The lands between Mesoamerica and the Central Andes are famed for the rich diversity of ancient cultures that inhabited them. Throughout this vast region, from about AD 700 until the sixteenth-century Spanish invasion, a rich and varied tradition of goldworking was practiced. The amount of gold produced and worn by native inhabitants was so great that Columbus dubbed the last New World shores he sailed as Costa Rica—the "Rich Coast." Despite the long-recognized importance of the region in its contribution to Pre-Columbian culture, very few books are readily available, especially in English, on these lands of gold. Gold and Power in Ancient Costa Rica, Panama, and Colombia now fills that gap with eleven articles by leading scholars in the field. Issues of culture change, the nature of chiefdom societies, long-distance trade and transport, ideologies of value, and the technologies of goldworking are covered in these essays as are the role of metals as expressions and materializations of spiritual, political, and economic power. These topics are accompanied by new information on the role of stone statuary and lapidary work, craft and trade specialization, and many more topics, including a reevaluation of the concept of the "Intermediate Area." Collectively, the volume provides a new perspective on the prehistory of these lands and includes articles by Latin American scholars whose writings have rarely been published in English.

This book offers a new anthropological understanding of the socio-cosmological and ontological characteristics of the Isthmo–Colombian Area, beyond established theories for Amazonia, the Andes and Mesoamerica. It focuses on a core region that has been largely neglected by comparative anthropology in recent decades. Centering on relations between Chibchan groups and their neighbors, the contributions consider prevailing socio-cosmological principles and their relationship to Amazonian animism and Mesoamerican and Andean analogism. Classical notions of area homogeneity are reconsidered and the book formulates an overarching proposal for how to make sense of the heterogeneity of the region’s indigenous groups. Drawing on original fieldwork and comparative analysis, the volume provides a valuable anthropological addition to archaeological and linguistic knowledge of the Isthmo・Colombian Area.

Wearing Culture connects scholars of divergent geographical areas and academic fields—from archaeologists and anthropologists to art historians—to show the significance of articles of regalia and of dressing and ornamenting people and objects among the Formative period cultures of ancient Mesoamerica and Central America. Documenting the elaborate practices of costume, adornment, and body modification in Panama, Costa Rica, Nicaragua, Honduras, Oaxaca, the Soconusco region of southern Mesoamerica, the Gulf Coast Olmec region (Olman), and the Maya lowlands, this book demonstrates that adornment was used as a tool for communicating status, social relationships, power, gender, sexuality, behavior, and political, ritual, and religious identities. Despite considerable formal and technological variation in clothing and ornamentation, the early indigenous cultures of these regions shared numerous practices, attitudes, and aesthetic interests. Contributors address technological development, manufacturing materials and methods, nonfabric ornamentation, symbolic dimensions, representational strategies, and clothing as evidence of interregional sociopolitical exchange. Focusing on an important period of cultural and artistic development through the lens of costuming and adornment, Wearing Culture will be of interest to scholars of pre-Hispanic and pre-Columbian studies.

Warfare, ritual human sacrifice, and the rubber ballgame have been the traditional categories through which scholars have examined organized violence in the artistic and material records of ancient Mesoamerica and Central America. This volume expands those traditional categories to include such concerns as gladiatorial-like boxing combats, investiture rites, trophy-head taking and display, dark shamanism, and the subjective pain inherent in acts of violence. Each author examines organized violence as a set of practices grounded in cultural understandings, even when the violence threatens the limits of those understandings. The authors scrutinize the representation of, and relationships between, different types of organized violence, as well as the implications of those activities, which can include the unexpected, such as violence as a means of determining and curing illness, and the use of violence in negotiation strategies.

This edited volume mainly focuses on the practice of taking and displaying various body parts as trophies in both North and South America. The editors and contributors (which include Native Peoples from both continents) examine the evidence and causes of Amerindian trophy taking. Additionally, they present objectively and discuss dispassionately the topic of human proclivity toward ritual violence. This book fills the gap in literature on this subject.

In studies of ancient civilizations, the focus is often on the temples, palaces, and buildings created and then left behind, both because they survive and because of the awe they still inspire today. From the Mississippian mounds in the United States to the early pyramids of Peru, these monuments have been well-documented, but less attention has been paid to analyzing the logistical complexity involved in their creation. In this collection, prominent archaeologists explore the sophisticated political and logistical organizations that were required to plan and complete these architectural marvels. They discuss the long-term political, social, and military impacts these projects had on their respective civilizations, and illuminate the significance of monumentality among early complex societies in the Americas. Early New World Monumentality is ultimately a study of labor and its mobilization, as well as the long-term spiritual awe and political organization that motivated and were enhanced by such undertakings. Mounds and other impressive monuments left behind by earlier civilizations continue to reveal their secrets, offering profound insights into the development of complex societies throughout the New World.

Based on a Wenner-Gren international workshop, held at the Royal Ontario Museum, this book addresses the complexity of human-mineral engagements through ethnographic case studies and anthropological reflections on different people and the minerals they deem 'precious.'

In this exciting new volume several leading researchers use settlement ecology, an emerging approach to the study of archaeological settlements, to examine the spatial arrangement of prehistoric settlement patterns across the Americas. Positioned at the intersection of geography, human ecology, anthropology, economics and archaeology, this diverse collection showcases successful applications of the settlement ecology approach in archaeological studies and also discusses associated techniques such as GIS, remote sensing and statistical and modeling applications. Using these methodological advancements the contributors investigate the specific social, cultural and environmental factors which mediated the placement and arrangement of different sites. Of particular relevance to scholars of landscape and settlement archaeology, Settlement Ecology of the Ancient Americas provides fresh insights not only into past societies, but also present and future populations in a rapidly changing world.

Challenging the Dichotomy explores how dichotomies regarding heritage dominate the discussions of ethics, practices, and institutions. Contributing authors underscore the challenge to the old paradigms from multiple forces. The case studies and discourses, both ethnographic and archaeological, arise from a wide variety of regional contexts and cultures.

This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.