Gina's investigation of the "Living Monoliths" brings her to what was once a cosmic theme park which lured extra-planar travelers with its delightful attractions! The monoliths, lost to time and space, have suffered eons of decay... and hunger for fresh meat!

The international bestseller! The book beaches were made for! When New York billionaire Adam Gold moves to London, every red-blooded woman wants to get him into bed...and down the aisle. Karin is a successful fashion entrepreneur and London's most glamorous socialite. Her name is synonymous with style and class, and Adam Gold could be her perfect accessory -- but can the whispers surrounding her ex-husband's death keep her from her prize? Erin, a young, naïve country girl with literary aspirations, never dreamed of traveling in such lofty social circles until she finds herself in the role of Adam's personal assistant and protégé. As her sights grow higher, the promise of riches, and lust for her handsome boss, threaten everything she once valued. Molly, a fading eighties supermodel, can't seem to leave her glory days, or her expensive drug habit, in the past. Ultracompetitive, unabashedly ruthless, Molly will risk everything to secure the man who may be her last chance at marriage. Summer, Molly's daughter, is an innocent beauty living in the shadow of her famous mother. When she lands a television deal and becomes the latest "it girl," Adam Gold takes notice. From Monte Carlo to Lake Como, St. Moritz to St. Barts, Gold Diggers takes a heady journey through the social circuit of the superrich into a world of sizzling passion, ruthless ambition and scorching betrayal.

Tale of a boy who gets separated from his family on the way to the gold fields of California, gets rich and finds his long-lost grandfather. Gerstaecker was a German who prospected in the 1849 gold rush, and the geography of the story is accurate. Gerstaecker wrote many non-fiction works on California and America for German readers.

Book One of the Klondike Mystery Series by Vicki Delany! It’s the spring of 1898, and Dawson, Yukon Territory, is the most exciting town in North America. The great Klondike Gold Rush is in full swing and Fiona MacGillivray has crawled over the Chilkoot Pass determined to make her fortune as the owner of the Savoy dance hall. Provided, that is, that her twelve-year-old son, growing up much too fast for her liking; the former Glasgow street fighter who’s now her business partner; a stern, handsome NWMP constable; an aging, love-struck ex-boxing champion; a wild assortment of headstrong dancers, croupiers, gamblers, madams without hearts of gold, bar hangers-on, cheechakos, and sourdoughs; and Fiona’s own nimble-fingered past don’t get to her first. And then there’s the dead body on centre stage. If you loved Gold Digger, check out the next three books of the series, Gold Fever, Gold Mountain, and Gold Web.

When Mikra and Nadesko, two Ooshoosh giantesses of Monster Isle, actually cause a monster shortage, they are sent to the outside world to work off their extra energy (at human size). And what better place to test for resilient men than in the UFF! Unfortunately for Ryan and Mistress, the pair of Ooshoosh monster-rasslers are more than good enough for a shot at the tag title!

ENTER THE WORLD OF “GUCCI, GLITZ, AND GLAMOUR”* IN THIS DELICIOUSLY DECADENT LOOK INTO THE LIVES OF THE YOUNG, THE RICH, THE BEAUTIFUL, AND THE CONNIVING Paulette, Gillian, and Reese are three gold diggers who have dollar signs in their eyes and gold digging in their DNA. Lauren is Paulette’s pampered cousin who never fails to remind Paulette of how different their lives have always been—Lauren the daughter of wealthy black urbanites and Paulette the daughter of the family black sheep who married “beneath her family pedigree.” Paulette will stop at nothing—not even sleeping with her cousin Lauren’s husband—to gain the social status she feels she rightfully deserves. Gillian is a second-generation gold digger and, having learned from the best, strategically sleeps her way to Hollywood—but does she have the talent to be a lasting star? Reese is a career basketball groupie turned NBA trophy wife, and she wears it well, taking advantage of everything her new position affords; but when she finds out that DL may be more than just her husband’s best friend’s initials, she may be forced to realize that all that glitters isn’t gold. The stunningly beautiful, well-bred, but naïve Lauren is the secret envy of her friends. She seems to have all the creature comforts money can buy, but when she’s confronted with a crisis of her own, just how will she respond?

Kentia, Kirrah, and Theori face challenges in their relationships while preying on men for money.

Consisting of 214 poems and 79 poets, from over 23 African countries and the Diasporas, Best New African Poets 2015 Anthology: Poetry contains poems that deal with a panoply of issues, feelings, thoughts, ideas, beliefs, on identity, Africanness (Blackness, Whiteness, Arabic, Asian), culture, heritage, place, politics, (mis)governance, corruption, exile, loss, memory, spirituality, sex, gender, love, the individual and many others. It travels from Cape to Cairo, Monrovia to Nairobi, rooms in the beautiful Moroccan Sahara desert, pastoral idyllic Savannas, the rainy equatorial rainforests and then flies into the Diasporas as each poet speaks his/her own story of the Africa that she/he knows, dreams and envisions with protective pride and resolute dedication.

From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in "specialty acts" and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance onscreen, the six chapters address a variety of films and performers, including many that have received little attention to date. Topics include Hollywood's first Black female star (Nina Mae McKinney), male tap dance "class acts" in Black-cast short films of the early 1930s, the film career of Black tap soloist Jeni LeGon, the role of dance in the Soundies jukebox shorts of the 1940s, cinematic images of the Lindy hop, and a series of teen films from the early 1940s that appealed primarily to young White fans of swing culture. With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers – images that were at least partly at odds with those typically found in major Hollywood productions.