Three goddesses, banished to earth by their dad, Zeus (yeah, that Zeus)...Era, on mortal boys: "Look at him. Even the gods back home aren't that cute." Polly, on Nova High gossip: "I'm simply not in the mood to chatter on about silly spiteful girlsor cute Johnny Jims or sauerkraut breath." Thalia, on earth: "I mean, we don't know what earth is like. Maybe it's all leprechaunsand roses. Maybe it's an adventure every day. Maybe it's space-age." Polly, Era, and Thalia are stuck on earth, and to get back to Olympus, they've got to prove they've learned their lesson. And they've got to get through high school in the meantime. Which would be hard enough without the horribly evil Furies threatening to destroy their chances of ever seeing home again....

Thalia persuades her sisters, Muses Era and Polly, to help her avoid an arranged marriage, but their plan goes awry and Zeus sends the girls to Earth--only instead of arriving in ancient Athens, Greece, they arrive in modern Athens, Georgia.

Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.

Yale Classics (Vol. 1) marks an unprecedented assemblage of the luminaries of Ancient Greek literature, philosophy, and historiography, presenting a rich tapestry of the intellectual and creative brilliance that has shaped not only Western literature but also the very foundation of Western thought. This collection spans a breathtaking range of genresfrom the philosophical dialogues of Plato and Aristotle to the epic poetry of Homer, the tragic dramas of Sophocles and Euripides, and the historical narratives of Herodotus and Thucydides. Each work is a testament to the diversity and depth of ancient Greek literary and philosophical tradition, offering readers a glimpse into the myriad ways the ancients grappled with themes of power, morality, fate, and virtue. Noteworthy are the poetic fragments of Sappho and Anacreon, which provide a rare insight into the lyrical expressions of personal emotion, influencing countless generations thereafter. The contributing authors and editors, revered not only for their foundational roles in literature and philosophy but also for their profound impact on the development of Western cultural and intellectual history, emerge from varied backgrounds but share a common heritage of profound insight into the complexity of the human condition and the world. Their collective works represent the confluence of literary genius and philosophical inquiry that defines the Classical era, engaging with themes of heroism, governance, ethics, and aesthetics. This anthology aligns with and celebrates significant historical and cultural movements, encapsulating the essence of the Classical period in a way that no single author could. Culminating in an invitation to modern readers, Yale Classics (Vol. 1) offers an unparalleled opportunity to engage with the seminal works that have not only laid the groundwork for Western thought but continue to challenge and inspire. It beckons to those eager to explore the roots of contemporary culture, ethics, and politics through the lens of ancient wisdom. As such, this volume is an indispensable resource for students, scholars, and anyone with an interest in the endurance of classical themes in modern times, providing a unique dialogue between epochs and glittering testimony to the enduring legacy of Ancient Greek civilization.

Ancient Greek literature has a profound impact on western literature at large. In particular, many ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce, have all drawn heavily on classical themes and motifs. Even today authors are fascinated with Greek literature, and still great works of literature are based on ancient myths and plays. The readers can still relate to these works of art and learn from them, even though written two millennials ago. This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone wanting to know more about history and literature of this period, interested in poetry, philosophy and drama of Antient Greece.

This work significantly advances the critical discussion of New Testament Christology. Hengel examines the titles Son and God. He points toward an inner consistency and dynamic in the development of the doctrine of Christ in primitive Christianity as the movement proceeded from the Gospels' account of the death of Jesus to the high Christology present in the Pauline writings. Historical scholarship and theological -- one might even say dogmatic -- questions must not stand in unresolved contradiction. On the contrary, the historian misunderstands the nature of New Testament Christology if he does not grasp its theological concern and its inner consistency, while a dogmatic approach that does not take seriously the historical course of Christianity is in danger of becoming no more than abstract speculation. It is therefore vitally important to unite historical research and the theological search for truth.