Leo is a white Labrador puppy, full of energy and enthusiasm. While spending time with his granny, he causes a little bit of excitement in the village neighborhood. It all starts when Leo steals granny’s shoe, sneaks out of the yard with it, and runs next door. Soon, there’s a whole mystery of shoes that don’t fit, the appearance of roosters and chickens, and one missing, naughty puppy. This picture book for children tells the entertaining story of a mischievous puppy and his adventures at granny’s house.

“Hunger is the loudest voice in my head. I’m hungry most of the time.” William Leith began the eighties slim; by the end of that decade he had packed on an uncomfortable amount of weight. In the early nineties, he was slim again, but his weight began to creep up once more. On January 20th, 2003, he woke up on the fattest day of his life. That same day he left London for New York to interview controversial diet guru Dr. Robert Atkins. But what was meant to be a routine journalistic assignment set Leith on an intensely personal and illuminating journey into the mysteries of hunger and addiction. From his many years as a journalist, Leith knows that being fat is something people find more difficult to talk about than nearly anything else. But in The Hungry Years he does precisely that. Leith uses his own pathological relationship with food as a starting point and reveals himself, driven to the kitchen first thing in the morning to inhale slice after slice of buttered toast, wracked by a physical and emotional need that only food can satisfy. He travels through fast food-scented airports and coffee shops as he explores the all-encompassing power of advertising and the unattainable notions of physical perfection that feed the multibillion dollar diet industry. Fat has been called a feminist issue: William Leith’s unblinking look at the physical consequences and psychological pain of being an overweight man charts fascinating new territory for everyone who has ever had a craving or counted a calorie. The Hungry Years is a story of food, fat, and addiction that is both funny and heartwrenching. I was sitting in a café on the corner of 3rd Avenue and 24th Street in Manhattan, holding a menu. I was overweight. In fact, I was fat. Like millions of other people, I had entered into a pathological relationship with food, and with my own body. For years I had desperately wanted to write about why this had happened — not just to me, but to all those other people as well. I knew it had a lot to do with food. But I also knew it was connected to all sorts of outside forces. If I could understand what had happened to me, I could tell people what had happened to them, too. Right there and then, I decided that I would do everything to discover why I had got fat. I would look at every angle. And then I would lose weight, and report back from the slim world. —Excerpt from The Hungry Years

This Encyclopedia is a book that all households should have. It explains what medicines are used for and symptoms, It will explain how to repair most things about the home. It also contains worldly information on almost everything. plus, it has Granny's recipes of old, some you'll love and some you will wonder how they could eat them? It's a book once opened you'll find hard to put down...

Knowing workplace etiquette can get a person a raise or promotion--and can keep him or her from getting fired. Oliver tackles the topic in this savvy resource.

A beautiful gift edition of the beloved classic about three orphan siblings and their love of music, theater, and dance. When orphans Sorrel, Mark, and Holly are sent to live with their grandmother, a famous English actress, she enrolls them in the Children's Academy of Dancing and Stage Training, the same Academy that made the orphans from Ballet Shoes famous so long ago. It's the chance of a lifetime, but the Academy won't give the children the "proper" education their parents would have wanted. However, the children learn to love the Academy when they find out that Sorrel has dramatic flair, Mark can sing, and Holly charms everyone with her adorable impish ways. Maybe talent does run in the family. This classic children's book is perfect for kids who dream of being on stage--dancing, singing, or acting. Don't miss the other classic Noel Streatfeild books, Ballet Shoes, Skating Shoes, and Dancing Shoes!

This book offers a factual account of Irish grandparents minding their granddaughter, including funny interactions and dreadful meltdowns. Doireann’s development is captured over a thirteen-month period known as the “terrible twos.” Her urge to overcome and master physical obstacles is a continuous challenge. As grandparents, the author and his wife needed plenty of energy to keep up with her. They faced physical demands along with the imaginary role-playing their granddaughter constantly wanted to act out. They also learned that a toddler is like a sponge—and you must be careful what you say around them. In addition to depicting the trials and tribulations of child rearing, the author highlights the benefits of Vygotsky’s social learning theory, the Zone of Proximal Development. Later referred to as Scaffolding, by Jerome Bruner, David Wood, and Gail Ross, it assists a learner to build on prior knowledge. With a glossary of slang words and funny misspellings and written in a diary-type format, this book will serve as an informative account for anyone who spends time with and cares about children.

Callie Mae McCauley knows a girl’s got to be leathery, or she’ll be tore to pieces by the weight of all her troubles and trials . . . The tragedy Callie endures will forever change her simple, yet full life in the heart of the Blue Ridge Mountains. Orphaned at age eight, she must move to her Granny Jane’s, where she soon realizes the shock of what she’s seen has stolen her voice. A new neighbor and Granny Jane’s swarm of honeybees help Callie find her tongue. She soon discovers that, although Chloe Combs may be peculiar, Miss Chloe may be her only friend when her uncles come to claim their share of Granny Jane’s land that straddles the New River. Her uncles have a plan, and they won’t let anything or anyone stand in their way, certainly not their niece Callie. When Callie ends up in an orphanage, she knows a mountain girl can’t be held inside walls of plaster and wood. A mountain girl’s got to feel the earth beneath her feet and listen as the river makes sweet music in her ears. But time is running out for Callie to save the New River—her river—from her greedy uncles’ plan.

At the same time that 1970s feminist psychoanalytic theorists like Jean Baker Miller and Nancy Chodorow were challenging earlier models that assumed the masculine psyche as the norm for human development and mental/emotional health, writers such as Anne Sexton, Olga Broumass, and Angela Carter were embarked on their own revisionist project to breathe new life into fairy tales and classical myths based on traditional gender roles. Similarly, in the 1990s, second-wave feminist clinicians continued the work begun by Chodorow and Miller, while writers of fantasy that include Terry Windling, Tanith Lee, Terry Pratchett, and Catherynne M. Valente took their inspiration from revisionist authors of the 1970s. As Schanoes shows, these two decades were both particularly fruitful eras for artists and psychoanalytic theorists concerned with issues related to the development of women's sense of self. Putting aside the limitations of both strains of feminist psychoanalytic theory, their influence is undeniable. Schanoes's book posits a new model for understanding both feminist psychoanalytic theory and feminist retellings, one that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.