Ravi Zacharias has described Annie Johnson Flint as one of the greatest hymnwriters, and this second volume of 100 of Annie's poems serves to provide additional evidence to support his claim. Like the other volumes, these poems primarily focus on the return of the Lord Jesus, the wonder and beauty of nature, and the trusting of God through the trials of life, including pain and bereavement.

Annie Johnson Flint was born in New Jersey, USA on Christmas Eve in 1866, now over 150 years ago. Crippled with arthritis throughout her life, hers was a difficult journey to glory - but, perhaps similar to Fanny Crosby, she did not let her physical limitations prevent her from leaving us with an incredible legacy of her writing.This collection of one hundred of her poems contains all of her most well-known writings, as well many of the lesser-known ones. Many of them reflect an unwavering faith in her God and and His promises and a belief that He was always with her and supporting her, and that He had a plan for her life, even though her way might be hard and she couldn't currently see what his purposes for her might be. Her unwavering reliance on God's grace to cope with trials on a daily basis is also very evident, as is her deep love for her Saviour, Jesus Christ. What also shines through many of her poems is a love of God's creation, and this fact is made all the more remarkable because her arthritis would have prevented her from exploring so much of it.Annie's writing has been an inspiration to so many over the decades, particularly those passing through difficult times of illness or pain, including the pain of bereavement. Her most well-known poem "He Giveth More Grace", the title of this collection, has been set to music and recorded by a number of singers and choirs, touching and helping millions in the process. In 2016, Bible teacher Ravi Zacharias quoted this hymn in a sermon and described Annie as 'one of the greatest hymn writers.'However, in recent decades Annie's poems have not been easily available in print. It was therefore decided to publish this collection to bring her work to a new audience and to make it available in an attractive form for those who already appreciate it. This collection is an annotated version in the sense that each poem is accompanied by some relevant Bible verses. As we thank God for the life and work of Annie, we pray that He will bless this project and help many more through her timeless prose.

Ravi Zacharias has described Annie Johnson Flint as the greatest of hymnwriters, and this second of three newly published volumes of her work illustrates why she is held in such high regard by the countless thousands who have enjoyed and have been encouraged by her poems over the last 100 years. Together with her biography, 'The Making of the Beautiful', this collection of Annie's legacy is certain to be enjoyed by a new audience.

This is the only known biography of the Christian poetess Annie Johnson Flint, who died in 1932, and was first published in 1948 by the Evangelical Press, and is now in the public domain. The story is told by Roland V. Bingham [1872-1942] who was the founder of the Sudan Interior Mission (now the Serving in Mission (SIM)) and knew Annie personally. This account of her life, as well as telling her remarkable triumph over severe physical adversity, also records the only known 'autobiography' of hers, together with a selection of her poetry, a great deal of which has been out of print for decades.This book is a good companion to "He Giveth More Grace" - One Hundred Poems of Annie Johnson Flint, which includes a fitting foreword by another of her contemporaries, and contains most of her poems, all of which are now in the public domain.

Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Global anthology of twentieth-century poetry"--Back cover.

A haunting tribute to the heroic pioneers who shaped the American Midwest This powerful novel by Willa Cather is considered to be one of her finest works and placed Cather in the forefront of women novelists. It tells the stories of several immigrant families who start new lives in America in rural Nebraska. This powerful tribute to the quiet heroism of those whose struggles and triumphs shaped the American Midwest highlights the role of women pioneers, in particular. Written in the style of a memoir penned by Antonia’s tutor and friend, the book depicts one of the most memorable heroines in American literature, the spirited eldest daughter of a Czech immigrant family, whose calm, quite strength and robust spirit helped her survive the hardships and loneliness of life on the Nebraska prairie. The two form an enduring bond and through his chronicle, we watch Antonia shape the land while dealing with poverty, treachery, and tragedy. “No romantic novel ever written in America...is one half so beautiful as My Ántonia.” -H. L. Mencken Willa Cather (1873–1947) was an American writer best known for her novels of the Plains and for One of Ours, a novel set in World War I, for which she was awarded the Pulitzer Prize in 1923. She was elected a fellow of the American Academy of Arts and Sciences in 1943 and received the gold medal for fiction from the National Institute of Arts and Letters in 1944, an award given once a decade for an author's total accomplishments. By the time of her death she had written twelve novels, five books of short stories, and a collection of poetry.

No one can tell in advance what form a movement will take. Grace Lee Boggs’s fascinating autobiography traces the story of a woman who transcended class and racial boundaries to pursue her passionate belief in a better society. Now with a new foreword by Robin D. G. Kelley, Living for Change is a sweeping account of a legendary human rights activist whose network included Malcolm X and C. L. R. James. From the end of the 1930s, through the Cold War, the Civil Rights era, and the rise of the Black Panthers to later efforts to rebuild crumbling urban communities, Living for Change is an exhilarating look at a remarkable woman who dedicated her life to social justice.