Graffiti 365 delivers the first real insider's view into the contemporary graffiti and street-art scenes, as well as their antecedents. A fun, wide-ranging survey of the international graffiti movement, this book uses more than 600 rare, previously unpublished, or legendary images to introduce and describe important artists—from Blade to Banksy—and styles—from bubble to wild. Along the way, Graffiti 365 covers different eras, cities, legendary walls and crews, police and public responses to graffiti, and more. The author of Graffiti 365, J.SON, has been an artist and historian of the graffiti movement for decades—he started writing graffiti in 1973 and retired in 1984. Unparalleled in its breadth and depth of coverage, Graffiti 365 is a wide-angle snapshot of an entire movement.

In today's fast-paced world, creative people are as eager as ever to pursue their artistic passions, but many of them simply don't have enough time. Catering to this modern dilemma, we've concocted the perfect remedy for over-burdened artists. The Daily Book of Art includes a year's worth of brief daily readings and lessons about the visual arts that entertain as they inform. Ten exciting categories of discussion rotate throughout the course of a year, giving readers a well-rounded experience in the art world. From color psychology and aesthetic philosophy to the proverbial argument over whether elephants really can paint, art-starved readers will encounter a broad range of inspiring subjects. The ten categories of discussion include Art 101, Philosophy of Art, Art Through the Ages, Profiles in Art, A Picture’s Worth 200 Words, Art from the Inside Out, Art Around the World, Artistic Oddities, Unexpected Art Forms, and Step-by-Step Exercises.

Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.

In the bestselling tradition of Dark Forces and Prime Evil, here is an anthology of cutting-edge horror fiction, with stories from the hottest writers around, including Stephen King, Dan Simmons, Nancy Collins, and Harlan Ellison. Reprinted from the critically-acclaimed, Hugo Award nominated Midnight Graffiti magazine.

Among the famous graffiti artists from New York City's 1970s subway era was an unassuming talent from the unassuming borough of Queens. The Italian-American rock and roller who wrote "DON 1 MAFIA" blasted onto the scene like a meteorite out of nowhere. His influence on this art form transcended the inner city and he became a legend and a household name. But his descent from the top of this name game, a result of the hedonistic lifestyle of New York City at the time, was just as swift, and for years DON1 has lived in obscurity. Fortunately, as a photographer studying at the prestigious school of Art and Design, DON1 documented his iconic work, along with that of his well known contemporaries, using his trusted 35mm camera. This penetrating work takes the reader inside the supernova that was DON1's creative life with nearly 200 never before seen graffiti photos of the most undocumented NYC train lines and an even rarer glimpse at work from his black book.

Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. What exactly is street art? Is it the same as graffiti, or do they have different histories, meanings, and practitioners? Who makes it? Who buys it? Can it be exhibited at all, or does it always have to appear unsanctioned? Talking with artists, collectors, sellers, and buyers, author Alison Young reveals an energetic world of self-made artists who are simultaneously passionate about an authentic form of expression and ambivalent about the prospects of selling it to make a living—even a fabulously good one. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world.

Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.

JAPAN 365 is the Essential art book of Japan. An excellent hand-drawn retrospective and an amazing feat of sustained creativity. Entirely bilingual in English and Japanese. Artist and English teacher J Muzacz set out on a journey with some sketchbooks and ordinary ball pens. A test of artistic endurance, J drew an A4 (8.5in. x 11in.) piece for everyday of 2011 while living, working and traveling in Japan-A Drawing-A-Day Project for 365 days. Delving into history books for classic traditional imagery and embarking on broken bilingual conversations with locals about hidden shrines, temples and festivals, helping harvest rice, eating strange food, dissecting fashion and more, J has unearthed some real gems that many Japanese people do not even know about. Working from life and with stills captured by some of Japan's finest photographers, depicting Hokkaido in the arctic north to Okinawa in the tropical south and everywhere in between, J has captured history, culture and current events in stark and striking black and white, reminiscent of Japan's archetypal art style-the Hanga woodblock print. Images range from beautiful landscapes to scenes of unsettling tsunami aftermath, women wearing kimono to unfinished old faces-- always evocative and educational, insightful explanations or anecdotes on every page, laid out clearly in both English and Japanese. Muzacz re-establishes artwork as a viable means to record a unique folk history while still communicating universal human tendencies and timeless natural beauty. Let us not forget that visual art is a valuable story-telling medium which transcends language barriers. Japan 365 is a must-have for aspiring artists or architects, Japan-o-philes of any kind, Asian art aficionados, anyone interested in Japanese language, history and culture, or simply someone in need of a little daily creative inspiration. Japan 365 is a useful Art/Reference volume, cultural study, coffee table book and more. You definitely want to add this one-of-a-kind book to your collection.

Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.