New York Times Bestseller: In Victorian Britain, an affluent woman hosts a group of Catholic priests in her home—and listens as they tell their stories. Rose, a young girl visiting her grandmother, sits among eleven priests from Ireland, Scotland, and Wales. As each guest shares the most challenging moments of their vocations, tests of faith that have brought them face-to-face with the miseries, temptations, and evils that lurk beyond the peaceful confines of the rectory, their worldly, wealthy hostess and her granddaughter come to learn the struggles and outcomes of these confrontations with the human condition. “The priests themselves represent a mixed lot—men of exalted backgrounds, culture, worldly experience, who have found their hardest task bringing themselves down to the humble people of their flocks; men who understand only the intellectual, realistic aspects of their faith—and must learn to accept the mystical as well; men who hide their saintliness under uncouth exteriors, who learn the hard way to love their fellow men, who encounter devils as well as saints, murderers, sinners. . . . Lively reading.” —Kirkus Reviews

"Lady Father" is a narrative account of my journey through the ordination process in the Episcopal Diocese of Southern Virginia of the 1980's and the subsequent years of ordained ministry. As the first female admitted to the ordination process by the Rt. Rev. C. Charles Vach , 7th Bishop of Southern Virginia, who was then a strong and vocal opponent of the ordination of women, I was a "reluctant pioneer." Dubbed "the Lady Father," I have served the church for 25 years and I am now offering my experiences and the insights I learned from them to others who feel a similar call and who may find themselves on a similar journey "against the flow." "Lady Father" is filled with anecdotes that will ring true with many clergy, bring hope to those aspiring to ordination, and shed light on the continuing debate in the Church over who should be ordained. "The Process" described in the book is a journey most clergy have traveled, but my story is a unique blend of the obstacles, denials, and rejections I faced and overcame, along with the uplifting moments and spiritual growth that came out of the struggle. It is truthful and so, at times, it is painful; it is often light-hearted, even humorous; it is moving as it deals with real people, real events, and real emotions; and, most of all, it is mine - my story, my journey, my life.

Today St. Luke is known as the author of the third Gospel of the New Testament, but two thousand years ago he was Lucanus, a Greek, a man who loved, knew the emptiness of bereavement, and later traveled through the hills and wastes of Judea asking, "What manner of man was my Lord?" And it is of this Lucanus that Taylor Caldwell tells here in one of the most stirring stories ever lived or written.

Looks at the life and work of the provocative Catholic social reformer from the personal point of view of someone who knew her well, her granddaughter.

The New York Times bestselling author of How the Irish Saved Civilization reveals how the innovations of the Renaissance and the Reformation changed the Western world. • “Cahill is our king of popular historians.” —The Dallas Morning News This was an age in which whole continents and peoples were discovered. It was an era of sublime artistic and scientific adventure, but also of newly powerful princes and armies—and of unprecedented courage, as thousands refused to bow their heads to the religious pieties of the past. In these exquisitely written and lavishly illustrated pages, Cahill illuminates, as no one else can, the great gift-givers who shaped our history—those who left us a world more varied and complex, more awesome and delightful, more beautiful and strong than the one they had found.

A National Book Foundation "5 Under 35" Honoree “An enchanting, sparkling book about the many meanings of sisterhood.” —Kristin Iversen, Refinery29 Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

A young queen is torn between her heart’s desire and the fate of her kingdom in this “first-rate” fantasy from a New York Times–bestselling author (Library Journal). On his deathbed, the four-hundred-year-old emperor of Atlantis has reason to worry. Signar, the savage ruler of a powerful outlying state, is scheming to seize control of the empire, and not even its advanced technology can save it. But something else can . . . From the frozen north country of Althrustri, Signar will halt his invasion if he can take the emperor’s daughter, the beautiful Empress Salustra, as his bride. Such a marriage contradicts the deepest feelings of Salustra’s heart, the secret wisdom of her lineage, and her sacred trust as Atlantis’s queen. But the emperor has a plan: Salustra will seduce Signar and then sentence him to death. In spite of every effort to harden her heart, Salustra soon finds herself falling in love with the lustful barbarian. Her loyalties gravely divided, the empress must make a decision that will change the course of history. Written by author Taylor Caldwell when she was a young girl and revised and published decades later, The Romance of Atlantis transforms the legend of a lost kingdom into an “extraordinary” tale of passion and intrigue (TheColumbus Dispatch).

"Theodore Fontaine lost his family and freedom just after his seventh birthday, when his parents were forced to leave him at an Indian residential school by order of the Roman Catholic Church and the Government of Canada. Twelve years later, he left school frozen at the emotional age of seven. He was confused, angry and conflicted, on a path of self-destruction. At age 29, he emerged from this blackness. By age 32, he had graduated from the Civil Engineering Program at the Northern Alberta Institute of Technology and begun a journey of self-exploration and healing.

Mimi Bull grew up secure in the love of family, friends, and neighbors, never questioning the unusual circumstances that caused her to be adopted by two women in the late 1930s. It was years before she learned the secret truth: that one of the women was her grandmother, the other her biological mother, and that the story of her adoption had been concocted not only to shield her mother's reputation, but to hide the fact that her father was the gregarious young parish priest everyone adored. It has only been very recently that the Catholic Church has begun to acknowledge the existence of other children of priests, and Bull writes candidly of the emotional toll that this policy of secrecy and denial took on her--"I should like to have lived a life with my loving parents, knowing who we all were, knowing my father's family from the beginning, and without the forty years of depression that compromised me and those I loved."

Father Tony should have never been a priest. With the family money, he could have pursued his interest in literature or worked with young boys-only free of all those Church strictures. But there was no priest in the family, so when his immigrant grandmother beheld a peculiar mark on his newborn head and declared it a sign from God, his destiny was set. But those marked by God are often marked by men as well: Tony's jealous uncle will never forgive him for finding favor with the old woman. And with his ties to the city's Catholic hierarchy, he'll plot to destroy his nephew if it takes forever.