Insightful biographical sketches of major historical figures of the twentieth century, from the incomparable British statesman. Winston S. Churchill was awarded the Nobel Prize in Literature on the strength of “his mastery of historical and biographical description.” Nowhere is that mastery more evident than in Great Contemporaries—which features Churchill’s profiles of many of the major figures of his time. These short biographies cover political and cultural personalities ranging from Franklin D. Roosevelt, Adolf Hitler, Lawrence of Arabia, and Leon Trotsky to Charlie Chaplin, H. G. Wells, Rudyard Kipling, and George Bernard Shaw. This edition includes five previously uncollected essays and a number of photographs, plus an enlightening introduction and annotations by noted Churchill scholar James W. Muller. Written in the decade before Churchill became prime minister, these essays focus on the challenges of statecraft at a time when the democratic revolution was toppling older regimes based on tradition and aristocratic privilege. Churchill’s keen observations take on new importance in our own age of roiling political change. Ultimately, Great Contemporaries provides fascinating insight into these subjects as Churchill approaches them with a measuring eye, finding their limitations at least as revealing as their merits.

The original edition of this collection of articles was published in 1937 (Thornton Butterworth); subsequent editions appeared in 1936 (with four new articles, including a portrait of FDR) and in 1943 (in which articles on Trotsky and Roosevelt were omitted for political reasons). This first American edition makes available Churchill's eloquent and personal observations on 25 prominent people of the era. Annotation copyrighted by Book News, Inc., Portland, OR

In 1946, Clement Attlee came to power as Labour Prime Minister with a huge landslide majority. Under his leadership, some of the greatest reforms were initiated, not least the founding of The National Health Service. Attlee had a firm vision of a more just and equitable society, which the nation wanted. This firm vision is something that attracts Frank Field. To Field, Attlee is a hero. After retirement, Clement Attlee wrote a masterly series of profiles of his great contemporaries, many published at the time in The Observer. These are now collected together in a book for the first time. They are of extraordinary historical interest and will command an audience in their own right. In them we see how Attlee emphasised the importance of character for successful politics. To Field they epitomise the intellect and humanity of a hero of 20th Century politics, a man with profound qualities that are so poorly represented in today's politics. In a brilliant and most controversial introduction, Frank Field argues just how radical Attlee was, wishing, for example, to realign British foreign and defence policy. In his epilogue, Professor Peter Hennessy, shows the importance of Attlee in full historical perspective.

Originally published: London: Butterworth, 1937.

It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.

" ... Represents a lively collection of contemporary letters, poems, addresses, and newspaper reports that demonstrate the remarkable esteem in which Washington was held"--Back cover

PULITZER PRIZE FINALIST NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES TOP 10 BOOK OF 2018 LOS ANGELES TIMES BOOK PRIZE WINNER ALA CARNEGIE MEDAL WINNER THE STONEWALL BOOK AWARD WINNER Soon to Be a Major Television Event, optioned by Amy Poehler • One of the New York Times’s 100 Best Books of the 21st Century “A page turner . . . An absorbing and emotionally riveting story about what it’s like to live during times of crisis.” —The New York Times Book Review A dazzling novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico’s funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico’s little sister. Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster. Named a Best Book of 2018 by The New York Times Book Review, The Washington Post, NPR, San Francisco Chronicle, The Boston Globe, Entertainment Weekly, Buzzfeed, The Seattle Times, Bustle, Newsday, AM New York, BookPage, St. Louis Post-Dispatch, Lit Hub, Publishers Weekly, Kirkus Reviews, New York Public Library and Chicago Public Library

From the acclaimed author of Ninety-two in the Shade and Cloudbursts—the stories of Gallatin Canyon are rich in the wit, compassion, and matchless language for which Thomas McGuane is celebrated. Set mostly in famed Big Sky Country, McGuane brings us an "astonishing" (The New York Times Book Review) collection in which place exerts the power of destiny. A boy makes a surprising discovery skating at night on Lake Michigan; an Irish clan in Massachusetts gather around their dying matriarch; a battered survivor of the glory days of Key West washes up on other shores. Several of the stories unfold in Big Sky country: a father tries to buy his adult son’s way out of virginity; a convict turns cowhand on a ranch; a couple makes a fateful drive through a perilous gorge. McGuane's people are seekers, beguiled by the land's beauty and myth, compelled by the fantasy of what a locale can offer, forced to reconcile dream and truth.