Gothic Appalachian Literature examines the ways contemporary Appalachian authors utilize gothic tropes to explore the complex history and contemporary problems of the region, particularly in terms of their representation of economic and environmental concerns. It argues that across Appalachian fiction, the plight of characters to save their homes, land and way of life from the destructive forces of extractive industries brings sharply to bare the histories of colonization and slavery that problematize questions of belonging, ownership and possession. Robertson extensively considers contemporary manifestations of the gothic in Appalachian literature, arguing that gothic tropes abound in fiction that focuses on the impacts of extractive industries that connect this micro-region with other parts of the Global North and Global South where the devastating impacts of extractive industries are also experienced socially, economically and environmentally.

New York Times–bestselling author Ron Rash joins 23 writers on Appalachian culture and community: “Buy this book, it's a barn burner!” (Dorothy Allison). Drawing on Appalachian literature’s roots in Native American myth, African American urban legend, and European folk culture, and embracing Appalachian urban fiction, the Southern Gothic, gritty no-holds-barred realism, and magical realism, the illuminating works in Red Holler perfectly depict what makes Appalachia so fascinating: its irreverent and outlaw challenges to mainstream notions of propriety and convention. “Enthusiasts of Appalachian literature will appreciate the breadth of work” in this extraordinarily diverse anthology of poetry, fiction, nonfiction, and graphic narratives by fresh new voices alongside widely known and celebrated authors. We travel into housing projects, forest-stripped ravines, trailer parks, and communities ranging from Mississippi to New York to explore vibrant hometown and migrant Appalachian traditions, values, and society. Red Holler takes us over and beyond the stock imagery of rural mountain habitués and redefines this expansive and distinctive American landscape (Publishers Weekly).

This book examines ‘Southern Gothic’ - a term that describes some of the finest works of the American Imagination. But what do ‘Southern’ and ‘Gothic’ mean, and how are they related? Traditionally seen as drawing on the tragedy of slavery and loss, ‘Southern Gothic’ is now a richer, more complex subject. Thirty-five distinguished scholars explore the Southern Gothic, under the categories of Poe and his Legacy; Space and Place; Race; Gender and Sexuality; and Monsters and Voodoo. The essays examine slavery and the laws that supported it, and stories of slaves who rebelled and those who escaped. Also present are the often-neglected issues of the Native American presence in the South, socioeconomic class, the distinctions among the several regions of the South, same-sex relationships, and norms of gendered behaviour. This handbook covers not only iconic figures of Southern literature but also other less well-known writers, and examines gothic imagery in film and in contemporary television programmes such as True Blood and True Detective.

Defining the American gothic tradition both within the context of the major movements of intellectual history over the past three-hundred years, as well as within the issues critical to American culture, this comprehensive volume covers a diverse terrain of well-known American writers, from Poe to Faulkner to Toni Morrison and Cormac McCarthy. Charles L. Crow demonstrates how the gothic provides a forum for discussing key issues of changing American culture, explores forbidden subjects, and provides a voice for the repressed and silenced.

A teenage girl treks across a dangerous, frozen nation to reunite with her family in this Philip K. Dick Award–winning apocalyptic thriller. Wylodine comes from a world of paranoia and poverty. Her family grows marijuana illegally in order to survive. But now she’s been left behind in Ohio to tend the crop alone. Then spring doesn’t return for the second year in a row, bringing unprecedented, extreme winter. With grow lights stashed in her truck and a pouch of precious seeds, Wil begins a journey to join her family in California. But the icy roads and strangers hidden in the hills are treacherous. Gathering a small group of exiles on her way, she becomes the target of a volatime cult leader. Because she has the most valuable skill in the climate chaos: she can make things grow. Road Out of Winter offers a glimpse into an all-too-possible near future, with a chosen family forged in the face of dystopian collapse. Alison Stine’s acclaimed debut “blends a rural thriller and speculative realism into what could be called dystopian noir” (Library Journal, starred review).

What can you save with a Mason jar? Money? A life? When Paul heads back to Red Knife, Kentucky for his father's funeral, his visit turns into an extended stay and a search for the people and places that made his dad so dysphoric about life. What he finds is years of tumult and abuse and shame, all centered on one day, long ago, and an accident at an abandoned mine tipple. The hauntings of the past become all too real for Paul, and, as he comes to grips with his father's death, his own life is endangered... A new Appalachian gothic from Sheldon Lee Compton, the man Donald Ray Pollock has called "a hillbilly Bukowski, one of the grittiest writers to come down the pike since Larry Brown."

Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Batteau argues that the negative stereotypes of Appalachia have often masked its better regional qualities and distinctions, and in fact have worked to create a social boundary based on superiority over mountain people. In turn, this stereotype allows the marketing of local resources for outside profits. Recently, the "bad" images have been played upon in popular culture to project a notion of wilderness innocence and a renaissance in the perspective of the invented Appalachian "difference."

From shambling zombies to Gothic ghosts, horror has entertained thrill-seeking readers for centuries. A versatile literary genre, it offers commentary on societal issues, fresh insight into the everyday and moral tales disguised in haunting tropes and grotesque acts, with many stories worthy of critical appraisal. This collection of new essays takes in a range of topics, focusing on historic works such as Ann Radcliffe's Gaston de Blondeville (1826) and modern novels including Max Brooks' World War Z. Other contributions examine weird fiction, Stephen King, Richard Laymon, Indigenous Australian monster mythology and horror in picture books for young children.

A unique look into the gothic world in Appalachia through short stories & histories. The author, a writer of plays, short stories & histories, explores the mysteries of this tradition-rich culture through her tales.