Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Books About Propaganda, Books About Public Opinion, Manufacturing Consent: the Political Economy of the Mass Media, the Theory of Moral Sentiments, the Social Construction of Reality, Diffusion of Innovations, the Structural Transformation of the Public Sphere, the Myth of the Rational Voter: Why Democracies Choose Bad Policies, Extraordinary Popular Delusions and the Madness of Crowds, Lti - Lingua Tertii Imperii, the Nature and Origins of Mass Opinion, How to Read Donald Duck, the Calculus of Consent, Counter-Revolutionary Violence - Bloodbaths in Fact

This book explores the dramatic thrust of each of Bach's four major works for choir and orchestra: Christmas Oratorio, St. John Passion, St. Matthew Passion, and Mass in B Minor. It guides the reader, movement by movement, through each work with an integrated presentation of commentary and text translation that pays particular attention to the interaction of text and music, suggesting reasons for Bach's musical choices.

We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices. My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age. We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.

God does not give everyone the same race to run. While some are asked to train harder or longer than others, this should be no cause for complaint. God prepares challenges for each individual, and the harder and more intense the training, the greater the ultimate prize. Draw upon real examples from the Bible and modern history in this inspirational guidebook. You'll discover: Why endurance is necessary to the Christian life. Whether endurance depends on us or on God. How endurance has been a powerful force in the lives of great people. Jesus Christ as an example of endurance. And much more! Join Elijah, Moses, Samson and other biblical figures as they rise to the occasion and run the race that God has set out for them. Analyze whether faith and endurance have played roles in the lives of contemporary figures such as Jim Bakker, Michael Milken and many others. It is all part of discovering how passion, resilience, and faith can help anyone overcome even the worst disasters in Endurance.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus. Meanwhile, thanks to a breakthrough in computer software, an NBC crew is racing into the past to capture—live from the suburb of Golgotha—the Crucifixion, for a TV special guaranteed to boost the network's ratings in the fall sweeps. As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy's text really Hacker-proof? And how will he deal with the truth about Jesus' eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in.

What if the man you loved betrayed your brother? Two thousand years ago, while a young Jewish preacher from Nazareth was gathering followers among the people of Galilee, his sister swept floors and dreamed of learning to read. In Leslie Cannold's story, it is the women of Nazareth who take centre stage: the rebellious, gifted Rachael, consigned by her sex to a life of drudgery; Bindy, the crone who teaches her the skills of the healer; Shona her sister, the victim of a harsh social code; and their mother Miriame, a woman seemingly unable to love. When Rachael falls in love with her brother's dearest friend, the rebel Judah of Iscariot, it seems that at least one of the women of Nazareth may find happiness. Then a message comes from her brother in Jerusalem. And the events begin to unfold that will change not just Rachael's life, but the world-forever. Dr Leslie Cannold is a an author, commentator, ethicist, researcher and social activist. Her non-fiction works include the award-winning The Abortion Myth and What, No Baby? She appears regularly in radio, television and print. Leslie is an adjunct Fellow at the School of Philosophy, Anthropology and Social Inquiry at the University of Melbourne, and senior lecturer at the Monash Institute of Health Services Research. She is President of Reproductive Choice Australia, a national coalition of pro-choice organisations that played a key role in removing the ban on the abortion drug RU486 in 2006, and of Pro Choice Victoria, which was instrumental in the decriminalisation of abortion in Victoria in 2008. She is also a Dying with Dignity ambassador for law reform. Leslie is the lead singer of the Melbourne-based rock cover band Speedy Fish. 'Passionate, eloquent and compelling, a terrific idea beautifully realised - I couldn't put it down.' Liz Byrski 'Cannold walks an interesting line between faith and history here, as she explores an alternative Virgin birth storyline (what happens to unmarried women in this society who fall pregnant means, inevitably, that they are keen to stress the intervention of a god).' Independent 'This retelling of the Jesus story will resonate with women of faith who wish to forge their own path and stay true to their values...This is a good pick for readers who enjoyed Anita Diamant's The Red Tent or Alice Hoffman's The Dovekeepers.' Library Journal 'Cannold offers a thought-provoking, heartfelt, and tragic but redemptive tale about the difficulties of discovering and defining one’s identity in a world that seeks unendingly to take that decision away.' Publishers Weekly 'There are dangers in attempting to fictionalise such a well-loved story as the life of Christ. First, the resulting account might offend. It might collapse into cliche. Or it might be filled with contemporary sensibilities, creating a world too familiar to our own. Though The Book of Rachael skirts each of these minefields, it is testament to the literary skills of Leslie Cannold that this debut novel avoids them.' Courier Mail 'The church has spent millenia writing women out of history. In the wonderful Book of Rachael, Leslie Cannold returns them to their rightful place at the centre of one of our most powerful stories.' Sophie Cunningham