This is a new release of the original 1934 edition.

Harlot or Holy Woman? presents an exhaustive study of qedešah, a Hebrew word meaning “consecrated woman” but rendered “prostitute” or “sacred prostitute” in Bible translations. Reexamining biblical and extrabiblical texts, Phyllis A. Bird questions how qedešah came to be associated with prostitution and offers an alternative explanation of the term, one that suggests a wider participation for women as religious specialists in Israel’s early cultic practice. Bird’s study reviews all the texts from classical antiquity cited as sources for an institution of “sacred prostitution,” alongside a comprehensive analysis of the cuneiform texts from Mesopotamia containing the cognate qadištu and Ugaritic texts containing the masculine cognate qdš. Through these texts, Bird presents a portrait of women dedicated to a deity, engaged in a variety of activities from cultic ritual to wet-nursing, and sharing a common generic name with the qedešah of ancient Israel. In the final chapter she returns to biblical texts, reexamining them in light of the new evidence from the ancient Near East. Considering alternative models for constructing women’s religious roles in ancient Israel, this wholly original study offers new interpretations of key texts and raises questions about the nature of Israelite religion as practiced outside the royal cult and central sanctuary.

Sex: how should we do it, when should we do it, and with whom? How should we talk about and represent sex, what social institutions should regulate it, and what are other people doing? Throughout history human beings have searched for answers to such questions by turning to the past, whether through archaeological studies of prehistoric sexual behaviour, by reading Casanova's memoirs, or as modern visitors on the British Museum LGBT trail. In this ground-breaking collection, leading scholars show that claims about the past have been crucial in articulating sexual morals, driving political, legal, and social change, shaping individual identities, and constructing and grounding knowledge about sex. With its interdisciplinary perspective and its focus on the construction of knowledge, the volume explores key methodological problems in the history of sexuality, and is also an inspiration and a provocation to scholars working in related fields - historians, classicists, Egyptologists, and scholars of the Renaissance and of LGBT and gender studies - inviting them to join a much-needed interdisciplinary conversation.

Annie Wood Besant (1847-1933) was a problematic and notorious figure in Victorian England, questioning and then breaking from the Anglican Church to become an atheist, women’s rights advocate, and Freethinker. As editor of her own journal, Our Corner, she responded to inquiries about her life experiences by serializing her life story, which was published in 1885. After providing a vivid account of her trial, along with Charles Bradlaugh, for the right to publish birth control literature, Besant recounts her heartbreaking trial for custody of her daughter. With a critical and historical introduction by Carol Hanbery MacKay, this Broadview Edition includes comparative passages from An Autobiography, written in 1893 after Besant’s conversion to Theosophy. Contemporary reviews, excerpts from publications about issues such as Socialism and trade unionism, and additional examples of Besant’s writing about secularism and labour reform are also included.

A groundbreaking account of the origins and history of the idea of fetishism. In recent decades, William Pietz’s innovative history of the idea of the fetish has become a cult classic. Gathered here, for the first time, is his complete series of essays on fetishism, supplemented by three texts on Marx, blood sacrifice, and the money value of human life. Tracing the idea of the fetish from its origins in the Portuguese colonization of West Africa to its place in Enlightenment thought and beyond, Pietz reveals the violent emergence of a foundational concept for modern theories of value, belief, desire, and difference. This book cements Pietz’s legacy of engaging questions about material culture, object agency, merchant capitalism, and spiritual power, and introduces a powerful theorist to a new generation of thinkers.

This 1988 volume addresses sexual phenomena in eighteenth-century Europe that were outside the legal or sanctified systems of acceptability.

This profusely illustrated new edition brings together the complete texts of all four parts of Liber ABA (Book 4) in one volume under the overall title 'magick' This edition incorporates Crowley's own additions, corrections and annotations, and restores dozen of passages omitted from the first editions.'Magick' is the fundamental textbool of modern magick in the New Eon. Ita also has invalualble teachings for studentes of Yoga and meditation.Crowley mastered the practices of Yoga during his studies in the East and writes about them lucidly, without recourse to the imprecise language of mysticism. Beginning with a discussion of the universal origin of world religions in mysticalrevelation, 'Magick' then explores the theory and practice of mysticism and magick in the light of modern scientific thought.

Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic

Victorian Fetishism argues that fetishism was central to the development of cultural theory in the nineteenth century. From 1850 to 1900, when theories of social evolution reached their peak, European intellectuals identified all "primitive" cultures with "Primitive Fetishism," a psychological form of self-projection in which people believe everything in the external world—thunderstorms, trees, stones—is alive. Placing themselves at the opposite extreme of cultural evolution, the Victorians defined culture not by describing what culture was but by describing what it was not, and what it was not was fetishism. In analyses of major works by Matthew Arnold, George Eliot, and Edward B. Tylor, Peter Melville Logan demonstrates the paradoxical role of fetishism in Victorian cultural theory, namely, how Victorian writers projected their own assumptions about fetishism onto the realm of historical fact, thereby "fetishizing" fetishism. The book concludes by examining how fetishism became a sexual perversion as well as its place within current cultural theory.