The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco—an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.

An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

The Grateful Dead are one of the most influential rock and roll bands ofall time, but every story has a start. The Grateful Dead Origins takes an in depth and personal look at the formation of one of the most important American rock bands of all time, exploring the early days of Jerry Garcia, Phil Lesh, Bob Weir, Pigpen, Bill Kreutzmann and Mickey Hart, and their transition from being a bar cover band to one of the greatest sounds in history. TheGrateful Dead Origins showcases the beginning of the band through the early 1960's San Francisco Haight Ashbury era, becoming the house band for the Ken Kesey's psychedelic "acid tests," while telling a personal tale of the highs and lows of the tightly knit community that would grow around them, culminating at their historic performance at Woodstock, just one more show on their legendary road trip that would soon follow... This official Graphic Novel will also feature an accompanying album of rare Grateful Dead music.

This memoir chronicles the Dead's seminal years: 1965-1985.

A portrait of the Grateful Dead depicts the popular rock band in concert and includes correspondence from fans and classic photographs of the group in performance

The Grateful Dead is one of the most popular bands of all time and they have enjoyed incredible relevance to this day. But let's admit it, they were not exactly poster boys for corporate America. In Everything I Know About Business I Learned From the Grateful Dead, Deadhead and business scholar Barry Barnes proves that the Dead's influence on the business world will turn out to be a significant part of their legacy. Without intending to, the band pioneered ideas and practices that were subsequently embraced by American corporations. And in this book Barnes shares the ten most innovative business lessons from the Dead's illustrious career, including: Creating and delivering superior customer value Incorporating and establishing a board of directors early on Founding a merchandising division Giving away your product for free to increase demand Above all, Barnes explains how the Dead were masters of what he calls "strategic improvisation"-the ability to adapt to changing times and circumstances -- and that their success lay precisely in their commitment to constant change and relentless variation. For an extraordinary thirty years, the Dead improvised a business plan and realized their vision -- all while making huge profits. Everything I Know About Business I Learned From the Greatful Dead will show you how they did it -- and what your business can learn from their long, strange trip.

The Grateful Dead-rock legends, marketing pioneers The Grateful Dead broke almost every rule in the music industry book. They encouraged their fans to record shows and trade tapes; they built a mailing list and sold concert tickets directly to fans; and they built their business model on live concerts, not album sales. By cultivating a dedicated, active community, collaborating with their audience to co-create the Deadhead lifestyle, and giving away "freemium" content, the Dead pioneered many social media and inbound marketing concepts successfully used by businesses across all industries today. Written by marketing gurus and lifelong Deadheads David Meerman Scott and Brian Halligan, Marketing Lessons from the Grateful Dead gives you key innovations from the Dead's approach you can apply to your business. Find out how to make your fans equal partners in your journey, "lose control" to win, create passionate loyalty, and experience the kind of marketing gains that will not fade away!

When an Indian Rock singer, teacher and script writer who is widely travelled puts down his memoirs’ it sure is to be riveting and sensational. But it is even more exciting when the writer is a Masters in Indian and Greek Philosophy in road to his Doctorate in Indian philosophy. GRATEFULLY DEAD is not your average biography but loaded with parables and jokes to make the reader reflect on the true meaning of existence. From moments which are disturbing and sexually explicit to deep retrospection of life through Philosophy, Neuroscience, Physics and Spirituality the book covers all. It is not a book into SELF VALOURISATION but self- reflection through Vedanta, Buddhism and Science. It has been edited by English Novelist and Musician Tim Bragg so not your average Indian book but addressed to the whole world with a secular mind. The 10 features of the book can be summarized by There is no You or Me there is only THAT What can die never existed There is no coming or going Eternally it is Being, Consciousness and Bliss The idea of you is a Ghost You are better dead Live Life bury yourself There is nothing and nothing is everything What comes and goes cannot be considered real only what is unchanging. Love and Light has no Religion If you are somebody who likes an inquiry of life through a fun reflection, this book is for you. Deeply insightful with lots to reflect about and a good laugh.

One more deadly romantic comedy. Meet Mitzi, Molly, and Marla—three sisters, southern-fried born-and-bred, and the ghosts who love them. Marla Newberry has no interest in dating someone local. She much prefers midnight runs to a biker bar in Shreveport. Cooter Haines, drummer for a Grateful Dead tribute band called Skull Bone, owns the biker bar called The Deadhead. He also happens to be the only guy who can curl her toes like a sprung guitar string. And while she enjoys surrendering to his toe-curling on occasion, she’s not interested in bringing the long-haired drummer home to daddy. Until the night Cooter tells him he loves her, and then he comes up missing. That Saturday night, a rival drummer makes a deal with the devil (aka the Skull Bone’s manager) and steals the drummer job away from Cooter. Cooter angrily speeds off on his bike and doesn’t return. Marla smells a rat. Later, she wakes up to find a ghostly Cooter sitting at the foot of her bed. Dead isn’t so great, he tells her, and those rumors about Southern Rock bands jamming in Heaven? He’s seen no evidence. Plus, he’s pretty sure someone jacked up something on his Harley making him roll the bike. He needs her help to find out who wanted him dead. But is Cooter really dead, or was Marla only dreaming? And days later, where is he? Can she and her sisters solve this final mystery of the men in their lives, and the ghosts(?) who love them?

The untold story of life on the road with the Grateful Dead, written by an insider who lived it from the early days to today. Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him and after getting out he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969 and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling as he fell in quickly with a band of likeminded misfits who formed the nucleus of what would be the greatest road crew in rock 'n' roll history. Parish traveled to California where his apprenticeship began. Working for the band for free and learning his craft, Parish got to know Jerry, Bobby, Phil, Billy and Mickey and through the years their relationships forged an unbreakable bond. He became very close with Garcia in particular, acting as his personal roadie and later manager for his solo performances and Garcia Band shows. He was there during times of trouble (like when a pimp held Garcia hostage at gunpoint in a New York hotel room), spending hours by his bedside when Garcia was in a coma in 1986, and performing the duties of best man at his wedding. He was also the last friend to see Garcia alive. Throughout the Dead's historic run, there were parties of biblical proportion and celebrity run-ins with everybody from Bob Dylan to Frank Sinatra--but there was a dark side to life on the road and tragedy didn't just strike the musicians. But Home Before Daylight is a story of friendship, of music and redemption. It is a piece of music history, one that reflects the American spirit of adventure and brotherhood. Seen through Steve Parish's eyes and experiences, The Grateful Dead's wild ride has never been so revealing.