As the Time War rages in distant expanse of Chronospace, a pair of stray time-drones find themselves stranded in the present in Tiffy and Charlotte's treehouse! They immediately convert the treehouse into a time-space outpost, reform themselves into exact duplicates of its owners, and send the real Tifanny and Charlotte on a seemingly one-way trip through the Chronoverse! Bogus!!!

Finally! A step-by-step guide to the keys that unlock the doors to Hollywood. Opening the Doors to Hollywood has all the information you'll ever need in order to tap into the $500 million spent yearly in Hollywood on acquiring and developing projects. Discover how to: Find a story Rewrite it Option it Package it Pitch it Write it Sell it to film and television companies Complete with a reference section that includes guilds/unions, libraries, sample contracts, seminars and workshops, trade publications, and writers' organizations, Opening the Doors to Hollywood is invaluable to any writer.

Across the vast desert of Gronn, the Lost Knight is hunted by a huge, unstoppable engine of death. LandMasters of the Kotaran Tribes rule the wastelands. Sir Jarrett thought himself beyond the war, but he has made far too many enemies. He cannot hide, he cannot win, but now the Lost Knight must turn and face an iron assassin, though he may die.

The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest and most popular forms of musical performance. Written by a team of specialists in the field of musical theatre especially for students and theatregoers, it offers a guide to the history and development of the musical in England and America (including coverage of New York s Broadway and London s West End traditions). Starting with the early history of the musical, the volume comes right up to date and examines the latest works and innovations, and includes information on the singers, audience and critical reception, and traditions. There is fresh coverage of the American musical theatre in the eighteenth and nineteenth centuries, the British musical theatre in the middle of the twentieth century, and the rock musical. The Companion contains an extensive bibliography and photos from key productions.

"... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential." -- Stephen Heath "An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... " -- Naomi Schor "... powerfully argued study... impressive... " -- Choice "... important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated." -- Literature and Psychology "As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory." -- SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track -- to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.

Pre-World War II Hollywood musicals weren't only about Astaire and Rogers, Mickey and Judy, Busby Berkeley, Bing Crosby, or Shirley Temple. The early musical developed through tangents that reflected larger trends in film and American culture at large. Here is a survey of select titles with a variety of influences: outsized songwriter personalities, hubbub over "hillbilly" and cowboy stereotypes, the emergence of swing, and the brief parade of opera stars to celluloid. Featured movies range from the smash hit Alexander's Ragtime Band (1938), to obscurities such as Are You There? (1930) and Swing, Sister, Swing (1938), to the high-grossing but now forgotten Mountain Music (1937), and It's Great to Be Alive (1933), a zesty pre-Code musical/science-fiction/comedy mishmash. Also included are some of the not-so-memorable pictures made by some of the decade's greatest musical stars.

Designing Speed in the Racehorse is an indispensable reference by Ken McLean, one of the world's foremost bloodstock advisors and pedigree experts. McLean discusses genetic affinities and pedigree patterns, analyzes the pedigrees of important sires and ancestors to isolate elements of speed and stamina, explains what characteristics to look for in a sire, and updates the elite mare list. Breeders will be especially interested in McLean's analysis of the conformation of many of the breed's most illustrious sires and the physical attributes and faults they passed on to their progeny. Best of all, he tells the current sire and dam lines most likely to produce quality racehorses. With his recommendations at hand, today's Thoroughbred breeder has an edge in the competitive world of racing.

In the modern State, power rests on the consensus of the citizens. They accord its institutions the authority to regulate society. State theory suggests that this authority is a right to speak on certain matters in certain ways and to have the audience agree with those statements. It is a matter of an authorised language; all others fall into the category of ratbaggery. In this 1991 book, the first major book applying State theory to Australia, Alastair Davidson shows how Australian citizens were formed in the nineteenth century, and how their particular characteristics led to the empowering of a certain language of power: legalism. He further shows that this made the judiciary the most powerful arm of government - unlike countries where the people arm sovereign and the legislature supreme - because the judiciary has the last say on all issues and in its own language.