This book offers an alternative reading of the relationship between an American mission and an African church in colonial South Africa. The author argues that mission and church were partners in this relationship from the beginning and both were transformed by this experience.

As a young man in South Africa, Nelson Mandela aspired to be an interpreter or clerk, noting in his autobiography that “a career as a civil servant was a glittering prize for an African.” Africans in the lower echelons of colonial bureaucracy often held positions of little official authority, but in practice these positions were lynchpins of colonial rule. As the primary intermediaries among European colonial officials, African chiefs, and subject populations, these civil servants could manipulate the intersections of power, authority, and knowledge at the center of colonial society. By uncovering the role of such men (and a few women) in the construction, function, and legal apparatus of colonial states, the essays in this volume highlight a new perspective. They offer important insights on hegemony, collaboration, and resistance, structures and changes in colonial rule, the role of language and education, the production of knowledge and expertise in colonial settings, and the impact of colonization in dividing African societies by gender, race, status, and class.

Countering scholarly tendencies to fragment the text over theological difficulties, this New Studies in Biblical Theology volume contends that Exodus should be read as a unified whole, and that an appreciation of its missionary theme in its canonical context is of great help in dealing with the difficulties that the book poses.

Based on a connected, relational and multidisciplinary approach (history, ethnography, political science, and theology), Mission and Preaching tackles the notion of mission through the analysis of preaching activities and religious dynamics across Christianity, Islam and Judaism, in the Middle East and North Africa, from the late 19th century until today. The 13 chapters reveal points of contact, exchange, and circulation, considering the MENA region as a central observatory. The volume offers a new chronology of the missionary phenomenon and calls for further cross-cutting approaches to decompartmentalise it, arguing that these approaches constitute useful entry points to shed new light on religious dynamics and social transformations in the MENA region. Contributors Necati Alkan, Federico Alpi, Gabrielle Angey, Armand Aupiais, Katia Boissevain, Naima Bouras, Philippe Bourmaud, Gaetan du Roy, Séverine Gabry-Thienpont, Maria-Chiara Giorda, Bernard Heyberger, Emir Mahieddin, Michael Marten, Norig Neveu, Maria Chiara Rioli, Karène Sanchez Summerer, Heather Sharkey, Ester Sigillò, Sébastien Tank Storper, Emanuela Trevisan Semi, Annalaura Turiano and Vincent Vilmain.

Missions specialist Paul Borthwick brings an urgent report on how the Western church can best continue in global mission. Providing current analysis of the state of the world and Majority World opinion, Borthwick offers concrete advice for Western churches who want to avoid the pitfalls of colonialism.

Tyler Perry has become a significant figure in media due to his undeniable box office success led by his character Madea and popular TV sitcoms House of Payne and Meet the Browns. Perry built a multimedia empire based largely on his popularity among African American viewers and has become a prominent and dominant cultural storyteller. Along with Perry’s success has come scrutiny by some social critics and Hollywood well-knowns, like Spike Lee, who have started to deconstruct the images in Perry’s films and TV shows suggesting, as Lee did, that Perry has used his power to advance stereotypical depictions of African Americans. The book provides a rich and thorough overview of Tyler Perry’s media works. In so doing, contributors represent and approach their analyses of Perry’s work from a variety of theoretical and methodological angles. The main themes explored in the volume include the representation of (a) Black authenticity and cultural production, (b) class, religion, and spirituality, (c) gender and sexuality, and (d) Black love, romance, and family. Perry’s critical acclaim is also explored.