in Westminster Abbey to this day.

Taking as its focus memorials of the First World War in Britain, this book brings a fresh approach to the study of public symbols by exploring how different motives for commemorating the dead were reconciled through the processes of local politics to create a widely valued form of collective expression. It examines how the memorials were produced, what was said about them, how support for them was mobilized and behaviour around them regulated. These memorials were the sites of contested, multiple and ambiguous meanings, yet out of them a united public observance was created. The author argues that this was possible because the interpretation of them as symbols was part of a creative process in which new meanings for traditional forms of memorial were established and circulated. The memorials not only symbolized emotional responses to the war, but also ambitions for the post-war era. Contemporaries adopted new ways of thinking about largely traditional forms of memorial to fit the uncertain social and political climate of the inter-war years.This book represents a significant contribution to the study of material culture and memory, as well as to the social and cultural history of modern warfare.

The Great War was the first conflict to draw men and women into uniform on a massive scale. From a small regular force of barely 250,000, the British Army rapidly expanded into a national force of over five million. A Nation in Arms brings together original research into the impact of the war on the army as an institution, gives a revealing account of those who served in it and offers fascinating insights into its social history during one of the bloodiest wars.

This is one of the most valuable books in the armoury of the serious student of British Military history. It is a new and revised edition of Arthur White's much sought-after bibliography of regimental, battalion and other histories of all regiments and Corps that have ever existed in the British Army. This new edition includes an enlarged addendum to that given in the 1988 reprint. It is, quite simply, indispensible.

Expertly written and beautifully presented, this book of outstanding photographs, documents and art work captures the spirit of the British people as they faced and successfully came through the prolonged challenge of the First World War. ??Using previously unpublished material from the Liddle Collection in the University Library at Leeds and supporting this with photographs from private and public collections from many parts of the British Isles, Britons Experience the Great War brings the experience of soldiers, sailors and airmen graphically close. It is, however, not just the fighting fronts which are so well represented: from the industrial, agricultural, domestic, educational and war resistance scenes, the response to war of workers, wives, sweethearts, students, children, rebels and resisters is made clear. Fund raising, rationing, humour, anxiety and grief are documented in this book in a way which provides touching testimony of the spirit of the times.??With almost four hundred illustrations, the book spans the British Isles and the most remote fighting fronts.

This book examines the phenomenon of modern memory as a reaction to total war, an aspiration to truth-seeking provoked by the independent forces of modern war and collective violence which is transnational, or postnational, in character. Using examples from prose and poetry, film and theatre, painting and photography, and music and the popular arts, the author traces a narrative path through the events of the twentieth century, defining the tradition of modern memory in terms of its essentially anti-militaristic, anti-war character, as expressed in the manner in which it represents recalled violence and atrocity. Through a series of thematic discussions of two world wars, the Shoah, urbicide and nuclear weapons, Postnational Memory explores the formation of transnational memory, drawing on examples from industrialized societies, with a focus on memory of real events and their reproduction in literature and the arts, often including personal recollections that link the self to the represented past. As such, by asking how the concept of modern memory is constructed through the victims of war and genocide, the book constitutes an alternative to national memories and hegemonic, militarist or ethnocentric histories. Surveying the emergence of new, transnational forms of remembering the past, it will appeal to students and scholars of sociology, memory studies and peace studies, as well as those working in disciplines such as modern and international history, cultural studies and military studies.