Reprint of the original, first published in 1885.

This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintings of older material, as well as some belated first publications of translations from the nineteenth century. It shows how frequent and how long enduring was the recourse of publishers and anthologists to a Goethe Victorian in diction, a signal factor in perceptions and misperceptions. Derek Glass was putting the finishing touches to the bibliography at the time of his sudden death in March 2004. Colleagues at Kings College London have edited the final manuscript, which is now published jointly by the English Goethe Society and the Modern Humanities Research Association both as a worthy commemoration of Goethes anniversary and as a tribute to Derek himself.

Excerpt from Goethe's Travels in Italy: Together With His Second Residence in Rome and Fragments on Italy Oh, how happy I find the spectators! They think them selves so clever; they find out what is right. So also the amateurs, the connoisseurs. You cannot imagine what a comfortable people it is, while the good artist has always to sing a humble note. I have, however, lately a disgust I cannot express when I hear any one judge who is not a pro duoer. Like tobacco smoke his speech at once sickens me. Angelica has done herself a pleasure, and bought two pictures, one of Titian, the other of Paris Bordone, both at a high price. Being so rich that she does not consume her income, and yearly earns more into the bargain, she is to be praised for procuring herself something which gives her pleasure and raises her art-zeal. So soon as she had the pictures in the house she commenced painting in a new manner, to try how certain excellencies in those masters might be appropriated. She is indefatigable not only for work but also for study. It is for her a great pleasure to see things of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Goethe’s Path to Creativity provides a comprehensive psycho-biography of Johann Wolfgang von Goethe, a giant of modern German and European literary, political, and scientific history. The book brings this influential work by Rainer Matthias Holm-Hadulla to the English language for the first time in a newly elaborated edition. Goethe’s path to creativity was difficult and beset by a multitude of crises, beginning with his birth, which was so difficult that he was initially not thought to have survived it, and ending with an infatuation that left him, at the age of 74, toying with the same kind of suicidal thoughts he had entertained as a 20-year-old. Throughout his long life, he suffered bitter disappointments and was subject to severe mood swings. Despite being a gifted child, a widely recognized poet, and an influential scientist and politician, he spent his entire life loving and suffering; nonetheless, he had the exceptional ability to endure emotional pain and to transform his sufferings creatively. The way in which he mined his passions for creative impulses continues to inspire modern readers. Readers can apply the lessons they have learned from his life and use Goethe’s strategies for their own creative art of living. Goethe’s Path to Creativity: A Psycho-Biography of the Eminent Politician, Scientist and Poet will be of great interest to all engaged in the fields of creativity, literature, psychoanalysis, psychology, psychotherapy, and personal growth.

Malleable Anatomies offers an account of the early stages of the practice of anatomical modelling in mid-eighteenth-century Italy. It investigates the 'mania' for anatomical displays that swept the Italian peninsula, and traces the fashioning of anatomical models as important social, cultural, and political as well as medical tools. Over the course of the eighteenth century, anatomical specimens offered particularly accurate insights into the inner body. Being coloured, soft, malleable, and often life-size, they promised to foster anatomical knowledge for different audiences in a delightful way. But how did anatomical models and preparations inscribe and mediate bodily knowledge? How did they change the way in which anatomical knowledge was created and communicated? And how did they affect the lives of those involved in their production, display, viewing, and handling? Examining the circumstances surrounding the creation and early viewing of anatomical displays in Bologna and Naples, Malleable Anatomies addresses these questions by reconstructing how anatomical modelling developed at the intersection of medical discourse, religious ritual, antiquarian and artistic cultures, and Grand Tour display. While doing so, it investigates the development of anatomical modelling in the context of the diverse worlds of visual and material practices that characterized the representation and display of the body in mid-eighteenth-century Italy. Drawing attention to the artisanal dimension of anatomical practice, and to the role of women as both makers and users of anatomical models, it considers how anatomical specimens lay at the centre of a composite world of social interactions, which led to the fashioning of modellers as anatomical celebrities. Moreover, it examines how anatomical displays transformed the proverbially gruesome practice of anatomy into an enthralling experience that engaged audiences' senses.

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Pilgrimage in the Twenty-First Century: A Kaleidoscopic Inquiry showcases the rich diversity of religious and secular pilgrimage on the world stage. Scholars from the Global North and South working in diverse fields in the humanities and social sciences share their research on the nature of pilgrimage—otherwise known as travel for transformation—providing insight into why it is one of the fastest growing segments of the worldwide tourism industry. Topics under scrutiny include the ancient history of pilgrimage, pilgrimage in literature, the development of new trails and the refurbishment of others, pilgrimage as an avenue for justice and peacebuilding, as an example of intangible cultural heritage, and as a unique driver of domestic economies. Each chapter in this survey—covering more than fifteen countries—makes a significant contribution to our understanding of this age-old and multi-faceted phenomenon that is central to our understanding of what it means to be human.