As Princess Debra ascends to her mother's throne, she rewards Gina and Britanny for their help in fending off Dreadwing. Meanwhile, Dreadwing has arranged for a spy among the wild magi of the Astral Rifts to plot an assault on Jade. And we see what a few other family members and friends have been up to while all this is going on...

Book One of the Klondike Mystery Series by Vicki Delany! It’s the spring of 1898, and Dawson, Yukon Territory, is the most exciting town in North America. The great Klondike Gold Rush is in full swing and Fiona MacGillivray has crawled over the Chilkoot Pass determined to make her fortune as the owner of the Savoy dance hall. Provided, that is, that her twelve-year-old son, growing up much too fast for her liking; the former Glasgow street fighter who’s now her business partner; a stern, handsome NWMP constable; an aging, love-struck ex-boxing champion; a wild assortment of headstrong dancers, croupiers, gamblers, madams without hearts of gold, bar hangers-on, cheechakos, and sourdoughs; and Fiona’s own nimble-fingered past don’t get to her first. And then there’s the dead body on centre stage. If you loved Gold Digger, check out the next three books of the series, Gold Fever, Gold Mountain, and Gold Web.

The international bestseller! The book beaches were made for! When New York billionaire Adam Gold moves to London, every red-blooded woman wants to get him into bed...and down the aisle. Karin is a successful fashion entrepreneur and London's most glamorous socialite. Her name is synonymous with style and class, and Adam Gold could be her perfect accessory -- but can the whispers surrounding her ex-husband's death keep her from her prize? Erin, a young, naïve country girl with literary aspirations, never dreamed of traveling in such lofty social circles until she finds herself in the role of Adam's personal assistant and protégé. As her sights grow higher, the promise of riches, and lust for her handsome boss, threaten everything she once valued. Molly, a fading eighties supermodel, can't seem to leave her glory days, or her expensive drug habit, in the past. Ultracompetitive, unabashedly ruthless, Molly will risk everything to secure the man who may be her last chance at marriage. Summer, Molly's daughter, is an innocent beauty living in the shadow of her famous mother. When she lands a television deal and becomes the latest "it girl," Adam Gold takes notice. From Monte Carlo to Lake Como, St. Moritz to St. Barts, Gold Diggers takes a heady journey through the social circuit of the superrich into a world of sizzling passion, ruthless ambition and scorching betrayal.

Tale of a boy who gets separated from his family on the way to the gold fields of California, gets rich and finds his long-lost grandfather. Gerstaecker was a German who prospected in the 1849 gold rush, and the geography of the story is accurate. Gerstaecker wrote many non-fiction works on California and America for German readers.

ENTER THE WORLD OF “GUCCI, GLITZ, AND GLAMOUR”* IN THIS DELICIOUSLY DECADENT LOOK INTO THE LIVES OF THE YOUNG, THE RICH, THE BEAUTIFUL, AND THE CONNIVING Paulette, Gillian, and Reese are three gold diggers who have dollar signs in their eyes and gold digging in their DNA. Lauren is Paulette’s pampered cousin who never fails to remind Paulette of how different their lives have always been—Lauren the daughter of wealthy black urbanites and Paulette the daughter of the family black sheep who married “beneath her family pedigree.” Paulette will stop at nothing—not even sleeping with her cousin Lauren’s husband—to gain the social status she feels she rightfully deserves. Gillian is a second-generation gold digger and, having learned from the best, strategically sleeps her way to Hollywood—but does she have the talent to be a lasting star? Reese is a career basketball groupie turned NBA trophy wife, and she wears it well, taking advantage of everything her new position affords; but when she finds out that DL may be more than just her husband’s best friend’s initials, she may be forced to realize that all that glitters isn’t gold. The stunningly beautiful, well-bred, but naïve Lauren is the secret envy of her friends. She seems to have all the creature comforts money can buy, but when she’s confronted with a crisis of her own, just how will she respond?

The stereotype of the "gold digger" has had a fascinating trajectory in twentieth-century America, from tales of greedy flapper-era chorus girls to tabloid coverage of Anna Nicole Smith and her octogenarian tycoon husband. The term entered American vernacular in the 1910s as women began to assert greater power over courtship, marriage, and finances, threatening men's control of legal and economic structures. Over the course of the century, the gold digger stereotype reappeared as women pressed for further control over love, sex, and money while laws failed to keep pace with such realignments. The gold digger can be seen in silent films, vaudeville jokes, hip hop lyrics, and reality television. Whether feared, admired, or desired, the figure of the gold digger appears almost everywhere gender, sexuality, class, and race collide. This fascinating interdisciplinary work reveals the assumptions and disputes around women's sexual agency in American life, shedding new light on the cultural and legal forces underpinning romantic, sexual, and marital relationships.

In Cry of Murder on Broadway, Julie Miller shows how a woman's desperate attempt at murder came to momentarily embody the anger and anxiety felt by many people at a time of economic and social upheaval and expanding expectations for equal rights. On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the new and luxurious Astor House Hotel. Agitated and distraught, Norman had followed Ballard down Broadway before confronting him at the door to the hotel. Taking out a folding knife, she stabbed him, just missing his heart. Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. The prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights. The would-be murderer also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to "seduction" and to advocate for the rights of workers. Cry of Murder on Broadway describes how New Yorkers, besotted with the drama of the courtroom and the lurid stories of the penny press, followed the trial for entertainment. Throughout all this, Norman gained the sympathy of New Yorkers, in particular the jury, which acquitted her in less than ten minutes. Miller deftly weaves together Norman's story to show how, in one violent moment, she expressed all the anger that the women of the emerging movement for women's rights would soon express in words.