Categories of the verb in natural languages include tense, aspect, modality (mood) and voice. Among these, voice, in its rich and diverse manifestations, is perhaps the most complex. But most prior research concentrates on only certain types, predominantly passives. Voice expresses relations between a predicate and a set of nominal positions - or their referents - in a clause or other structure. Grammatical Voice is the first typological study of voice systems based on a multi-language survey. It introduces a threefold classification of voice types, in the first place distinguishing passivization phenomena (derived voice) from active-middle systems (basic voice); and further, distinguishing each of these from pragmatically grounded voice behaviours, such as focus and inverse systems. As the first comprehensive study of voice systems and voice typology, this book makes a significant contribution to current research in linguistics and grammatical theory.

The first ever textbook devoted to the cross-linguistic study of voice, covering various topics and discussing data from numerous languages.

This monograph investigates how Japanese employs different structures found in the grammatical voice, both synchronically and diachronically. The Japanese voice system, especially the passive voice, has provided much interesting data for typological comparison, and Japanese examples are often cited in various linguistic works. However, the basic structure consisting of a suffix -(r)are is taken for granted as the passive voice, but it has not been thoroughly compared with various structures with similar functions in other languages. It is argued here that various typological comparisons can reveal different interpretations of structures often analysed under a term ‘grammatical voice’ in Japanese. The main argument proposed in this book is that the Japanese passive originates from an earlier middle voice structure. As the language evolved, the middle voice lost its core function and became more like the passive voice, leaving some residues of earlier middle voice structure even in Modern Japanese. This developmental path is typologically very common, but it has not been recognised in the history of Japanese. This will make the voice continuum in Japanese more complex, i.e. from a conventional active-passive binary pair to a newly proposed active-middle-passive ternary pair. Thus, the presence of the middle voice in Japanese can provide various solutions to questions that are previously considered in relation to the passive voice. The book starts off with a description of different structures normally discussed under the passive voice in Japanese, and five structures are presented here. Following this, both syntactic and semantic features of the Japanese voice system are discussed separately. These discussions will raise some oddities that are not dealt with satisfactorily in previous analysis, and these points are analysed in historical comparison. Apart from the basic description of five structures, certain grammatical features are studied by comparing Japanese data with similar structures and functions in other languages. In addition, there is a small amount of data used for indicating frequency of structures in the basic description.

This volume presents thirteen original papers dealing with various aspects of two related areas of research of major concern to linguists of all theoretical persuasions: voice and grammatical relations. The papers are written from typological, functional, and cognitive perspectives, and contain of a number of general studies as well as studies focusing on specific issues, and offer a wealth of data from a broad range of languages. The volume provides up-to-date discussions of an array of issues of theoretical concern, including the nature of grammatical relations, voice in agent/patient systems, the expression vs non-expression of participant roles, and personal vs impersonal passives. The papers in the volume demonstrate that investigations into the nature of voice and grammatical relations can still yield fresh theoretical and typological insights.

This monograph investigates how Japanese employs different structures found in the grammatical voice, both synchronically and diachronically. The Japanese voice system, especially the passive voice, has provided much interesting data for typological comparison, and Japanese examples are often cited in various linguistic works. However, the basic structure consisting of a suffix -(r)are is taken for granted as the passive voice, but it has not been thoroughly compared with various structures with similar functions in other languages. It is argued here that various typological comparisons can reveal different interpretations of structures often analysed under a term â ~grammatical voiceâ (TM) in Japanese. The main argument proposed in this book is that the Japanese passive originates from an earlier middle voice structure. As the language evolved, the middle voice lost its core function and became more like the passive voice, leaving some residues of earlier middle voice structure even in Modern Japanese. This developmental path is typologically very common, but it has not been recognised in the history of Japanese. This will make the voice continuum in Japanese more complex, i.e. from a conventional active-passive binary pair to a newly proposed active-middle-passive ternary pair. Thus, the presence of the middle voice in Japanese can provide various solutions to questions that are previously considered in relation to the passive voice. The book starts off with a description of different structures normally discussed under the passive voice in Japanese, and five structures are presented here. Following this, both syntactic and semantic features of the Japanese voice system are discussed separately. These discussions will raise some oddities that are not dealt with satisfactorily in previous analysis, and these points are analysed in historical comparison. Apart from the basic description of five structures, certain grammatical features are studied by comparing Japanese data with similar structures and functions in other languages. In addition, there is a small amount of data used for indicating frequency of structures in the basic description.

This educational book teaches its user, the essential techniques that will enable identification of the common pitfalls of grammar, and how to avoid them.

This book provides a comprehensive typological account of voice syncretism, focusing on resemblance in formal verbal marking between two or more of the following seven voices: passives, antipassives, reflexives, reciprocals, anticausatives, causatives, and applicatives. It covers voice syncretism from both synchronic and diachronic perspectives, and has been structured in a manner that facilitates convenient access to information about specific patterns of voice syncretism, their distribution and development. The book is based on a survey of voice syncretism in 222 geographically and genealogically diverse languages, but also thoroughly revisits previous research on the phenomenon. Voice syncretism is approached systematically by establishing and exploring patterns of voice syncretism that can logically be posited for the seven voices of focus in the book: 21 simplex patterns when one considers two of the seven voices sharing the same marking (e.g. reflexive-reciprocal syncretism), and 99 complex patterns when one considers more than two of the voices sharing the same marking (e.g. reflexive-reciprocal-anticausative syncretism). In a similar vein, 42 paths of development can logically be posited if it is assumed that voice marking in each of the seven voices can potentially develop one of the other six voice functions (e.g. reflexive voice marking developing a reciprocal function). This approach enables the discussion of both voice syncretism that has received considerable attention in the literature (notably middle syncretism involving the reflexive, reciprocal, anticausative and/or passive voices) and voice syncretism that has received little or not treatment in the past (including seemingly contradictory patterns such as causative-anticausative and passive-antipassive syncretism). In the survey almost all simplex patterns are attested in addition to seventeen complex patterns. In terms of diachrony, evidence is presented and discussed for twenty paths of development. The book strives to highlight the variation found in voice syncretism across the world’s languages and encourage further research into the phenomenon.

Analiza: Metodología sintáctica y gramática universal; Bases de las "marcas" lingúísticas para las categorías sintácticas; Hacia una definición externa de las categorias sintácticas; Roles temáticos, semántica verbal y estructura causal; Marcas de casos y orden causal de participantes; Formas verbales y conceptualización de los sucesos.

Grammar by Diagram, second edition is a book designed for anyone who wishes to improve grammatical understanding and skill. Using traditional sentence diagraming as a visual tool, the book explains how to expand simple sentences into compound, complex, and compound-complex sentences, and how to employ verbals (infinitives, gerunds, and participles) and other structures for additional variety. The text addresses the most frequent usage errors by explaining how to distinguish between adjectives and adverbs; how to avoid problems of pronoun case, agreement, and consistency; how to ensure that verbs will agree with their subjects and will be appropriate in terms of tense, aspect, voice, and mood; and how to phrase sentences to avoid errors in parallelism or placement of modifiers. Six appendices incorporate further exercises, a summary of key basics from the text, and supplemental material not included in the body of the text but useful for quick reference. This new edition includes additional exercises and has been revised and updated throughout.