The classic, bestselling biography of one of the most controversial figures in British history from 'One of the finest historians of the age' The Times Literary Supplement From Fenland farmer and humble backbencher to stalwart of the good old cause and the New Model Army, Oliver Cromwell became the key figure of the Commonwealth, and ultimately Lord Protector. In this fascinating and insightful biography, Christopher Hill reveals Cromwell's life from his beginnings in Huntingdonshire to his brutal end. Hill brings all his considerable knowledge of the period to bear on the relationships God's Englishman had with God and England, giving an unprecedented insight vital to understanding Cromwell.

From master author R. F. Delderfield, the first in the beloved classic God Is an Englishman series.The first novel in the epic God Is an Englishman series, this book is a stirring saga of England in the 19th century, as the Industrial Revolution takes hold, forever changing the landscape of England and her people. Adam Swann, scion of an army family, returns home in 1858 after service with Her Majesty's army in the Crimea and India, determined to build his fortune in the dog-eat-dog world of Victorian commerce. Swann is soon captivated by Henrietta, the high-spirited daughter of a local mill owner. As Swann works to build his name, he and Henrietta share adventures, reversal, and fortune. A beloved novel by a beloved author, God Is an Englishman is a treasure both for Delderfield fans and the growing legion of fans of historical fiction. "R. F. Delderfield is a born storyteller." Sunday Mirror "A book to get lost in... An epic historical novel artfully contructed." New York Times Book Review "A novel in the grand tradition of Thackery and Dickens." Milwaukee Journal "A delightful bounty of characters fairly jumps from the pages of God Is an Englishman." Columbus Dispatch

In a century of unrelenting, bloody warfare and religious persecution in Europe, Cromwell was, in many ways, a product of his times. As commander-in-chief of the army in Ireland, however, the responsibilities for the excesses of the military must be laid firmly at his door, while the harsh nature of the post-war settlement also bears his imprint.

A brilliantly researched and vividly written history of the English Civil Wars, from one of Britain's most prominent Civil War historians The sequence of civil wars that ripped England apart in the seventeenth century was the single most traumatic event in this country between the medieval Black Death and the two world wars. Indeed, it is likely that a greater percentage of the population were killed in the civil wars than in the First World War. This sense of overwhelming trauma gives this major new history its title: God’s Fury, England’s Fire. The name of a pamphlet written after the king’s surrender, it sums up the widespread feeling within England that the seemingly endless nightmare that had destroyed families, towns and livelihoods was ordained by a vengeful God – that the people of England had sinned and were now being punished. As with all civil wars, however, ‘God’s fury’ could support or destroy either side in the conflict. Was God angry at Charles I for failing to support the true, protestant, religion and refusing to work with Parliament? Or was God angry with those who had dared challenge His anointed Sovereign? Michael Braddick’s remarkable book gives the reader a vivid and enduring sense both of what it was like to live through events of uncontrollable violence and what really animated the different sides. God’s Fury, England’s Fire allows readers to understand once more the events that have so fundamentally marked this country and which still resonate centuries after their bloody ending.

This bestselling novel set in the ruthless world of Victorian commerce follows the fortunes of Adam Swann, a scion of an Army family and veteran of campaigns in the Crimea and in India, in his quest to found his own financial dynasty. His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside.Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

From the acclaimed author of Dispatches From Pluto and Deepest South of All, a harrowing travelogue into Mexico’s lawless Sierra Madre mountains. Twenty miles south of the Arizona-Mexico border, the rugged, beautiful Sierra Madre mountains begin their dramatic ascent. Almost 900 miles long, the range climbs to nearly 11,000 feet and boasts several canyons deeper than the Grand Canyon. The rules of law and society have never taken hold in the Sierra Madre, which is home to bandits, drug smugglers, Mormons, cave-dwelling Tarahumara Indians, opium farmers, cowboys, and other assorted outcasts. Outsiders are not welcome; drugs are the primary source of income; murder is all but a regional pastime. The Mexican army occasionally goes in to burn marijuana and opium crops—the modern treasure of the Sierra Madre—but otherwise the government stays away. In its stead are the drug lords, who have made it one of the biggest drug-producing areas in the world. Fifteen years ago, journalist Richard Grant developed what he calls "an unfortunate fascination" with this lawless place. Locals warned that he would meet his death there, but he didn't believe them—until his last trip. During his travels Grant visited a folk healer for his insomnia and was prescribed rattlesnake pills, attended bizarre religious rituals, consorted with cocaine-snorting policemen, taught English to Guarijio Indians, and dug for buried treasure. On his last visit, his reckless adventure spiraled into his own personal heart of darkness when cocaine-fueled Mexican hillbillies hunted him through the woods all night, bent on killing him for sport. With gorgeous detail, fascinating insight, and an undercurrent of dark humor, God's Middle Finger brings to vivid life a truly unique and uncharted world.

The recent resurgence of interest in the Puritan John Owen has resulted in increasing requests for Kelly Kapic's Communion with God, which was one of the books that helped foster renewed attention on this classic theologian. This book is now back in print with a new preface by the author. According to Kapic, a variety of people today are rediscovering Owen, including academic theologians, ministers from different denominational backgrounds, and laypeople interested in classic forms of spirituality. With this diverse audience in mind, Kapic focuses on the concept of communion with God in Owen's thought, covering key areas such as anthropology, Christology, trinitarian studies, and the Lord's supper. Kapic shows that Owen remains a rich dialogue partner for those engaged both in contemporary theology and pastoral practice.

In 1642 an ordinance closed the theatres of England. Critics and historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama nor a blank space between 'Renaissance drama' and the 'Restoration stage'. Rather, throughout the period, writers focused instead on a range of dramas with political perspectives, from republican to royalist. This group included the short pamphlet dramas of the 1640s and the texts produced by the writers of the 1650s, such as William Davenant, Margaret Cavendish and James Shirley. In analysing the diverse forms of dramatic production of the 1640s and 1650s, Wiseman reveals the political and generic diversity produced by the changes in dramatic production, and offers insights into the theatre of the Civil War.