The story of Jayson Blair and the chaos he sowed at the New York Times is a cautionary tale for the American media and for a public concerned about the accuracy of the news it consumes. A young African American reporter said to be ''promising and talented'' was found to have plagiarized a former fellow NYT intern on a story about Iraq War casualties. This led to revelations involving a long pattern of egregious plagiarism, outright fabrication, dateline fraud and other forms of journalistic deception - rocking the Times to its foundations. After nearly a month in the hot seat, the paper's two top editors resigned, under pressure from publisher Arthur Sulzberger Jr. and despite promises that no such ''newsroom scapegoating'' would occur. The Times management called the Blair scandal an anomaly that shouldn't stain the paper's reputation or raise questions about racial favoritism. But as William McGowan shows in this hard-hitting inquiry, the episode was symptomatic of a long institutional and intellectual downward slide that has set America's most important news icon at odds with its journalistic mission - and with much of mainstream America. Using the Blair Affair as a springboard, McGowan examines the past decade at the Times, focusing on figures such as Sulzberger, fired editor Howell Raines and Jayson Blair himself to understand how an ''irreplaceable national institution'' could turn into the butt of late-night Letterman and Leno jokes. How did the Times become so suffused with intellectual orthodoxy and so committed to a tattered political correctness? Who is responsible for squandering the finest legacy in American journalism? Can the Times recover? These are some of the questions McGowan ponders in Gray Lady Down, the inside story of what happened to America's ''Paper of Record.

Journalist William McGowan traces the history of "The New York Times," describes its legacy within American journalism, and examines the fate of the "Times" in the twenty-first century.

Think a newspaper can’t be responsible for mass murder? Think again. As flagship of the American news media, the New York Times is the world’s most powerful news outlet. With thousands of reporters covering events from all corners of the globe, the Times has the power to influence wars, foment revolution, shape economies and change the very nature of our culture. It doesn’t just cover the news: it creates it. The Gray Lady Winked pulls back the curtain on this illustrious institution to reveal a quintessentially human organization where ideology, ego, power and politics compete with the more humble need to present the facts. In its 10 gripping chapters, The Gray Lady Winked offers readers an eye-opening, often shocking, look at the New York Times’s greatest journalistic failures, so devastating they changed the course of history. How its World War II Berlin bureau chief, a known Nazi collaborator, skewed coverage in favor of the Third Reich for over a decade. Its notorious coverup of the Ukraine Famine, a genocide committed by Stalin, showing that it was the newspaper's owners who directed the coverup in order to advance their own financial and ideological interests. The “1619 Project," a cynical, ideologically driven attempt to revise American history by rooting the nation's birth in slavery instead of liberty. The result is an essential look at the tangled relationship between media, power and politics in a post-truth world told with novelistic flair to reveal a uniquely powerful institution’s tortured relationship with the truth. Most importantly of all, The Gray Lady Winked presents a cautionary tale that shows what happens when the guardians of the truth abandon that sacred value in favor of self-interest and ideology—and what this means for our future as much as for our past.

Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.

A paranormal rollercoaster ride with goosebumps at every turn--now a motion picture starring Uma Thurman and Anna Sophia Robb! Kit Gordy sees Blackwood Hall towering over black iron gates, and she can't help thinking, This place is evil. The imposing mansion sends a shiver of fear through her. But Kit settles into a routine, trying to ignore the rumors that the highly exclusive boarding school is haunted. Then her classmates begin to show extraordinary and unknown talents. The strange dreams, the voices, the lost letters to family and friends, all become overshadowed by the magic around them. When Kit and her friends realize that Blackwood isn't what it claims to be, it might be too late.

For most, the name of Lady Jane Grey means the 'nine days queen', the child who was used as a pawn in the power politics of the Tudor realm by both her parents, the Suffolks, and Northumberlands. Alison Plowden's new book tells the tragic story of Jane's life, and death, but also reveals her to be a woman of unusual strength of conviction, with an intelligence and steady faith beyond her years. Told with Alison's usual skill and adeptness, this is a story which will stir compassion in the hearts of the hardiest readers. It also gives us insight into the least known of Henry VIII's wives, Katherine Parr.

Moving from the heart of Brighton and Hove to the Sussex countryside is a big undertaking for born townies, Ollie Harcourt, his wife, Caro, and their twelve-year-old daughter, Jade. But when they view Cold Hill House - a huge, dilapidated, Georgian mansion - they are filled with excitement. Despite the financial strain of the move, Ollie has dreamed of living in the country since he was a child. Caro is less certain, and Jade is grumpy about being removed from all her friends. But within days of moving in, it soon becomes apparent that the Harcourt family aren't the only residents in the house.

Lady Jane Grey, is one of the most elusive and tragic characters in English history. In July 1553 the death of the childless Edward VI threw the Tudor dynasty into crisis. On Edward's instructions his cousin Jane Grey was proclaimed queen, only to be ousted 13 days later by his illegitimate half sister Mary and later beheaded. In this radical reassessment, Eric Ives rejects traditional portraits of Jane both as hapless victim of political intrigue or Protestant martyr. Instead he presents her as an accomplished young woman with a fierce personal integrity. The result is a compelling dissection by a master historian and storyteller of one of history’s most shocking injustices.