Grace Crowley has been recognized as a product of European modernism and was one of the leading innovators of geometric abstraction in Australia. Having studied in Paris in the 1920s with one of the leading art teachers, writers and theorists, André Lhote, she returned to Australia having mastered the complex mathematics and geometry of the golden section and dynamic symmetry, that had become a framework for modernism. Through her teaching of these compositional techniques at the most progressive modern art school in Sydney in the 1930s, she became a crucial influence on the group of artists now recognized as the historical forerunners to American colour-field painting introduced to Australia in the 1960s, and Australian abstraction. Through her close friendship with Anne Dangar, who played a critical role in the success of Albert Gleizes’ utopian art colony in rural France, Crowley maintained contact with mainstream European modernism and links to the Abstraction-Creation Group in Paris. During the 1940s and 1950s, Crowley worked with fellow-artist Ralph Balson, and together they developed their own style of geometric abstract art which reflected the spiritual dimensions of Kandinsky and Mondrian. Although undervalued in her own time, the sincerity and uncompromising quality of her work that transcends national boundaries, makes her one of the most important Australian women artists of her generation.

Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements.

Australia is a land full of opportunities, but where can you go to find the things that matter to women? This book is a guide to the land as well as the diverse culture of women. Women's culture in Australia goes back more than 40,000 years and is a rich mosaic of story, art and music. On the top of this has come the culture of the past 200 years: from the British convicts, from China, from the Pacific, from the newer waves of migration and from the women's movement. This is reflected in literature, theatre, the visual arts, music, circuses and dance. Rural and urban women describe the places they know and love, they also describe their histories and show something of what lies behind a first impression. Contributors featured include: Oodgeroo Noonuccal, Faith Bandler, Portia Robinson, Elizabeth Jolley, Sara Dowse, Janine Haines, Dale Spender, Ruby Langford Ginibi, Kate Llewellyn, and Finola Moorhead.

This beautifully illustrated book is an informative and fascinating chronological survey of Australian drawing since 1770. Defining a drawing as "any unique work on paper", Sayer examines a wide range of them in relation to the social influences of the period in which they were created, the genre and the medium, and discusses stylistic changes and changes in perception such as in the many "revivals" that drawing has experienced since the 1920's. He also provides drawings of natural history, Aborigines and landscape, portraits, scenes of contemporary life of the 1850's, decorative drawing, watercolors, and examples of surrealistic techniques.

This treasury of Australian art created between the two world wars sheds fascinating light on the country's incredible artistic growth and the flowering of modernism Down Under. This volume comprises some 400 works by Ralph Balson, Frank and Margel Hinder, Roland Wakelin, and others in the Australian vanguard. Arranged by theme, the art reflects a remarkable range of styles and genres: abstraction, landscapes, still lifes, portraits.

This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.

Translation and Globalization is essential reading for anyone with an interest in translation, or a concern for the future of our world's languages and cultures. This is a critical exploration of the ways in which radical changes to the world economy have affected contemporary translation. The Internet, new technology, machine translation and the emergence of a worldwide, multi-million dollar translation industry have dramatically altered the complex relationship between translators, language and power. In this book, Michael Cronin looks at the changing geography of translation practice and offers new ways of understanding the role of the translator in globalized societies and economies. Drawing on examples and case-studies from Europe, Africa, Asia, and the Americas, the author argues that translation is central to debates about language and cultural identity, and shows why consideration of the role of translation and translators is a necessary part of safeguarding and promoting linguistic and cultural diversity.

Women and arts and craft - Anne Dangar - Gladys Reynell - Modernist art theory and feminism - Influence of Paris - Margaret Preston - Dorrit Black - Thea Proctor - Evaline Syme and Ethel Spowers - Careers of women artists in Australia in the first half of the 20th century - Roger Fry - Omega Workshop.

The story of Father Ed Dowling, S.J., the Jesuit priest who served for twenty years as sponsor and spiritual guide to Bill Wilson, the co-founder of Alcoholics Anonymous. An icy evening in December 1940 saw the first meeting of two extraordinary spiritual leaders. Father Ed said that the graces he received from meeting Bill Wilson were as great as those he had received from his ordination as a priest, and Bill in turn described encountering the Jesuit as being like a second conversion experience, where he could feel the transcendent presence of God filling the entire room with grace. The good priest taught Wilson about St. Ignatius Loyolas Spiritual Exercises, about the eternal battle between good and evil which the Spanish saint described in that book, and explained the Jesuit understanding of the way we can use our deepest emotions to receive guidance from God while serving on that battlefield. The co-founder of the twelve step movement in turn supplied Father Ed with some of the most valuable tools he possessed for carrying out small group therapy on a wide range of different kinds of troubled people. Together the two men discussed Poulains Graces of Interior Prayer and Bills attempts to make spiritual contact with both spooks and saints, and explored the world of LSD experiences and the teachings of the Catholic, Hindu, and Buddhist mystics in Aldous Huxleys Perennial Philosophy. And we will see how Father Ed, with his deep social conscience, helped Bill W. turn his book on the Twelve Traditions into a Bill of Rights for the twelve step movement, and how he laid out his own spiritual vision of Alcoholics Anonymous at the A.A. International in St. Louis in 1955.

"Just when Australian art was beginning to atrophy with cliched conservative landscapes painted by men, it was saved in the mid 1920s by modern women who injected vitality and a new approach to style and subject matter. These major artists were Margaret Preston, Thea Proctor, Grace Cossington Smith, Grace Crowley, Dorrit Black, Clarice Beckett, Ethel Spowers and many others." --Booksdirect.