In his reflections on God, Jesus, suffering, and liberation, James H. Cone relates the gospel message to the experience of the black community. But a wider theme of the book is the role that social and historical context plays in framing the questions we address to God as well as the mode of the answers provided.

"The introduction to this edition by Cornel West was originally published in Dwight N. Hopkins, ed., Black Faith and Public Talk: Critical Essays on James H. Cone's Black Theology & Black Power (Maryknoll, NY: Orbis Books, 1999; reprinted 2007 by Baylor University Press)."

A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.

"What is the relationship," James Cone asks, "between my training as a theologian and the black struggle for freedom? For what reason has God allowed a poor black boy from Bearden to become a professional systematic theologian? As I struggled with these questions...I could not escape the overwhelming conviction that God's spirit was calling me to do what I could for the enhancement of justice in the world, especially on behalf of my people. 'My Soul Looks Back' chronicles the author's grappling with these questions, as well as his formulation of an answer--an answer that would lead to the development of a black theology of liberation. Firmly rooted in the black church tradition, James Cone relates the formative features of his faith journey, from his childhood experience in Bearden, Arkansas, and his father's steadfast resistance to racism, through racial discrimination in graduate school, to his controversial articulation of a faith that seeks to break the shackles of racial oppression. In describing his more recent encounters with feminist, Marxist, and Third World thinkers, James Cone provides a compelling description of liberation theology, and a vivid portrayal of what it means to profess "a faith that does justice". (Back cover).

This autobiographical work is truly the capstone to the career of the man widely regarded as the "Father of Black Theology." Dr. Cone, a distinguished professor at Union Theological Seminary, died April 27, 2018. During the 1960s and O70s he argued for racial justice and an interpretation of the Christian Gospel that elevated the voices of the oppressed.ssed.

"How two forms of song helped sustain slaves and their children in the midst of tribulation. With a new introduction by Cheryl Townsend Gilkes"--

“No other publication in the twentieth century has upended antiquated theological notions, truncated political ideas, and socially constructed racial fallacies like Jesus and the Disinherited. Thurman’s work keeps showing up on the desk of anti-apartheid activists, South American human rights workers, civil rights champions, and now Black Lives Matter advocates.” –Rev. Otis Moss III, author of Blue Note Preaching in a Post-Soul World and senior pastor at Trinity United Church of Christ A commemorative edition of the work that inspired Martin Luther King Jr. and helped shape the civil rights movement In this beautiful gift edition of the classic theological treatise, complete with a place-marker ribbon and silver gilded edges, celebrated theologian and religious leader Howard Thurman (1899–1981) revolutionizes the way we read the gospel. Thurman lifts Jesus up as a partner in the pain of the oppressed and reveals the gospel as a manual of resistance for the poor and disenfranchised. In this view, the example of Jesus’s life shows us that hatred does not empower—it decays. Only by recognizing fear, deception, contempt, and love of one another can God’s justice prevail. With a new foreword by acclaimed womanist theologian Kelly Brown Douglas, this edition of Jesus and the Disinherited is a timeless testimony of faith that demonstrates how to thrive and flourish in a world that attempts to destroy one’s humanity from the inside out. Having witnessed firsthand the depths of white supremacy and the heights of human civility, Thurman reiterates the inherent dignity of all of God’s children.

Elyse knows what it means to keep a secret. She's been keeping secrets her whole life. Two, actually. First, that she ages five times slower than average people, so that while she looks eighteen years old, she's well over eighty. Second, that her blood has a mysterious power to heal. For Elyse, these things don't make her special. They make life dangerous. After the death of her parents, she's been careful to keep her secret as closely guarded as possible. Now, only one other person in the world knows about her age and ability. Or so she thinks. Elyse is not the only one keeping secrets. There are others like her all over the world, descendants of the very people the Greeks considered gods. She is one of them, and they have been waiting for her for a long time. Some are waiting for her to put an end to centuries of traditions that have oppressed their people under the guise of safeguarding them. Others are determined to keep her from doing just that. But for Elyse, the game is just beginning-and she's not entirely willing to play by their rules.

In this work Harry H. Singleton, III, uniquely combines the theological methods of Juan Luis Segundo and James H. Cone. Segundo's method of deideologization is appropriated to argue that relevant theological reflection must depart from the exposing of religio-political ideologies that justify human opression in the name of God and their need to be effectively countered by the creation of new theological presuppositions rooted in liberation. Singleton then contextualizes Segundo's method by offering Cone's theological perspective as the best example of such an approach in America insofar as it is able to discern the link between religio-political ideologies and black oppression.