"The first book of Eunsong Kim begins with a long form poem that delves into contemplative lenses of religiosity, historical and philosophical in contemporary cultural contexts" --

Poetry. How do we care for a broken world, especially when we ourselves are broken-hearted? How do we nurture others when we have scarce resources? How do we maintain our own sense of self under these pressures? The work of care falls disproportionately on women and often renders them lacking and unacknowledged in their labor. GENTLEWOMEN explores personal and historical trauma, bonds between mothers and sisters, and our estrangement from the natural world and from ourselves due to an exploitative and extractive relationship to land and peoples (human and otherwise). Through an allegorical envisioning of a world that is like our own but heightened through the individual lives and responsibilities of three sisters, Natura, Providentia, and Fortuna, the poems sound out in mourning and frustration--and try to imagine the world otherwise. A transformative journey through the shadows towards reconciliation both between sisters and with oneself.

In Decolonizing Extinction Juno Salazar Parreñas ethnographically traces the ways in which colonialism, decolonization, and indigeneity shape relations that form more-than-human worlds at orangutan rehabilitation centers on Borneo. Parreñas tells the interweaving stories of wildlife workers and the centers' endangered animals while demonstrating the inseparability of risk and futurity from orangutan care. Drawing on anthropology, primatology, Southeast Asian history, gender studies, queer theory, and science and technology studies, Parreñas suggests that examining workers’ care for these semi-wild apes can serve as a basis for cultivating mutual but unequal vulnerability in an era of annihilation. Only by considering rehabilitation from perspectives thus far ignored, Parreñas contends, could conservation biology turn away from ultimately violent investments in population growth and embrace a feminist sense of welfare, even if it means experiencing loss and pain.

The Heretic's Gospel - Book One tells the story of a young Jewish carpenter, from his birth in a humble cave in Bethlehem, through his childhood, his reluctant betrothal, his baptism by the famous John the Baptist, and to his own preeminence as the "Great Healer of Upper Galilee." Based on literally thousands of hours of archaeological and historical research, the past will come alive again as you look at Life in First Century Israel through the eyes of the man who comes to be known to the world as Jesus Christ.

The events surrounding the trial of Charles I have been remarkably understudied by historians, despite a wealth of information regarding both the proceedings and personalities involved, and contemporary responses and reactions. These essays submit one of the most momentous events in English history to rigorous scholarship, contextualise it in the light of recent historiography, not least regarding relations between the three kingdoms of Britain.

Son of Mary offers new solutions to some persistent exegetical problems in the interpretation of three of the most puzzling passages in the Gospel of John, and does so in a way that illuminates the social-cultural context to the New Testament world. Old Testament resonances are heard here afresh: The miracle at Cana is seen in the light of God's people living without the wine of God's blessing, and Jesus' interaction with his brothers is placed alongside the story of Joseph. Margaret Wesley explores the world of kinship relationships in First Century Palestine, discovering how an understanding of family expectations and obligations can illuminate Jesus' words and actions and guide our relationships within the church as sisters and brothers of one another and as daughters and sons of God. The life, death, and resurrection of Jesus are understood in a fresh way as the creation of a new family. Margaret demonstrates a mastery of current research while drawing on a wide range of primary patristic sources. She shows a respectful yet firm and assertive spirit when dealing with controversy.

It is generally agreed that Mark's Gospel was the first to have been written and that the Markan narrative created a literary form that inspired Matthew, Luke, and to a lesser extent, John to follow suit with the writing of their own gospels. But where did Mark go to find a framework that would shape his story? This question has been debated for more than two centuries. Several theories have been propounded but none without sufficient evidence to gain broad acceptance. It is the thesis of this book that Mark drew on the Greek tragedy, the most suitable literary genre of his time, to organize the oral and written traditions that he had collected. The Greek tragic genre had been created with the works of the great masters of the Fifth Century BC, and later, had been codified by Aristotle. The extraordinary points of congruence between the form of the Gospel and the canons of Greek drama are carefully explored in the Liberated Gospel. The compelling conclusion is that there is a relation of dependency whereas Mark used the form of Greek tragedy as a template without compromising the integrity of the story. As the title of the book suggests, the use of ancient tragedy by Mark served also another purpose. The Gospel was being written at a time during the early history of the church when its Judaistic faction attempted to impose the requirements of the Mosaic law on Gentile believers (as attested by Galatians and the Council of Jerusalem). By telling the very Jewish but universally relevant story of Jesus in the mode of the supreme Gentile literary genre of antiquity, Mark was proclaiming the manifesto that the gospel of Christ was not the exclusive property of a narrow ethnic group but that it belonged to all humanity.

"Reading these apparently unpromising texts with Beldman, you will be instructed and challenged. In short, this is a most worthwhile study of a valuable part of the Bible.."--Cover.