Arizona is one of several states that make up the Wild West in the United States. Arizona became a territory in 1863 and was later admitted into the Union on February 14, 1912, but it had a long, exciting history before that. Miners, cowboys, and outlaws passed through Arizona on their way to California during the Gold Rush of 1849, but when copper was discovered in 1854, people stayed and mining towns all around the state sprung up. Of course, with an influx of population comes a new need for graveyards. The cemeteries of the mining and cowboy towns, like the towns themselves, were often put together in a hodge-podge manner. Some Arizona graveyards linger in disrepair (Yuma Pioneer Cemetery) and others have become thriving tourist attractions (Tombstone). Regardless of their conditions, the cemeteries of Arizona offer powerful and precious reminders of Arizona's wild history. Graveyards of the Wild West: Arizona invites you to learn not only about Arizona's past, but to see it and meet the people whose spirit of adventure led them to live and die in an arcadian and untamed territory.

From the famed Oregon Trail to the boardwalks of Dodge City to the great trading posts on the Missouri River to the battlefields of the nineteenth-century Indian Wars, there are places all over the American West where visitors can relive the great Western migration that helped shape our history and culture. This guide to the Southwest states of Arizona, New Mexico, and Texas--one of the five-volume Finding the Wild West series--highlights the best preserved historic sites as well as ghost towns, reconstructions, museums, historical markers, statues, works of public art that tell the story of the Old West. Use this book in planning your next trip and for a storytelling overview of America’s Wild West history.

California is one of several states that make up the Wild West in the United States. It was first established as a U.S. a territory in 1848. The state that would become California was, like so much of the West, originally inhabited by Native Americans and, in the sixteenth century, colonized by Spain as part of Mexico. After the Mexican-American War (1846-1848), the United States acquired the land that eventually became Texas, New Mexico, Utah, Nevada, Arizona, and California. As with other Southwest states, precious metals were found in the late nineteenth century, and pioneers, miners, cowboys, and outlaws converged on "The Golden State." California attained statehood in 1850. Of course, with an influx of residents comes a new need for graveyards. The cemeteries of the pioneer and mining towns carry on even as the towns have fallen to ruins. Many California graveyards linger in obscurity in out-of-the-way places (Garlock-Goler, Keeler), while others are popular tourist attractions (Bodie). Regardless of their conditions, the cemeteries offer powerful and precious reminders of California's wild history.

Terry G. Jordan has traveled the back roads and hidden trails of rural Texas in search of small country graveyards.

For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.

Tales Behind the Tombstones tells the stories behind the deaths (or supposed deaths) and burials of the Old West's most nefarious outlaws, notorious women, and celebrated lawmen. Readers will learn the story behind Calamity Jane's wish to be buried next to Wild Bill Hickok, discover how and where the Earp brothers came to be buried, and visit the sites of tombs long forgotten while legends have lived on.

"Boot Hill" commonly is used to refer to old cemeteries in the West. While many think of such as burial places of the outlaws, in fact they also are occupied by the graves of many from all walks of life. This book tells the story of these cemetaries and the people buried in them.

The major part of this work is an alphabetically arranged and cross-indexed list of some 20,000 Maryland families with references to the sources and locations of the records in which they appear. In addition, there is a research record guide arranged by county and type of record, and it identifies all genealogical manuscripts, books, and articles known to exist up to 1940, when this book was first published. Included are church and county courthouse records, deeds, marriages, rent rolls, wills, land records, tombstone inscriptions, censuses, directories, and other data sources.

As pioneers attempted to settle and civilize the ?Wild West,? cemeteries became important cultural centers. Filled with carved wooden headboards, inscribed local stones, and Italian marble statues, cemeteries functioned as symbols of stability and progress toward a European-inspired vision of Manifest Destiny. As repositories of art and history, these pioneer cemeteries tell the story of communities and visual culture emerging together within the developing landscape of the Old West. Annette Stott traces this story through Rocky Mountain towns on the western frontier, from the unkempt ?boot hills? of the early mining camps and cattle settlements to the more refined ?fair mounts.? She shows how people from Asia, Europe, and the Americas contributed to the visual character of the mountain cemeteries, and how the sepulchral garden functioned as an open-air gallery of public sculpture, at once a site for relaxation, learning, and social ritual. Here, widespread participation in a variety of ceremonies brought mountain communities together with a frequency almost unimaginable today. Illustrated with eighty-three striking photographs, this book shows how the pioneer cemetery emerged as a site of public sculpture and cultural transmission in which each carved or molded monument played dual (and sometimes conflicting) public and private roles, recording the community?s history and values while memorializing individuals and events.