A screenwriter stage dives into L.A.’s punk rock scene to find a missing reporter as Sinclair mixes “hard-edged realism . . . [and] humor” in a “fine” novel (Gerald Petievich, author of To Live and Die in L.A.). Four years ago, when Capt. George Steifer charged screenwriter Ben Crandel with murder, it didn’t look like the beginning of a beautiful friendship. But Hollywood makes strange bedfellows, and now the cop has come to his writer pal for help. A Los Angeles Times reporter named Elise Reilly disappeared two weeks ago while investigating a story on the punk rock scene. Steifer has been trying to find her with the help of a spiky-haired informant who just ended up shot point-blank in the bathroom of a punk club—and now the cop is losing it. It turns out he buried the lead: He’s in love with Elise. Ben has lost his own loved one to the punk scene, in a way. His now fifteen-year-old adopted son, Petey, is the lead singer in a group called Claustrophobic—and apparently that’s how he felt about living at home. But at least Petey left a note: He’s off to pursue his punk pipe dream and Ben’s left with his basset hound, Stanley, for company. In pursuit of Elise, Ben and Steifer rush headlong into a veritable mosh pit of neo-Nazis and religious fanatics, where one wrong move could get them trampled. As they uncover a stockpile of weapons and an assassination plot, they frantically search for a connection to the reporter’s whereabouts . . . “Sinclair has the unique ability to dish out hard-edged realism with—believe it or not—a touch of humor. Goodbye L.A. is a fine piece.” —Gerald Petievich, author of To Live and Die in L.A.

"Stunning . . . . This is an immensely courageous story that will break your heart, leave you in tears, and, finally, offer hope and redemption. Brava, Kelly Sundberg." —Rene Denfeld, author of The Child Finder In this brave and beautiful memoir, written with the raw honesty and devastating openness of The Glass Castle and The Liar’s Club, a woman chronicles how her marriage devolved from a love story into a shocking tale of abuse—examining the tenderness and violence entwined in the relationship, why she endured years of physical and emotional pain, and how she eventually broke free. "You made me hit you in the face," he said mournfully. "Now everyone is going to know." "I know," I said. "I’m sorry." Kelly Sundberg’s husband, Caleb, was a funny, warm, supportive man and a wonderful father to their little boy Reed. He was also vengeful and violent. But Sundberg did not know that when she fell in love, and for years told herself he would get better. It took a decade for her to ultimately accept that the partnership she desired could not work with such a broken man. In her remarkable book, she offers an intimate record of the joys and terrors that accompanied her long, difficult awakening, and presents a haunting, heartbreaking glimpse into why women remain too long in dangerous relationships. To understand herself and her violent marriage, Sundberg looks to her childhood in Salmon, a small, isolated mountain community known as the most redneck town in Idaho. Like her marriage, Salmon is a place of deep contradictions, where Mormon ranchers and hippie back-to-landers live side-by-side; a place of magical beauty riven by secret brutality; a place that takes pride in its individualism and rugged self-sufficiency, yet is beholden to church and communal standards at all costs. Mesmerizing and poetic, Goodbye, Sweet Girl is a harrowing, cautionary, and ultimately redemptive tale that brilliantly illuminates one woman’s transformation as she gradually rejects the painful reality of her violent life at the hands of the man who is supposed to cherish her, begins to accept responsibility for herself, and learns to believe that she deserves better.

Tom enjoys his stay in Paris and learns new French words with the help of his cousin, aunt, and uncle. Pronunciation information is included in the text.

Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances -- in their house, on the roadway, in the market. Crippled in his right arm and leg, Aaron has spent his childhood fending off a sister who wants to manage him. When he meets Dorothy, a plain, outspoken, independent young woman, she is like a breath of fresh air. Unhesitatingly, he marries her, and they have a relatively happy, unremarkable life together. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy's unexpected appearances from the dead help him to live in the moment and find some peace. Gradually he discovers, as he works in the family's vanity-publishing business, (turning out titles that presume to guide beginners through the trails of life) that maybe for this beginner there is a way of saying goodbye. A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler's humour, wisdom, and always penetrating look at human foibles.

Everything you wanted to know about NATO but were afraid to ask: a collection of farewell speeches of departing ambassadors to the North Atlantic Council. Puting a human face on NATO.

Winner of Grawemeyer Award In this remarkable and timely work - in many ways the culmination of his systematic theology - world-renowned theologian Jurgen Moltmann stands Christian eschatology on its head. Moltmann rejects the traditional approach, which focuses on the End, an apocalyptic finale, as a kind of Christian search for the "final solution." He centers instead on hope and God's promise of new creation for all things. "Christian eschatology," he says, "is the remembered hope of the raising of the crucified Christ, so it talks about beginning afresh in the deadly end." Yet Moltmann's novel framework, deeply informed by Jewish and messianic thought, also fosters rich and creative insights into the perennially nettling questions of eschatology: Are there eternal life and personal identity after death? How is one to think of heaven, hell, and purgatory? What are the historical and cosmological dimensions of Christian hope? What are its social and political implications. In a heartbreakingly fragile and fragment world, Moltmann's comprehensive eschatology surveys the Christian vista, bravely envisioning our "horizons of expectation" for personal, social, even cosmic transformation in God.

When aliens invade, a generations-long struggle begins against an impenetrable enemy in this sci-fi epic from the Hugo and Nebula Award–winning author. The Entities have arrived on Earth, fifteen feet tall with impenetrable defenses and inscrutable motives. As conquerors, they have no demands, no explanations, simply harsh consequences should they be challenged. Releasing a plague and plunging the world into a new Dark Age, the Entities seem unbeatable. But, one family at least—the Carmichael clan led by Colonel Anson Carmichael—will never give up the resistance. THE ALIEN YEARS is an epic story told over multiple generations by master of thoughtful science fiction Robert Silverberg. Can ideas of freedom survive in the face of an overwhelmingly powerful enemy? “A remarkable study of human endurance and patience that belongs in most SF collections.” —The Library Journal “Sobering and frightening…. Silverberg’s rich characters, his dead-on-target vision of modern society, his mastery at building tension—all are in evidence in this notable outing from one of the very best.” —Publishers Weekly

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In this #1 New York Times bestseller, California's newest private investigator, Detective Harry Bosch, must track down a missing heir while helping a police department connect the dots on a dangerous cold case. Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from thirty years with the LAPD speak for themselves. Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire is nearing the end of his life and is haunted by one regret. When he was young, he had a relationship with a Mexican girl, his great love. But soon after becoming pregnant, she disappeared. Did she have the baby? And if so, what happened to it? Desperate to know whether he has an heir, the dying magnate hires Bosch, the only person he can trust. With such a vast fortune at stake, Harry realizes that his mission could be risky not only for himself but for the one he's seeking. But as he begins to uncover the haunting story--and finds uncanny links to his own past--he knows he cannot rest until he finds the truth. At the same time, unable to leave cop work behind completely, he volunteers as an investigator for a tiny cash-strapped police department and finds himself tracking a serial rapist who is one of the most baffling and dangerous foes he has ever faced. Swift, unpredictable, and thrilling, The Wrong Side of Goodbye shows that Michael Connelly "continues to amaze with his consistent skill and sizzle" (Cleveland Plain Dealer).