Borrowing from the Hebraic tradition of psalmody, latter Christian music composers and musicians derived their songs and hymns from their faith experiences with God and the community. Apart from their melodious distinctiveness, and the universal application of the lyrics, the respective backgrounds of these hymns make them more relevant and more applicable to our present day situations. The selection of Church hymns in this Global Edition include globally popular songs from: Seventh-Day Adventists Anglicans, Baptists, Methodists, Catholics, Presbyterians, Lutherans, and Pentecostal Churches.

Borrowing from the Hebraic tradition of psalmody, latter Christian music composers and musicians derived their songs and hymns from their faith experiences with God and the community. Apart from their melodious distinctiveness, and the universal application of the lyrics, the respective backgrounds of these hymns make them more relevant and more applicable to our present day situations. The selection of Church hymns in this Global Edition include globally popular songs from: Seventh-Day Adventists Anglicans, Baptists, Methodists, Catholics, Presbyterians, Lutherans, and Pentecostal Churches.

Borrowing from the Hebraic tradition of psalmody, latter Christian music composers and musicians derived their songs and hymns from their faith experiences with God and the community. Apart from their melodious distinctiveness, and the universal application of the lyrics, the respective backgrounds of these hymns make them more relevant and more applicable to our present day situations.

Borrowing from the Hebraic tradition of psalmody, latter Christian music composers and musicians derived their songs and hymns from their faith experiences with God and the community. Apart from their melodious distinctiveness, and the universal application of the lyrics, the respective backgrounds of these hymns make them more relevant and more applicable to our present day situations. This book lists seventy two hymns and songs and exposes the rich heritage and tradition of many well-known Christian hymns and gospel songs.

The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society. The fifteen essays, written by leading authorities in the field, present a synthesis based on recently discovered material that throws new light on different aspects of musical life during the reign of Ferdinand and Isabel (1474-1516): sacred and secular music-making in royal and aristocratic circles; the cathedral music environment; liturgy and power; musical connections with Rome, Portugal and the New World; theoretical and unwritten musical practices; women as patrons and performers; and the legacy of Jewish musical tradition. Contributors are Mercedes Castillo Ferreira, Giuseppe Fiorentino, Roberta Freund Schwartz, Eleazar Gutwirth, Tess Knighton, Kenneth Kreitner, Javier Marín López, Ascensión Mazuela-Anguita, Bernadette Nelson, Pilar Ramos López, Emilio Ros-Fábregas, Juan Ruiz Jiménez, Richard Sherr, Ronald Surtz, and Jane Whetnall.