This is no ordinary random collection of short stories. Here each brief narrative stands on its own yet forms part of a continuous and powerful sequence. Set in the eastern valleys of south Wales from 1970 to the present day, it relates the history of Grace and Tamar, their volatile childhood, disruptive coming-of-age and dubious maturity. The book is part novel, part fantasy, part social history. More than anything it tells dark, universal tales about how utterly strange it is to learn to be human. Readers who know Deborah Kay Davies' poetry may be better prepared than most for the shock of her debut collection of stories, Grace Tamar and Laszlo the Beautiful, by turns moving, hilarious and terrifying, and often all three at once.

One ordinary afternoon in a nameless town, a nameless young woman is at work in a benefits office. Ten minutes later, she is in an underground parking lot, slammed up against a wall, having sex with a stranger. What made her do this? How can she forget him? These are questions the young woman asks herself as she charts her deepening erotic obsession with painful, sometimes hilarious precision. With the crazy logic and hallucinatory clarity of an exhilarating, terrifying dream, told in chapters as short and surprising as snapshots, True Things About Me hurtles through the terrain of sexual obsession and asks what it is to know oneself and to test the limits of one's desires.

'Spellbinding' Daily Mail From the award-winning author, a hauntingly beautiful coming of age novel set in the Welsh valleys of the 1970s Tirzah has lived a life of seclusion in a staunchly religious family. But when she begins to struggle against the confines of her community, trying to find her own way in the world, life takes an unexpected turn that ultimately teaches her that freedom springs from within. Written with an almost fable-esque quality and drawing on Welsh mythology, Tirzah and the Prince of Crows is an intensely immersive, layered and powerful novel about life forces and the healing power of love.

Women, Business and the Law 2021 is the seventh in a series of annual studies measuring the laws and regulations that affect women’s economic opportunity in 190 economies. The project presents eight indicators structured around women’s interactions with the law as they move through their lives and careers: Mobility, Workplace, Pay, Marriage, Parenthood, Entrepreneurship, Assets, and Pension. This year’s report updates all indicators as of October 1, 2020 and builds evidence of the links between legal gender equality and women’s economic inclusion. By examining the economic decisions women make throughout their working lives, as well as the pace of reform over the past 50 years, Women, Business and the Law 2021 makes an important contribution to research and policy discussions about the state of women’s economic empowerment. Prepared during a global pandemic that threatens progress toward gender equality, this edition also includes important findings on government responses to COVID-19 and pilot research related to childcare and women’s access to justice.

An orphaned girl is held spellbound by the tales of a lighthouse keeper on the Scottish coast, in a novel by the Costa Award-winning author of The Passion. After her mother is literally swept away by the savage winds off the Atlantic coast of Salts, Scotland, never to be seen again, the orphaned Silver is feeling particularly unmoored. Taken in by the mysterious keeper of a lighthouse on Cape Wrath, Silver finds an anchor in Mr. Pew—blind, as old and legendary as a unicorn, and a yarn spinner of persuasive power. The tale he has to tell Silver is that of a nineteenth-century clergyman named Babel Dark, whose life was divided between a loving light and a mask of deceit. Peopled with such luminaries as Charles Darwin and Robert Louis Stevenson, Mr. Pew’s story within a story within a story soon unfolds like a map. It’s one that Silver must follow if she’s to be led through her own darkness, and to find her own meaning in life, in this novel by a winner of the Costa, Lambda, and E.M. Forster Awards, the author of Oranges are Not the Only Fruit; Why Be Happy When You Could Be Normal? and other acclaimed works. “In her sea-soaked and hypnotic eighth novel, Winterson turns the tale of an orphaned young girl and a blind old man into a fable about love and the power of storytelling…Atmospheric and elusive, Winterson's high-modernist excursion is an inspired meditation on myth and language.”—The New Yorker

Pearl can be very, very good. More often she is very, very bad. But she’s just a child, a mystery to all who know her. A little girl who has her own secret reasons for escaping to the nearby woods. What might those reasons be? And how can she feel so at home in the dark, sinister, sensual woods, a wonder of secrets and mystery? Told in vignettes across Pearl’s childhood years, Reasons She Goes To The Woods is a nervy but lyrical novel about a normal girl growing up, doing the normal things little girls do.

Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.

'A restless shape-shifter from the mysterious Welsh Marches, Heseltine was as elusive in his idiosyncratic writing as in his extraordinary globetrotting life. It is good to have his work briefly pinned down in this groundbreaking collection for closer inspection.' – Professor M.Wynn Thomas Cariad County: a place of anarchy and farce, of the grotesque and the slapstick, of tragedy and violent comedy, where the local hunt is disrupted by a camel-riding hero, where the town hall burns down as the town cheers, a place haunted by grotesque revenants from the First World War. This is the world of Nigel Heseltine's short stories, fantastic fictions which lampoon and lament the slow decline of the once-powerful squires and landowners of mid-Wales, the very Montgomeryshire of which Heseltine (1916-1995) formed a part.

NOMINATED FOR THE 2023 BULAWAYO ARTS AWARDS FOR OUTSTANDING LITERARY WORK 'In turn these stories are funny, poignant, at times shocking, but always deeply moving.' – Ian Holding, Unfeeling '[a] wonderful collection of short stories' – Siphiwe Ndlovu, The Theory of Flight 'Bryony Rheam's short stories are skilled, perfectly formed, and compelling ... a deeply satisfying collection.' – Karen Jennings, An Island Whatever happened to Rick Astley? She imagined that he was happily married with children. A record producer, perhaps? That was the usual way with singers, wasn't it? From Bryony Rheam, the award-winning author of All Come to Dust and This September Sun, comes a collection of sixteen short stories shining a spotlight on life in Zimbabwe over the last twenty years. The daily routines and the greater fate of ordinary Zimbabweans are represented with a deft, compassionate touch and flashes of humour. From the potholed side streets of Bulawayo to lush, blooming gardens, traversing down- at-heel bars and faded drawing rooms, the stories in Whatever Happened to Rick Astley? ring with hope and poignancy, and pay tribute to the resilience of the human spirit.

Marcia Pullman has been found dead at home in the leafy suburbs of Bulawayo. Chief Inspector Edmund Dube is onto the case at once, but it becomes increasingly clear that there are those, including the dead woman's husband, who do not want him asking questions. The case drags Edmund back into his childhood to when his mother's employers disappeared one day and were never heard from again, an incident that has shadowed his life. As his investigation into the death progresses, Edmund realises the two mysteries are inextricably linked and that unravelling the past is a dangerous undertaking threatening his very sense of self.