Grace says goodbye to Grandmother in this touching book about love and loss. Grandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day. Suddenly, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And soon after, she is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye. Carmen Mok’s gentle illustrations show the love between a child and her grandmother in this story that will resonate with anyone who has lost a loved one. Betty Quan’s picture-book debut is haunting yet hopeful. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.6 Identify who is telling the story at various points in a text. CCSS.ELA-LITERACY.RL.2.1 Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.2.7 Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot. CCSS.ELA-LITERACY.RL.3.7 CCSS.ELA-LITERACY.RL.5.2 Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.

A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.

A visit to Grandmother’s house has never been so frightening. . . . Charlie and Georgie Oughtt have been sent to visit their Grandmother Pearl, and this troubles Charlie for three reasons. The first is that he’s an exceptionally nervous twelve-year-old boy, and he worries about everything. The second is that the other children in his neighborhood who pay visits to their grandmothers never seem to return. And the third is that Charlie and Georgie don’t have any grandmothers. Upon their arrival, all of Charlie’s concerns are confirmed, as “Grandmother Pearl” quickly reveals herself to be something much more gruesome than even Charlie’s most outlandish fears could have predicted. He and Georgie are thrust into a creepy underworld created from stolen nightmares, where monsters disguised as grandmothers serve an ancient, evil queen by holding children captive as they slowly sap each one of their memories and dreams. But something is different about Charlie. His worrisome nature, so often a burden, proves an asset in this frightening world. Will he be able to harness this newfound power to defeat the queen and save his sister?

A young girl takes her grandmother on an outing to the natural history museum.

For Hannah, moving to a new city feels bitter, but can she find the sweetness, too? When Hannah’s family has to move, her grandmother tells her how she felt leaving the old country — it was both bitter and sweet. As Hannah leaves her friends behind and tries to get used to a new house, she only feels bitterness. Was her grandmother wrong about the sweetness? Hannah starts to feel better about the move when she sees her new house in the soft light of the Shabbat candles. When a new friend reaches out with a special gift, Hannah realizes that sweetness can come from unexpected places and that she can even create some herself. Featuring art by acclaimed illustrator Kyrsten Brooker, this story subtly conveys a universal message — while life can be full of challenging moments, sweeter ones can be found and created. An author’s note is included on the concept of bitter and sweet in Jewish culture. Key Text Features author’s note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.3 With prompting and support, identify characters, settings, and major events in a story. CCSS.ELA-LITERACY.RL.1.2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.

This book is filled with real-life personal stories, testimonies, prayers, scriptures, and answers to help women find wisdom, strength and salvation. Each thought-provoking story is concluded with a light-hearted story providing readers with lots of laughter.

?Once in a blue moon (which means a fairly long cycle in my case) one who deals professionally with new books comes upon something that seems to him truly noteworthy and memorable-a reading experience which he will cherish for the rest of his life. And when this book is original and, indeed, unique-when it achieves something that has never been done before-one's impulse is to rent a billboard, to hire a hall, in some way to underline and emphasize the excitement and enthusiasm of his discovery, so that other readers may share his pleasure. "This has been my experience with The Ten Grandmothers, by Alice Marriott. It was the custom of certain tribes of Indians of the Great Plains to keep a 'winter count,' or calendar, of important events. Each year an officially designated scribe or historian of the tribe inscribed on a specially selected and prepared buffalo hide (which was a sacred tribal possession) a colored pictograph commemorating the most noteworthy event of the year-the happening or circumstance for which the year would be remembered in the oral literature and traditions of the tribe. "Miss Marriott's book is based upon such a tribal history of the Kiowas, an important and tenacious nation of the southern Great Plains, for more than a hundred years. She has taken representative incidents from this story and built each into a unified narrative of personal experience, concrete and dramatic. The thirty-three narratives fall into four groups reflecting the major phases of Kiowa history in the last century; they are called, since Kiowa .economy was based on the buffalo, The Time When There Were Plenty of Buffalo; The Time When Buffalo Were Going; The Time When Buffalo Were Gone; and Modern Times. Since the same characters appear recurringly, the book has the effect of a loosely constructed novel. "Miss Marriott is an ethnologist. Her book is based on eight years of work with the Kiowas?work that certainly consisted of much more than superficial interviews with aged Indians. There is evidence everywhere, not only of accurate scientific knowledge of the material to be presented, but of profound human insight and understanding. "Miss Marriott is also a creative artist of extraordinary powers. Her book has abundant humor, drama and melodrama, beauty and sordidness, pathos and tragedy: all presented sharply, objectively, with economy, restraint, and dignity. The narrative of the long journey of Wooden Lance, to see for himself and for his tribe whether the leader of the Ghost Dance movement (that inspired the last desperate, irrational struggle of the plains Indians against the whites) had 'true power is unforgettable in its simplicity and reality. The story of the Kiowa girl Leah's return from her years at a boarding school in the East to her family on the reservation is as true and socially significant as it is poignant and dramatic. "The great achievement of Miss Marriott's book is that it makes accessible to the reader of today the essence of a culture, a way of life and thought, now almost vanished from the earth. "We have an uneasy feeling that some special meaning and value for Americans of today and tomorrow must lie in the older cultures of our continent which our own has so largely displaced. American writers from Longfellow on have tried with varying degrees of success to capture that meaning for us. "Miss Marriott's book shows that our feeling was justified. No discerning reader will fail to find in the men and women who are so vivid in its pages-Sitting Bear and Eagle Plume, old Quanah and Spear Woman, and the Kiowa boys riding in their jeep to enlist for the present World War-in their vision and knowledge of life and their essential experience, abundant meaning for today."

