Gorboduc
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Author |
: Homer Andrew Watt |
Publisher |
: |
Total Pages |
: 112 |
Release |
: 1910 |
ISBN-10 |
: HARVARD:32044022069546 |
ISBN-13 |
: |
Rating |
: 4/5 (46 Downloads) |
Synopsis Gorboduc by : Homer Andrew Watt
Author |
: Thomas Norton |
Publisher |
: |
Total Pages |
: 144 |
Release |
: 1883 |
ISBN-10 |
: BSB:BSB11665395 |
ISBN-13 |
: |
Rating |
: 4/5 (95 Downloads) |
Synopsis Gorboduc by : Thomas Norton
Author |
: William Tydeman |
Publisher |
: Penguin Classics |
Total Pages |
: 372 |
Release |
: 1992 |
ISBN-10 |
: UCSC:32106011830509 |
ISBN-13 |
: |
Rating |
: 4/5 (09 Downloads) |
Synopsis Two Tudor Tragedies by : William Tydeman
Author |
: Stephen Alford |
Publisher |
: Cambridge University Press |
Total Pages |
: 302 |
Release |
: 2002-06-20 |
ISBN-10 |
: 0521892856 |
ISBN-13 |
: 9780521892858 |
Rating |
: 4/5 (56 Downloads) |
Synopsis The Early Elizabethan Polity by : Stephen Alford
An alternative account of the so-called 'succession crisis' in the first decade of the reign of Elizabeth I.
Author |
: |
Publisher |
: |
Total Pages |
: |
Release |
: 2020-09-15 |
ISBN-10 |
: 1526113058 |
ISBN-13 |
: 9781526113054 |
Rating |
: 4/5 (58 Downloads) |
Author |
: Paul O. Williams |
Publisher |
: Del Rey |
Total Pages |
: 228 |
Release |
: 1989 |
ISBN-10 |
: 0345355970 |
ISBN-13 |
: 9780345355973 |
Rating |
: 4/5 (70 Downloads) |
Synopsis The Gifts of the Gorboduc Vandal by : Paul O. Williams
Author |
: Henry Morley |
Publisher |
: |
Total Pages |
: 1416 |
Release |
: 1912 |
ISBN-10 |
: UOM:39015059409659 |
ISBN-13 |
: |
Rating |
: 4/5 (59 Downloads) |
Synopsis A First Sketch of English Literature by : Henry Morley
Author |
: Laura Estill |
Publisher |
: Rutgers University Press |
Total Pages |
: 268 |
Release |
: 2015-01-21 |
ISBN-10 |
: 9781644530474 |
ISBN-13 |
: 1644530473 |
Rating |
: 4/5 (74 Downloads) |
Synopsis Dramatic Extracts in Seventeenth-Century English Manuscripts by : Laura Estill
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author |
: Simon Hillson |
Publisher |
: Cambridge University Press |
Total Pages |
: 762 |
Release |
: 1996-09-28 |
ISBN-10 |
: 9781107078260 |
ISBN-13 |
: 1107078261 |
Rating |
: 4/5 (60 Downloads) |
Synopsis Dental Anthropology by : Simon Hillson
Teeth are one of the best sources of evidence for both identification and studies of demography, biological relationships and health in ancient human communities. This text introduces the complex biology of teeth and provides a practical guide to the: • excavation, cleaning, storage and recording of dental remains • identification of human teeth including those in a worn or fragmentary state • methods for studying variation in tooth morphology • study of microscopic internal and external structure of dental tissues, and methods of age-determination • estimation of age-at-death from dental development, tooth wear and dental histology • recording of dental disease in archaeological and museum collections Dental Anthropology is the text for students and researchers in anthropology and archaeology, together with others interested in dental remains from archaeological sites, museum collections or forensic cases.
Author |
: Janette Dillon |
Publisher |
: Cambridge University Press |
Total Pages |
: 147 |
Release |
: 2007-03-08 |
ISBN-10 |
: 9781139462433 |
ISBN-13 |
: 1139462431 |
Rating |
: 4/5 (33 Downloads) |
Synopsis The Cambridge Introduction to Shakespeare's Tragedies by : Janette Dillon
Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.