The Middle Ages was an era of dynamic social transformation, and notions of disability in medieval culture reflected how norms and forms of embodiment interacted with gender, class, and race, among other dimensions of human difference. Ideas of disability in courtly romance, saints' lives, chronicles, sagas, secular lyrics, dramas, and pageants demonstrate the nuanced, and sometimes contradictory, relationship between cultural constructions of disability and the lived experience of impairment. An essential resource for researchers, scholars, and students of history, literature, visual art, cultural studies, and education, A Cultural History of Disability in the Middle Ages explores themes and topics such as atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

In God’s Image: Recognizing the Profoundly Impaired as Persons is a bold Catholic argument in defense of the profoundly impaired. While a range of theological voices can now be heard speaking up on behalf of those who live their lives at the extremes of the human condition, few voices have been explicitly Catholic. Comensoli draws on the irreplaceable contribution of St. Thomas Aquinas to forge an engagement with one of the leading thinkers in the theology of the disabled, Professor Hans Reinders. While recognizing the crucial contribution that Reinders has made, Comensoli situates our perception of the cognitively impaired within the horizon of God’s own image, refusing a reduction of the substantialist position the Catholic tradition has always valued. This is linked to the fresh and countercultural community life pioneered by Jean Vanier, founder of the L’Arche communities. For Comensoli, the profoundly impaired are persons whose personhood cannot be recognized outside of the condition of their impairment, and through which God’s Image is perceived in all its paradoxical implications.

The downfall of Jean Vanier due to the history of sexual abuse that came to light in 2020 has shocked everyone familiar with his life and work as the founder and leader of L'Arche. The authors in this book raise significant questions regarding his influential legacy and its relevance for theology and disability and for L'Arche in particular. Without any attempt to whitewash or downplay the seriousness of his transgressions, the question cannot be avoided to sort out the good and the bad in Vanier. It requires soul-searching on the part of his theological heirs and those who have been influenced by him. Finally, his work with and influence upon L'Arche raises the question of sustainability and how its communities might--or might not--be shaped by his tarnished legacy.

This important book is about a particularly rich harvest, saints with disabilities, God's wild flowers. St Therese of Lisieux speaks of God's living garden made of a great variety of flowers. People with disabilities are often on the margins and some find it hard to find their place in a Church that is often seen as emphasizing perfection. This book tells the stories of 141 saints and blessed, some well known and some less well known. All of them had disabilities or long term conditions ranging from cancer, physical disability to mental frailty, depression and learning difficulties. None of them were cured, and none of them were declared saints in spite of their disabilities. Given the number of people who are sick or have disabilities, it should come as no surprise that many are counted among the saints."

[Large print and fully illustrated] Iceland's history is told in the stories of its celebrated figures. From Viking explorers to Saga heroes, the voices that define Icelandic culture are well known. Yet one man in Iceland's past had difficulty finding the words to form his own voice and be known for who he really was: Thorlák Thórhallsson, declared by his people "The Patron Saint of Iceland" in 1198 and officially canonized by Pope John Paul II in 1984. Yet, despite these honors, few have ever heard Thorlák's complete and true story: A child prodigy treated as an adult by those around him, a sorrowful boy from a broken home, a scholar of the emerging theology of merciful love, an innovator in pastoral leadership, and a man who understood the fundamental need to love and be loved. Thorlák of Iceland is an opportunity at last to celebrate this quiet hero who embodies the spiritual heart of the Icelandic people, and to learn from his inspiring true story wisdom for our own age.

From the popular EWTN TV and radio personality comes a to-do list that's just divine. Scripture tells us only God knows the desires of our hearts. It was, after all, God who placed them there because they are designed to lead us to His will for our lives. Why, then, is it so challenging at times to figure out if we are on the right track when it comes to what we believe we want or need? God's Bucket List will examine what God wants for each of us: mercy, fruitfulness, fellowship, and peace, just to name a few, and will explain what the Christian faith teaches about these gifts and how we can begin to achieve and cross out, one by one, the items on that heavenly list.

Images and artistic representations were of significant value to the early Christian communities. In Christ the Miracle Worker in Early Christian Art, Lee Jefferson argues, in fact, that images provided visual representations of vital religious and theological truths crucial to the faithful, by which art possessed the power to project concepts and claims beyond the limitations of the written and spoken word. Images of Christ performing miracles or healings, as demonstrated in this volume, functioned as advertisements for Christianity and illustrated explications of the nature of Christ. These images of Christ as worker of miracles and healing form the nucleus of an extensive examination of this power of art, its role in fostering devotion, and the deep connection between art and its underwriting and elucidation of pivotal theological claims and developments. (back cover).

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber. Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty. He began his search as a “pre–ministerial student” at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with “Old Grit,” his profound professor of New Testament Greek. “You have been given questions to which you cannot be given answers. You will have to live them out—perhaps a little at a time.” “And how long is that going to take?” “I don't know. As long as you live, perhaps.” “That could be a long time.” “I will tell you a further mystery,” he said. “It may take longer.” Wendell Berry’s clear–sighted depiction of humanity’s gifts—love and loss, joy and despair—is seen though his intimate knowledge of the Port William Membership.

In the second title of The Troy Game series, love and revenge are set against the very fabric of time itself as a warrior waits for his opportunity to finish what was started centuries before.

A poignant and powerful spiritual memoir about how the lives of the saints changed the life of a modern woman. In My Sisters the Saints, author Colleen Carroll Campbell blends her personal narrative of spiritual seeking, trials, stumbles, and breakthroughs with the stories of six women saints who profoundly changed her life: Teresa of Avila, Therese of Lisieux, Faustina of Poland, Edith Stein of Germany, Mother Teresa of Calcutta, and Mary of Nazareth. Drawing upon the rich writings and examples of these extraordinary women, the author reveals Christianity's liberating power for women and the relevance of the saints to the lives of contemporary Christians.