From the Houses of Parliament to the Midland Hotel at St Pancras and Strawberry Hill House, Gothic Revival buildings are some of the most distinctive structures found in Britain. Far from a copy of medieval buildings, it was a style full of colour and invention, in which its exponents created a daring new approach to design. Throwing out the old Classical rule book, Gothic Revival architects like Pugin and George Gilbert Scott designed buildings which were asymmetrical in form and visually expressive of their function. The movement went beyond just bricks and mortar and had a strong moral code, the influence of which was still felt into the 20th century. In this illustrated book, Trevor Yorke tells the story of the Gothic Revival from its origins in the whimsical fancies of the Georgian Period through to its High Victorian climax.

Pub. for Bard Grad. Ctr. for Studies in Decorative Arts, NY, Exhibition catalog.

Pugin’s global influence on church architecture and material reform The year 2012 marked the bicentenary of the gothic revival architect A.W.N. Pugin. His influence as a designer not only spread fast globally, but also played a leading part in the transformation of material culture from the mid-nineteenth century onwards. Pugin’s work has been comprehensively reevaluated over the last decade. In this volume sixteen leading scholars from across the globe discuss Pugin’s direct influence on church architecture and furnishing. Beautifully illustrated with a large selection of new photography, Gothic Revival Worldwide, the successor to the volume Gothic Revival published in 2000, reveals how Pugin’s ideas played a profound role in the changing face of material reform in church architecture as an expression of the evolving identity of the churches across the world from North America to Mongolia and the South Pacific. Contributors Stephen Bann (Bristol University), Jessica Basciano (University of St. Thomas, Houston), G.A. Bremner (University of Edinburgh), Martin Bressani (McGill University, Montréal), Karen Burns (University of Melbourne), Timothy Brittain-Catlin (University of Kent), Peter Coffman (Carleton University, Ottawa), Thomas Coomans (KU Leuven), Jan De Maeyer (KU Leuven / KADOC), Candace Iron (York University, Toronto), Stephen Kite (Cardiff University, Wales), Alex Lawrey (independent scholar), Peter N. Lindfield (University of Stirling), Cameron Macdonell (Institute for the History and Theory of Architecture, ETH Zurich), M. Stephen McNair, Jr. (McNair Historic Preservation), Gilles Maury (École National Supérieure d’Architecture et de Paysage, Lille), Henrik Schoenefeldt (University of Kent), Richard A. Sundt (University of Oregon), Malcolm Thurlby (York University, Toronto)

The comprehensive guide to the architecture of the heart of Ireland, closely examining a broad range of works, from castles and churches to grand neoclassical country houses. This comprehensive guide covers the historically rich and nuanced territory of Central Leinster, from the western borderlands of the medieval English Pale to the wild expanse of the Bog of Allen and further west to Clonmacnoise, cradle of early monasticism, with its Hiberno-Romanesque ruins, sculpted crosses, and elegant round towers. The Palladian mansions of Kildare and the romantic castles of Offaly stand within ancient forests, and Neoclassicism flourished with grand houses by James Wyatt at Abbey Leix, by James Gordon at Emo, and by the Morrisons at Ballyfin. Georgian streetscape finds its best expressions in Mountmellick and Maynooth. Disestablishment spurred the re-entrenchment of Irish Protestant architecture, notably in James Franklin Fuller's fusions of Continental and Hiberno-Romanesque styles at Rathdaire, Millicent, and Carnalway, with their rich carving, decoration, and stained glass.

Continuing concern with the Gothic Revival in architecture is reflected in the first pair of essays, which offer corrections to the account given in the author's book of 1987, The Origins of the Gothic Revival.

Traces the global reach & influence of the Gothic Revival throughout Britain's empire. Focusing on religious buildings, this book examines the reinvigoration of the colonial & missionary agenda of the Church of England & its relationship with the rise of Anglian ecclesiology.

This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.