A tale based on the early eighteenth-century scandal that inspired Alexander Pope's "The Rape of the Lock" finds a sickly and impoverished Alexander Pope gaining entry into high society and closely following a forbidden affair between the rakish Lord Petre and the coquettish Arabella. A first novel. Reprint. 150,000 first printing.

This book analyzes the relation between print cultures and eighteenth-century literary and political practices and, identifying Queen Anne's England as a crucial moment in the public life of gossip, offers readings of key texts that demonstrate how gossip's interpretative strategies shaped readers' participation in the literary and public spheres.

The "grand" portrait has long been understood to have played a pivotal part in the self-definition of Georgian society: not only was a likeness presented to a curious public, but social station and financial rank were also advertised, if not flaunted. Leca, curator at the Cincinnati Art Museum, claims that in addition portraiture was the vehicle for "modernist" ideas. He uses as an example the museum's portrait by Thomas Gainsborough titled Ann Ford, the subject of this exhibition catalogue. In a wide-ranging essay, Leca shows how Gainsborough, the most maverick of the period's portraitists, deliberately piqued establishment taste by seeking out and painting "modern women"--courtesans, dancers, and musicians--who mirrored his own edgy persona, and by rendering them in a provocative and "unfinished" style, thus challenging viewers both morally and visually. In a second essay, Ribeiro (emer., Courtauld Institute, London) discusses the decorum surrounding female portraiture and how Gainsborough's picture deviated or violated accepted notions through pose, dress, and countenance. As an authority on period costume, Ribeiro offers an essay that is rich in observations regarding the social nuances of female attire. Ludwig (doctoral candidate, Boston Univ.) offers a survey of the portraiture of British "progressive" women. Summing Up: Recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by L. R. Matteson.

Gossip is one of the most common, and most condemned, forms of discourse in which we engage - even as it is often absorbing and socially significant, it is also widely denigrated. This volume examines fascinating moments in the history of gossip in America, from witchcraft trials to People magazine, helping us to see the subject with new eyes.

In Fly on the Wall, a moving and hilarious illustrated novel from the critically-acclaimed author of Pie in the Sky, a twelve-year-old boy goes on a (forbidden) solo journey halfway around the world to prove his independence to his overprotective family. “Funny, enthralling, and a great reminder that being a little odd isn’t a bad thing.” —Kayla Miller, author of Click and Camp Henry Khoo's family treats him like a baby. He’s not allowed to go anywhere without his sister/chaperone/bodyguard. His (former) best friend knows to expect his family’s mafia-style interrogation when Henry’s actually allowed to hang out at her house. And he definitely CAN’T take a journey halfway around the world all by himself! But that’s exactly his plan. After his family’s annual trip to visit his father in Singapore is cancelled, Henry decides he doesn’t want to be cooped up at home with his overprotective family and BFF turned NRFF (Not Really Friend Forever). Plus, he’s hiding a your-life-is-over-if-you’re-caught secret: he’s the creator of an anonymous gossip cartoon, and he's on the verge of getting caught. Determined to prove his independence and avoid punishment for his crimes, Henry embarks on the greatest adventure everrr. . . hoping it won’t turn into the greatest disaster ever. Remy Lai takes readers on an adventure filled with humor, heart, and hijinks that’s a sure bet for fans of Jerry Craft, Terri Libenson, and Shannon Hale! Praise for Pie in the Sky A Parents Magazine Best Kids Book of the Year! "Pie in the Sky is like enjoying a decadent cake. . . heartwarming and rib-tickling." —Terri Libenson, bestselling author of Invisible Emmie * “Perfect for fans of Gene Luen Yang and Victoria Jamieson.” —Shelf Awareness, starred review * "The humor [is] akin to that of Jeff Kinney’s popular 'Wimpy Kid' series." —School Library Journal, starred review

Jan Gordon proposes that a reviled communicational 'interest' in gossip and its purveyors be given its proper due in the development of the novel in Britain. Commencing with Sir Walter Scott's historically persecuted (but economically and politically necessary) androgynous voices in caves and concluding with Oscar Wilde's premature celebration of gossip at the very moment it is transformed from public opinion to public judgment, the author finds gossip to be both deforming and shaping nineteenth century 'letters' in surprising ways. Like the ignominious orphan-figure of nineteenth-century fiction, gossip is the 'unacknowledged reproduction' searching for a political antecedence which might lend a legitimacy to its often discontinuous testimony, for a culture historically resistant to obtrusive voices.

Hailed as the most important and entertaining biography in recent memory, Gabler's account of the life of fast-talking gossip columnist and radio broadcaster Walter Winchell "fuses meticulous research with a deft grasp of the cultural nuances of an era when virtually everyone who mattered paid homage to Winchell" (Time). of photos.

J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines. By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.