Keel and Uehlinger's unique study brings the massive Palestinian archaeological evidence of 8,500 amulets and inscriptions to bear on these questions. Vindicating the use of symbols and visual remains to investigate ancient religion, the authors employ iconographic evidence from around 1750 B.C.E. through the Persian period (c. 333 B.C.E.) to reconstruct the emergence and development of the Yahweh cult in relation to its immediate neighbors and competitors. They also fully explore whether female characteristics were present in the early Yahweh figure and how they might have evolved in Israelite religion. Keel and Uehlinger's major study marks the maturation of iconographical studies and affords an exciting glimpse into the vibrant religious life of ancient Canaan and Israel.

The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge. Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others? The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.

The historical and literary questions about ancient Israel that traditionally have preoccupied biblical scholars have often overlooked the social realities of life experienced by the vast majority of the population of ancient Israel. Volumes in the Library of Ancient Israel draw on multiple disciplines -- such as archaeology, anthropology, sociology, and literary criticism -- to illumine the everyday realities and social subtleties these ancient cultures experienced. This series employs sophisticated methods resulting in original contributions that depict the reality of the people behind the Hebrew Bible and interprets these scholarly insights for a wide variety of readers. Individually and collectively, these books will expand our vision of the culture and society of ancient Israel, thereby generating new appreciation for its impact up to the present.Patrick Miller investigates the role religion played in an expanding circle of influences in ancient Israel: the family, village, tribe, and nation-state. He situates Israel's religion in context where a variety of social forces affected beliefs, and where popular cults openly competed with the "official" religion. Miller makes extensive use of both epigraphic and artefactual evidence as he deftly probes the complexities of Iron Age culture and society and their enduring significance for people today.

Keel and Uehlinger's unique study brings the massive Palestinian archaeological evidence of 8,500 amulets and inscriptions to bear on these questions. Vindicating the use of symbols and visual remains to investigate ancient religion, the authors employ iconographic evidence from around 1750 B.C.E. through the Persian period (c. 333 B.C.E.) to reconstruct the emergence and development of the Yahweh cult in relation to its immediate neighbors and competitors. They also fully explore whether female characteristics were present in the early Yahweh figure and how they might have evolved in Israelite religion. Keel and Uehlinger's major study marks the maturation of iconographical studies and affords an exciting glimpse into the vibrant religious life of ancient Canaan and Israel.

When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.

Discusses the important gods and goddesses of ancient Greece and retells some of the myths about them, including Zeus, Hera, Athena, and Hades.

This masterly book is the climax of over twenty-five years of study of the impact of Canaanite religion and mythology on ancient Israel and the Old Testament. It is John Day's magnum opus in which he sets forth all his main arguments and conclusions on the subject. The work considers in detail the relationship between Yahweh and the various gods and goddesses of Canaan, including the leading gods El and Baal, the great goddesses (Asherah, Astarte and Anat), astral deities (Sun, Moon and Lucifer), and underworld deities (Mot, Resheph, Molech and the Rephaim). Day assesses both what Yahwism assimilated from these deities and what it came to reject. More generally he discusses the impact of Canaanite polytheism on ancient Israel and how monotheism was eventually achieved.

There is still much disagreement over the origins and development of Israelite religion. Mark Smith sets himself the task of reconstructing the cult of Yahweh, the most important deity in Israel's early religion, and tracing the transformation of that deity into the sole god - the development of monotheism.

From the tragic young Adonis to Zašhapuna, first among goddesses, this handbook provides the most complete information available on deities from the cultures and religions of the ancient Near East, including Anatolia, Syria, Israel, Sumer, Babylonia, Assyria, and Elam. The result of nearly fifteen years of research, this handbook is more expansive and covers a wider range of sources and civilizations than any previous reference works on the topic. Arranged alphabetically, the entries range from multiple pages of information to a single line—sometimes all that we know about a given deity. Where possible, each record discusses the deity’s symbolism and imagery, connecting it to the myths, rituals, and festivals described in ancient sources. Many of the entries are accompanied by illustrations that aid in understanding the iconography, and they all include references to texts in which the god or goddess is mentioned. Appropriate for both trained scholars and nonacademic readers, this book collects centuries of Near Eastern mythology into one volume. It will be an especially valuable resource for anyone interested in Assyriology, ancient religion, and the ancient Near East.

The Image and the Book is a richly documented and provocative collection of studies and essays dealing with the historical background of biblical ban on religious images. It describes the role and theology of the divine image in the civilizations surrounding Israel, and shows that there has been long-standing worship of images in Israel. Though the Bible intimates that Israelite religion was aniconic from the very beginning, the archaeological evidence and the dispassionate analysis of the available texts shows otherwise. The iconographical remains yield a fascinating view of the development and varieties in the cult of religious images. The iconoclasm of influential currents in the late Israelite and early Judaic religion went in tandem with the promotion of the Book of the Law as a substitute of the image. In the case of the Bible, the rise of book religion must be seen in conjunction with the battle against images.