Whether fighting for the environment, human rights, education, health, or cultural preservation, a new generation of activist grandmothers across the world are using their strength, wisdom, and hearts to make a difference. An unheralded grandmothers' movement is changing the world. Insurgent grandmothers are using their power to fight for a better future for grandchildren everywhere. And they are succeeding. Grandmother Power profiles activist grandmothers in fifteen countries on five continents who tell their compelling stories in their own words. Grandmothers in Canada, Swaziland, and South Africa collaborate to care for AIDS orphans. Grandmothers in Senegal convince communities to abandon female genital mutilation. Grandmothers in India become solar engineers and bring light to their villages while those in Peru, Thailand, and Laos sustain weaving traditions. Grandmothers in Argentina teach children to love books and reading. Other Argentine grandmothers continue their 40-year search for grandchildren who were kidnapped during the nation's military dictatorship. Irish grandmothers teach children to sow seeds and cook with fresh, local ingredients. Filipino grandmothers demand justice for having been forced into sex slavery during World War II. Guatemalan grandmothers operate a hotline and teach parenting. In the Middle East, Israeli grandmothers monitor checkpoints to prevent abuse and the UAE's most popular television show stars four animated grandmothers who are surprised by contemporary life. Indigenous grandmothers from thirteen countries conduct healing rituals to bring peace to the world. Gianturco's full-color images and her heroines' amazing tales make Grandmother Power an inspiration for everyone, and it cements the power of grandmothers worldwide. Please visit http://globalgrandmotherpower.com/ for additional information. All author royalties will be donated to the Stephen Lewis Foundation's Grandmothers to Grandmothers campaign, which provides grants to African grandmothers who are raising AIDS orphans.

In this quirky duo’s third adventure, the Grandmas pitch in to help when Pip’s regular baseball coach contracts the chicken pox. But the trouble is, neither of them know beans about the game. ‘A double-threat winner, combining the humor of the two grandmas with enough play-by-play description to gladden the hearts of young baseball fans.’

At the height of the African AIDS crisis older women mobilized across two continents and an ocean of difference to change the lives of innumerable African women confronting insecurity, violence, grief, and illness. In 2006 the Stephen Lewis Foundation launched its Grandmothers to Grandmothers Campaign, seeking to organize Canadians in solidarity with "Africa's grandmothers" - older caregivers who had lost their children to AIDS and were left to raise their grandchildren. Four years later, some 10,000 Canadians had joined the campaign. May Chazan's The Grandmothers' Movement explores the encounters, ideas, and circumstances that shaped this remarkable story of solidarity and struggle. Based on interviews, family trees, personal journals, and archival materials, Chazan provides the first analysis of the movement. Through personal reflections and powerful vignettes from nearly a decade of participation in grandmothers' lives in South Africa and Canada, she presents untold narratives and brings new humanity to the AIDS crisis in Africa. The Grandmothers' Movement tells a story of hope while challenging conventional understandings of the global AIDS response, solidarity, and old age. It is about the power of older women to alter their own lives through collective action and about the influence of transnational cooperation to effect positive global change.