The seventeen studies in Golden Calf Traditions in Early Judaism, Christianity, and Islam explore the biblical origins of the golden calf story in Exodus, Deuteronomy, and 1 Kings, as well as its reception in a variety of sources: Hebrew Scriptures (Hosea, Jeremiah, Psalms, Nehemiah), Second Temple Judaism (Animal Apocalypse, Pseudo-Philo, Philo, Josephus), rabbinic Judaism, the New Testament (Acts, Paul, Hebrews, Revelation) and early Christianity (among Greek, Latin, and Syriac writers), as well as the Qur’an and Islamic literature. Expert contributors explore how each ancient author engaged with the calf traditions—whether explicitly, implicitly, or by clearly and consciously avoiding them—and elucidate how the story was used both negatively and positively for didactic, allegorical, polemical, and even apologetic purposes.

This book explores the story of the Israelites' worship of the Golden Calf in its Jewish, Christian, and Muslim contexts, from ancient Israel to the emergence of Islam. It focuses in particular on the Qur'an's presentation of the narrative and its background in Jewish and Christian retellings of the episode from Late Antiquity. Across the centuries, the interpretation of the Calf episode underwent major changes reflecting the varying cultural, religious, and ideological contexts in which various communities used the story to legitimate their own tradition, challenge the claims of others, and delineate the boundaries between self and other. The book contributes to the ongoing reevaluation of the relationship between Bible and Qur'an, arguing for the necessity of understanding the Qur'an and Islamic interpretations of the history and narratives of ancient Israel as part of the broader biblical tradition. The Calf narrative in the Qur'an, central to the qur'anic conception of the legacy of Israel and the status of the Jews of its own time, reflects a profound engagement with the biblical account in Exodus, as well as being informed by exegetical and parascriptural traditions in circulation in the Qur'an's milieu in Late Antiquity. The book also addresses the issue of Western approaches to the Qur'an, arguing that the historical reliance of scholars and translators on classical Muslim exegesis of scripture has led to misleading conclusions about the meaning of qur'anic episodes.

Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and William Cowper worried extensively about atheism's dystopian possibilities, and routinely represented atheists as being beyond the pale of human sympathy. Challenging traditional formulations of secularization that equate modernity with unbelief, Reeves reveals how reactions against atheism rather helped sustain various forms of religious belief throughout the Age of Enlightenment. He demonstrates that hostility to unbelief likewise produced various forms of religious ecumenicalism, with authors depicting non-Christian theists from around Britain's emerging empire as sympathetic allies in the fight against irreligion. Godless Fictions in the Eighteenth Century traces a literary history of atheism in eighteenth-century Britain for the first time, revealing a relationship between atheism and secularization far more fraught than has previously been supposed.

Judaism, Christianity and Islam all impose obligations and constraints upon the rightful use of wealth and earthly resources. All three of these religions have well-researched views on the acceptability of practices such as usury but the principles and practices of other, non-interest, financial instruments are less well known. This book examines each of these three major world faiths, considering their teachings, social precepts and economic frameworks, which are set out as a guide for the financial dealings and economic behaviour of their adherents.

One of the leading scholars of ancient West Semitic religion discusses polytheism vs. monotheism by covering the fluidity of those categories in the ancient Near East. He argues that Israel's social history is key to the development of monotheism.

How did New Testament authors use Israel’s Scriptures? Use, misuse, appropriation, citation, allusion, inspiration—how do we characterize the manifold images, paraphrases, and quotations of the Jewish Scriptures that pervade the New Testament? Over the past few decades, scholars have tackled the question with a variety of methodologies. New Testament authors were part of a broader landscape of Jewish readers interpreting Scripture. Recent studies have sought to understand the various compositional techniques of the early Christians who composed the New Testament in this context and on the authors’ own terms. In this landmark collection of essays, Matthias Henze and David Lincicum marshal an international group of renowned scholars to analyze the New Testament, text-by-text, aiming to better understand what roles Israel’s Scriptures play therein. In addition to explicating each book, the essayists also cut across texts to chart the most important central concepts, such as the messiah, covenants, and the end times. Carefully constructed reception history of both testaments rounds out the volume. Comprehensive and foundational, Israel’s Scriptures in Early Christian Writings will serve as an essential resource for biblical scholars for years to come. Contributors: Garrick V. Allen, Michael Avioz, Martin Bauspiess, Richard J. Bautch, Ian K. Boxall, Marc Zvi Brettler, Jaime Clark-Soles, Michael B. Cover, A. Andrew Das, Susan Docherty, Paul Foster, Jörg Frey, Alexandria Frisch, Edmon L. Gallagher, Gabriella Gelardini, Jennie Grillo, Gerd Häfner, Matthias Henze, J. Thomas Hewitt, Robin M. Jensen, Martin Karrer, Matthias Konradt, Katja Kujanpää, John R. Levison, David Lincicum, Grant Macaskill, Tobias Nicklas, Valérie Nicolet, Karl-Wilhelm Niebuhr, George Parsenios, Benjamin E. Reynolds, Dieter T. Roth, Dietrich Rusam, Jens Schröter, Claudia Setzer, Elizabeth Evans Shively, Michael Karl-Heinz Sommer, Angela Standhartinger, Gert J. Steyn, Todd D. Still, Rodney A. Werline, Benjamin Wold, Archie T. Wright

This book is open access and available on www.bloomsburycollections.com. It is funded by the University of Oslo and Utrecht University. Judaism, Christianity and Islam are known to privilege words over images. This book shows, however, that the reality is more complex. Figurations and Sensations of the Unseen explores the complex procedures used to render the invisible as visible and the elusive as tangible in these three traditions. Working from different disciplinary angles, contributors reflect on figuration and sensation in biblical culture, medieval Jewish culture, the imagination of the unseen in Islamic settings, Christian assaults on 'idolatry' in Africa, baroque and modern Church art, contemporary Eastern Orthodox tradition, photography on the East African coast, European opera and literature, and more. The book shows that the three religious traditions have formed sensorial regimes: embodied habits, traditions and standards for seeing, sensing, displaying, and figuring that which could not, or should not, be seen. So, the desire for seeing the invisible and experiencing the beyond are paradoxically confirmed, contested and controlled, by the sensorial regimes in vogue. This carries over even into secularized use of religious figurations in arts and literature. Figurations and Sensations of the Unseen is important reading for scholars of anthropology, religious studies, Jewish studies, Christian studies, Islamic studies, art history, cultural studies, biblical studies and archaeology.

Jacob and Esau is a profound new account of two millennia of Jewish European history that, for the first time, integrates the cosmopolitan narrative of the Jewish diaspora with that of traditional Jews and Jewish culture. Malachi Haim Hacohen uses the biblical story of the rival twins, Jacob and Esau, and its subsequent retelling by Christians and Jews throughout the ages as a lens through which to illuminate changing Jewish-Christian relations and the opening and closing of opportunities for Jewish life in Europe. Jacob and Esau tells a new history of a people accustomed for over two-and-a-half millennia to forming relationships, real and imagined, with successive empires but eagerly adapting, in modernity, to the nation-state, and experimenting with both assimilation and Jewish nationalism. In rewriting this history via Jacob and Esau, the book charts two divergent but intersecting Jewish histories that together represent the plurality of Jewish European cultures.

The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.

In Intolerance, Polemics, and Debate in Antiquity politico-cultural, philosophical, and religious forms of critical conversation in the ancient Near Eastern, Biblical, Graeco-Roman, and early-Islamic world are discussed. The contributions enquire into the boundaries between debate, polemics, and intolerance, and address their manifestations in both philosophy and religion.