12 black-and-white postcards feature a pompous peacock, demure dog, fanciful frog, and other whimsical creatures that satirize human behavior with their comic expressions, poses, and clothing.

"The acclaimed steampunk series from graphic-novel pioneer Bryan Talbot explores an alternate, art-nouveau world populated by intelligent animals, a human underclass, and wondrous technology"--

In this second lively handbook, Sheila Jackson, former Head of Costume for London Weekend Television and costume designer for Upstairs, Downstairs, breaks new ground with her common sense sections on animal and bird costumes, musicals and dance, ethnic costume, head dresses and accessories.

Poppy, the adorable, persistent, dreaming-big pig, has a new adventure in store for her: the World Games ice-skating championship in Paris! Poppy is nervous about meeting so many new people in a new place. But, ever courageous and supported by her family (Emma, too!), Poppy embarks upon this exciting adventure head-on. She meets a snowboarding Panda, a Maltese who skies, and two fellow skaters, a Crane and a Kangaroo. Poppy begins to realize that although these animals look different, act different, and are from different places, they are all the same at heart. They all smile in the same language!

A beautiful visual history book of fantasy art from Romanticism and steampunk to modern illustrations from novels. Art has always been one of the most vivid ways to express people's imagination. Fantasy art illustrates the full range of human fears and dreams, from mythology, the Bible, and the artist's own original and exciting stories. This book describes the history of fantasy art from Romanticism in the 18th century to the modern era by exploring the masterpieces of fantasy artists: William Blake, John Martin, Albert Robida, Jules Gabriel Verne, H.G. Welles, and more. It also shows illustrations from science fiction and fantasy novels such as Mary Shelley's Frankenstein, poems and stories by Edgar Allan Poe, mystery novels by Agatha Christie, and contemporary fantasy novelists such as J.R.R. Tolkien and Michael Ende. This book illustrates the remarkable transition of fantasy art that occurred in 19th century when steampunk was introduced to the fantasy art world. Steampunk was unique because it was a fantasy-based style that was inspired by a real event, the Industrial Revolution. Today, the influence of steampunk can be seen in everywhere, from legendary films by Walt Disney and Hayao Miyazaki's Studio Ghibli. This book will surely satisfy all lovers of fantasy art and literature.

Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.

Winner of a City of Vancouver Heritage Award, 2005. Before the First World War, photographs of major news events were rarely seen in the daily newspapers; the technology was still too new to make their use viable. Filling the gap and providing the missing images were the postcard photographers, who could make their breaking-news photos available on the street the day after an event occurred. George Alfred Barrowclough was one of those photographers. Barrowclough had the eye of an artist and the nose of a newsman. His images of Vancouver and the surrounding areas stand out over those of other postcard photographers of his day in that they are more people-centred and action-oriented, capturing the lives and appearances of the people living in and around Vancouver in the decade before the Great War. Drawing from postcards that Barrowclough produced between 1908 and 1912, award-winning authors Fred Thirkell and Bob Scullion have selected images for Breaking News that showcase the photographer's focus on people and events. In Vancouver in those years, you looked to newspapers for words; you looked to Barrowclough for news. This is Fred Thirkell and Bob Scullion's sixth book in the postcard genre. Several of their earlier books have also won City of Vancouver Heritage awards.

Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin's tyranny, the scale and impact of Eisenstein's legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output. In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious treatise that he hoped would be his major legacy, Method, has finally been published. Eisenstein's lifelong search for an underlying unity that would link archaic art with film's modernity, individuals with their historic communities, and humans as a species with the universe, may have more appeal than ever today. And among his many thwarted film projects, those set in Mexico and what were once the Soviet Central Asian republics reveal complex and still-intriguing realms of speculation. In this ground-breaking collection, sixteen international scholars explore Eisenstein's prescient engagement with aesthetics, anthropology and psychology, his roots in diverse philosophical traditions, and his gender politics. What emerges has surprising relevance to contemporary media archaeology, intermediality, cognitive science, eco-criticism and queer studies, as well as confirming Eisenstein's prestige within present-day film and audiovisual media.