Nationally bestselling authors William W. Johnstone and J.A. Johnstone give us a standalone, completely new western adventure centering on a wagon train heading west, a vivid account of the pioneering men and women who put their lives on the line to carve out the American Frontier. GO WEST, YOUNG MAN Missouri, 1860. Rumors of war between the North and South are spreading across the land. In rural Green County, many of the farmers are already choosing sides. But not John Zachary. His loyalties lie with his family first—and his heart is telling him to go west. Hoping to build a new life in the fertile valleys of Oregon, he convinces his best friend, Emmett Braxton, to pack up their families and join him on a wagon train across the Oregon Trail. The journey will be long and hard. The physical hardships and grueling mental challenges will bring out the best in some—and the worst in others. But with the guidance of an experienced wagon master and scout, they are determined to reach their destiny, no matter how high the cost . . . Twenty-seven wagons. Twenty-seven different hopes and dreams. This sprawling epic novel from these master storytellers captures the beauty and danger of the American West—and the pioneer spirit of those who tamed it . . . “Brilliantly captures the American spirit in all its never-surrender glory. With masterful storytelling, this novel has all the action anyone could possibly imagine . . . superb from start to finish. An instant classic. “ —New York Times Bestselling Author Marc Cameron on Forever Texas

Transference of orientalist images and identities to the American landscape and its inhabitants, especially in the West—in other words, portrayal of the West as the “Orient”—has been a common aspect of American cultural history. Place names, such as the Jordan River or Pyramid Lake, offer notable examples, but the imagery and its varied meanings are more widespread and significant. Understanding that range and significance, especially to the western part of the continent, means coming to terms with the complicated, nuanced ideas of the Orient and of the North American continent that European Americans brought to the West. Such complexity is what historical geographer Richard Francaviglia unravels in this book. Since the publication of Edward Said’s book, Orientalism, the term has come to signify something one-dimensionally negative. In essence, the orientalist vision was an ethnocentric characterization of the peoples of Asia (and Africa and the “Near East”) as exotic, primitive “others” subject to conquest by the nations of Europe. That now well-established point, which expresses a postcolonial perspective, is critical, but Francaviglia suggest that it overlooks much variation and complexity in the views of historical actors and writers, many of whom thought of western places in terms of an idealized and romanticized Orient. It likewise neglects positive images and interpretations to focus on those of a decadent and ostensibly inferior East. We cannot understand well or fully what the pervasive orientalism found in western cultural history meant, says Francaviglia, if we focus only on its role as an intellectual engine for European imperialism. It did play that role as well in the American West. One only need think about characterizations of American Indians as Bedouins of the Plains destined for displacement by a settled frontier. Other roles for orientalism, though, from romantic to commercial ones, were also widely in play. In Go East, Young Man, Francaviglia explores a broad range of orientalist images deployed in the context of European settlement of the American West, and he unfolds their multiple significances.

The must-have photography monograph of the year, this lavish oversized volume celebrates David Yarrow's unparalleled wildlife imagery. For more than two decades, legendary British photographer David Yarrow has been putting himself in harm's way to capture immersive and evocative photography of the world's most revered and endangered species. With his images heightening awareness of those species and also raising huge sums for charity and conservation, he is one of the most relevant photographers in the world today. Featuring Yarrow's 150 most iconic photographs, this book offers a truly unmatched view of some of the world's most compelling animals. The collection of stunning images, paired with Yarrow's first-person contextual narrative, offers insight into a man who will not accept second best in his relentless pursuit of excellence. David Yarrow Photography offers a balanced retrospective of his spectacular work in the wild and his staged storytelling work, which has earned him wide acclaim in the fine-art market. Yarrow rarely just takes pictures--he almost always makes them. This approach sets him apart from others in the field. Yarrow's work will awaken our collective conscience, and--true to form--he plans to donate all the royalties from this book to conservation

U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.

In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a "New Woman." Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.

"Overturns conventional thinking that the Western genre is essentially conservative. Instead, Brode demonstrates that Hollywood liberals used Westerns to espouse a progressive agenda on a range of issues, including gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Doug Brode takes a new look at dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men"--

From his arrival in New York City in 1831 as a young printer from New Hampshire to his death in 1872 after losing the presidential election to General Ulysses S. Grant, Horace Greeley (b. 1811) was a quintessential New Yorker. He thrived on the city’s ceaseless energy, with his New York Tribune at the forefront of a national revolution in reporting and transmitting news. Greeley devoured ideas, books, fads, and current events as quickly as he developed his own interests and causes, all of which revolved around the concept of freedom. While he adored his work as a New York editor, Greeley’s lifelong quest for universal freedom took him to the edge of the American frontier and beyond to Europe. A major figure in nineteenth-century American politics and reform movements, Greeley was also a key actor in a worldwide debate about the meaning of freedom that involved progressive thinkers on both sides of the Atlantic, including Margaret Fuller, Ralph Waldo Emerson, and Karl Marx. Greeley was first and foremost an ardent nationalist who devoted his life to ensuring that America live up to its promises of liberty and freedom for all of its members. Robert C. Williams places Greeley’s relentless political ambitions, bold reform agenda, and complex personal life into the broader context of freedom. Horace Greeley is as rigorous and vast as Greeley himself, and as America itself in the long nineteenth century. In the first comprehensive biography of Greeley to be published in nearly half a century, Williams captures Greeley from all sides: editor, reformer, political candidate, eccentric, and trans-Atlantic public intellectual; examining headlining news issues of the day, including slavery, westward expansion, European revolutions, the Civil War, the demise of the Whig and the birth of the Republican parties, transcendentalism, and other intellectual currents of the era.