This book introduces a brand new field of scientific research based upon analysis of artifacts retrieved from crashed and damaged UFOs that have come down in Russia and America. For the first time, it reveals the scientific principles behind UFO propulsion dynamics, and shows that these principles are known and recognized by today’s physicists. Potter’s analyses of these UFO mechanisms are substantiated with references to a broad array of over 300 research papers published in scientific journals! Potter correlates many of the phenomena observed firsthand by close encounter witnesses and abductees and pinpoints the common themes reported, categorizing them according to known physical principles. He produces a comprehensive orchestration of energy dynamics used inside and around UFOs. His precise and lavish illustrations allow the reader to enter directly into the realm of the advanced technological engineer and to understand, quite straightforwardly, the aliens’ methods of energy manipulation: their methods of electrical power generation; how they purposely designed their craft to employ the kinds of energy dynamics that are exclusive to space (discoverable in our astrophysics) in order that their craft may generate both attractive and repulsive gravitational forces; their control over the mass-density matrix surrounding their craft enabling them to alter their physical dimensions and even manufacture their own frame of reference in respect to time.

Pledamo, a seven-foot-tall scientist from the planet Pleiadia, paces the floor of his vessel and wonders when he will be able to begin his top-secret mission. Contracted to fabricate the first humans from intergalactic materials with his council and crew, Captain Pledamo is more than ready to commence creating mankind in test tubes and delivering them to Lil-Brotheria, a tiny planet that will later be known as Earth. But as he receives orders to begin the mission, Pledamo has no idea of the challenges that await him. As the interplanetary craft heads to Lil-Brotheria, Pledamo contemplates the daunting task before him. Although he is a top geneticist, he has yet to fabricate a new species. Knowing the results could be the beginning of something great or what he intuitively fears could be potentially disastrous, Pledamo presses on as a Garden is created on Lil-Brotheria to house the new species. But as Pledamo and his crew attempt to deliver the experimental prototypes to Earth, they are forced to confront a new and dangerous reality. In this fast-paced science fiction thriller, a scientist and his crew must battle unexpected struggles while attempting to fulfill a complex mission. Now only time will tell if they will be successful amid an unforeseen and bleak destiny.

UFOs have approximately 75% of this planet in which to operate undetected. Adding another piece to the puzzle From dissimilar puzzle pieces supplied by ufologists throughout the years of UFO history, a picture is starting to take shape. Ufologist Carl Feindt has not only contributed his own small piece, but he has also connected many of the previous pieces to form an enlightening and highly plausible theory. Feindt's studies concern Unidentified Flying Objects (UFOs) that enter and exit the dense medium of water. This aspect aroused his curiosity, because while we humans do not understand alien science, we do know our water. This book contains cases from just about every type of body of water, from puddles to oceans. It opens a long-overlooked door to discover the operating principles of UFOs by closely observing water's reaction to these craft and finding similarities among cases involving water.

Throughout most of the twentieth century, electric propulsion was considered the technology of the future. Now, the future has arrived. This important new book explains the fundamentals of electric propulsion for spacecraft and describes in detail the physics and characteristics of the two major electric thrusters in use today, ion and Hall thrusters. The authors provide an introduction to plasma physics in order to allow readers to understand the models and derivations used in determining electric thruster performance. They then go on to present detailed explanations of: Thruster principles Ion thruster plasma generators and accelerator grids Hollow cathodes Hall thrusters Ion and Hall thruster plumes Flight ion and Hall thrusters Based largely on research and development performed at the Jet Propulsion Laboratory (JPL) and complemented with scores of tables, figures, homework problems, and references, Fundamentals of Electric Propulsion: Ion and Hall Thrusters is an indispensable textbook for advanced undergraduate and graduate students who are preparing to enter the aerospace industry. It also serves as an equally valuable resource for professional engineers already at work in the field.

Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.

Ten grids that changed the world: the emergence and evolution of the most prominent visual structure in Western culture. Emblematic of modernity, the grid is the underlying form of everything from skyscrapers and office cubicles to paintings by Mondrian and a piece of computer code. And yet, as Hannah Higgins makes clear in this engaging and evocative book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears. The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are in the middle of an emergent grid that is reshaping the world, as grids do, in its image.

The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.

Learn the purpose of ley lines and ancient megalithic structures located on the grid. Discover how the grid made the Philadelphia Experiment possible. Explore Coral Castle and other mysteries including acoustic levitation, Tesla shields and Scalar wave weaponry.

Due to the lack of space propulsion technology and space navigation technology that can accelerate at high speeds in a short time, it is well-known that mankind does not currently have technology to realize a journey to other star systems. This book explains galaxy exploration by combining field propulsion based on the physical structure of space-time and a new navigation theory. A field propulsion system is propelled without mass expulsion. The propulsive force as a pressure thrust arises from the interaction of space-time around the spaceship itself; this causes the spaceship to propel against the space-time structure. Firstly, from the physical and engineering point of view, the propulsion principle and propulsion theory of field propulsion are explained. As a typical example of field propulsion, the space drive propulsion system includes its theory, the registered patent, and the latest development from the viewpoint of cosmology and astrophysics. Secondly, for galaxy exploration, navigation technology such as a wormhole that bypasses the wall of light speed, not propulsion technology, is indispensable. A method for overcoming the light barrier (the seeming wall-of-light in 4-D space-time), or a hyperspace navigation theory to jump the light-barrier, is explained. Combining the space propulsion system and the navigation system makes it possible to perform a realistic galaxy exploration.The reader will not only get a good introduction to the science and technology of field power and propulsion physics, but also to the possibility of interstellar navigation.